Author: Michael A. Quinlan
Publisher:
ISBN:
Category : Criticism
Languages : en
Pages : 260
Book Description
Poetic Justice in the Drama
Author: Michael A. Quinlan
Publisher:
ISBN:
Category : Criticism
Languages : en
Pages : 260
Book Description
Publisher:
ISBN:
Category : Criticism
Languages : en
Pages : 260
Book Description
Poetic Justice in the Drama
Poetic Justice in the Drama: The History of an Ethical Principle in Literary Criticism
Author: Michael A. Quinlan
Publisher: Wentworth Press
ISBN: 9780469993129
Category : Drama
Languages : en
Pages : 246
Book Description
This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
Publisher: Wentworth Press
ISBN: 9780469993129
Category : Drama
Languages : en
Pages : 246
Book Description
This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
Poetic Justice in the Drama
Author: Michael A. Quinlan
Publisher: Forgotten Books
ISBN: 9780666990969
Category : Literary Collections
Languages : en
Pages : 246
Book Description
Excerpt from Poetic Justice in the Drama: The History of an Ethical Principle in Literary Criticism Prominent among the subjects which must be thought of by any one who makes a study of the problem of poetic justice, is that which takes into consideration the aim and end of art. In order to accept or reject the dogma of rewards and punish ments in literature, one must carefully consider whether or not it is the aim and end of art to instruct. It was not necessary, however, that the writer should ofier any very specific and final answer to this large question. The doctrine of poetic justice has been understood in different ways by literary critics, and has been applied so rigorously by some writers, that the rejection of the doctrine does not necessarily imply a denial that instruction should be the chief aim of literary art. This much may be said as pointing towards an answer: on the one hand the gross violation of the principle of poetic justice, as ordinarily understood, is highly inartistic in its effect; and, on the other hand, absolute conformity to extreme form of poetic justice works against the best interests of art. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.
Publisher: Forgotten Books
ISBN: 9780666990969
Category : Literary Collections
Languages : en
Pages : 246
Book Description
Excerpt from Poetic Justice in the Drama: The History of an Ethical Principle in Literary Criticism Prominent among the subjects which must be thought of by any one who makes a study of the problem of poetic justice, is that which takes into consideration the aim and end of art. In order to accept or reject the dogma of rewards and punish ments in literature, one must carefully consider whether or not it is the aim and end of art to instruct. It was not necessary, however, that the writer should ofier any very specific and final answer to this large question. The doctrine of poetic justice has been understood in different ways by literary critics, and has been applied so rigorously by some writers, that the rejection of the doctrine does not necessarily imply a denial that instruction should be the chief aim of literary art. This much may be said as pointing towards an answer: on the one hand the gross violation of the principle of poetic justice, as ordinarily understood, is highly inartistic in its effect; and, on the other hand, absolute conformity to extreme form of poetic justice works against the best interests of art. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.
Poetic Justice in the Drama
Author: Michael A. Quinlan
Publisher:
ISBN:
Category : Criticism
Languages : en
Pages : 258
Book Description
Publisher:
ISBN:
Category : Criticism
Languages : en
Pages : 258
Book Description
The Cultural Milieu of Addison's Literary Criticism
Author: Lee Andrew Elioseff
Publisher: University of Texas Press
ISBN: 0292772769
Category : Literary Criticism
Languages : en
Pages : 267
Book Description
The whole history of literary criticism is illuminated by this analysis of one English critic’s work. It is, in effect, a literary case study presented as partial answer to the complicated question: what cultural conditions are conducive to the development of a particular theory of literature? Initially, Lee Andrew Elioseff defines four difficult responsibilities of the historian of criticism: the interpretation of his material in terms of all the cultural circumstances that produced it; elimination of the purely chance elements, such as private feuds and unimportant personal tastes; consideration of those aspects of criticism that best indicate the dominant critical opinions of the age and the principles that are leading it; and illumination of the present critical situation. Concentrating upon the first three of these obligations, Elioseff seeks the sources of modern literary criticism in the works of Joseph Addison and his contemporaries, analyzing with great care and accuracy their responses to problems—both literary and nonliterary—in their culture. From the analysis, Addison emerges as a very significant figure: a critic who moved from Renaissance and neoclassical humanism and became one of the most important predecessors of romantic criticism; a formulator of what was to become the “emotive strain” in literary criticism; an essayist who raised many problems shared by the “modern” psychological critic whose immediate concern is the effect of the literature upon its audience. Drawing abundantly from a wide knowledge of philosophy, literature, and history, and exercising an incisive critical acumen, Elioseff discusses Addison’s criticism in three aspects: “The Critical Milieu,” an interpretation of Addison’s relation to his age as it influenced his views on tragedy, epic poetry, and ballads; “Addison and Eighteenth-Century England,” a consideration of contemporary political thought, morals, and theology; and the “Empirical Tradition,” an analysis of Addison’s critical views as expressed in The Pleasures of the Imagination.
Publisher: University of Texas Press
ISBN: 0292772769
Category : Literary Criticism
Languages : en
Pages : 267
Book Description
The whole history of literary criticism is illuminated by this analysis of one English critic’s work. It is, in effect, a literary case study presented as partial answer to the complicated question: what cultural conditions are conducive to the development of a particular theory of literature? Initially, Lee Andrew Elioseff defines four difficult responsibilities of the historian of criticism: the interpretation of his material in terms of all the cultural circumstances that produced it; elimination of the purely chance elements, such as private feuds and unimportant personal tastes; consideration of those aspects of criticism that best indicate the dominant critical opinions of the age and the principles that are leading it; and illumination of the present critical situation. Concentrating upon the first three of these obligations, Elioseff seeks the sources of modern literary criticism in the works of Joseph Addison and his contemporaries, analyzing with great care and accuracy their responses to problems—both literary and nonliterary—in their culture. From the analysis, Addison emerges as a very significant figure: a critic who moved from Renaissance and neoclassical humanism and became one of the most important predecessors of romantic criticism; a formulator of what was to become the “emotive strain” in literary criticism; an essayist who raised many problems shared by the “modern” psychological critic whose immediate concern is the effect of the literature upon its audience. Drawing abundantly from a wide knowledge of philosophy, literature, and history, and exercising an incisive critical acumen, Elioseff discusses Addison’s criticism in three aspects: “The Critical Milieu,” an interpretation of Addison’s relation to his age as it influenced his views on tragedy, epic poetry, and ballads; “Addison and Eighteenth-Century England,” a consideration of contemporary political thought, morals, and theology; and the “Empirical Tradition,” an analysis of Addison’s critical views as expressed in The Pleasures of the Imagination.
Literary Criticism
Author: Gay Wilson Allen
Publisher: Wayne State University Press
ISBN: 9780814311585
Category : Literary Criticism
Languages : en
Pages : 676
Book Description
Selections from 39 critics.
Publisher: Wayne State University Press
ISBN: 9780814311585
Category : Literary Criticism
Languages : en
Pages : 676
Book Description
Selections from 39 critics.
Cornell Studies in English
Bulletin (1901-195 )
Author: Brooklyn Public Library
Publisher:
ISBN:
Category :
Languages : en
Pages : 468
Book Description
Publisher:
ISBN:
Category :
Languages : en
Pages : 468
Book Description
Catalog of Copyright Entries
Author: Library of Congress. Copyright Office
Publisher:
ISBN:
Category : American literature
Languages : en
Pages : 1612
Book Description
Publisher:
ISBN:
Category : American literature
Languages : en
Pages : 1612
Book Description