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Author: Sebastian Heinrichs Publisher: GRIN Verlag ISBN: 3638744396 Category : Biography & Autobiography Languages : en Pages : 37
Book Description
Seminar paper from the year 2005 in the subject American Studies - Literature, grade: 1,3, Bielefeld University, 21 entries in the bibliography, language: English, abstract: Punk rock and the punk movement had a powerful impact on society and pop music. People influenced by it regarded crudeness and simplicity as a chance to express themselves, the constraints of conventions that demanded conformity and accuracy left behind. While breaking with those traditions concerning music, life style and attitude was at first the main motivation in the late 1970s, the movement emerged for many people to a force propagating virtues like equality, justice and social responsibility. The mixture of music always forcing attention and the prevalent notion of urgency in the lyrics proved a perfect basis for a countless number of artists to express vigorously protest, feelings ranging from despair to joy or just their personal perception of their environment. Along the history of American poetry the poems showed exactly those features, offering a channel to express oneself. The way poets express themselves just changed. It required centuries and many different stages to develop for example from the puritan style and fixed rhyme pattern of Anne Bradstreet's works to the flowing free verse of Walt Whitman expressing a fervent patriotism, which is again a great contrast to Allen Ginsberg's beat poetry, which features a very critical attitude towards America. Regarding the Native Americans' poetry, which deals in many cases with the balance between humans and their environment or appears in the form of vocables, as an additional facet, these developments illustrate how wide the range of style has already been when comparing it to later forms of poetry, and that always a breaking with conventions, accompanied by enthusiastic adherents on the one hand and sceptics on the other hand, took place. Analyzing a selection of punk rock lyrics by American artists I want to show that they posse
Author: Sebastian Heinrichs Publisher: GRIN Verlag ISBN: 3638744396 Category : Biography & Autobiography Languages : en Pages : 37
Book Description
Seminar paper from the year 2005 in the subject American Studies - Literature, grade: 1,3, Bielefeld University, 21 entries in the bibliography, language: English, abstract: Punk rock and the punk movement had a powerful impact on society and pop music. People influenced by it regarded crudeness and simplicity as a chance to express themselves, the constraints of conventions that demanded conformity and accuracy left behind. While breaking with those traditions concerning music, life style and attitude was at first the main motivation in the late 1970s, the movement emerged for many people to a force propagating virtues like equality, justice and social responsibility. The mixture of music always forcing attention and the prevalent notion of urgency in the lyrics proved a perfect basis for a countless number of artists to express vigorously protest, feelings ranging from despair to joy or just their personal perception of their environment. Along the history of American poetry the poems showed exactly those features, offering a channel to express oneself. The way poets express themselves just changed. It required centuries and many different stages to develop for example from the puritan style and fixed rhyme pattern of Anne Bradstreet's works to the flowing free verse of Walt Whitman expressing a fervent patriotism, which is again a great contrast to Allen Ginsberg's beat poetry, which features a very critical attitude towards America. Regarding the Native Americans' poetry, which deals in many cases with the balance between humans and their environment or appears in the form of vocables, as an additional facet, these developments illustrate how wide the range of style has already been when comparing it to later forms of poetry, and that always a breaking with conventions, accompanied by enthusiastic adherents on the one hand and sceptics on the other hand, took place. Analyzing a selection of punk rock lyrics by American artists I want to show that they posse
Author: Sebastian Heinrichs Publisher: GRIN Verlag ISBN: 3638743977 Category : Literary Collections Languages : en Pages : 17
Book Description
Seminar paper from the year 2005 in the subject American Studies - Literature, grade: 1,3, Bielefeld University, language: English, abstract: Punk rock and the punk movement had a powerful impact on society and pop music. People influenced by it regarded crudeness and simplicity as a chance to express themselves, the constraints of conventions that demanded conformity and accuracy left behind. While breaking with those traditions concerning music, life style and attitude was at first the main motivation in the late 1970s, the movement emerged for many people to a force propagating virtues like equality, justice and social responsibility. The mixture of music always forcing attention and the prevalent notion of urgency in the lyrics proved a perfect basis for a countless number of artists to express vigorously protest, feelings ranging from despair to joy or just their personal perception of their environment. Along the history of American poetry the poems showed exactly those features, offering a channel to express oneself. The way poets express themselves just changed. It required centuries and many different stages to develop for example from the puritan style and fixed rhyme pattern of Anne Bradstreet’s works to the flowing free verse of Walt Whitman expressing a fervent patriotism, which is again a great contrast to Allen Ginsberg’s beat poetry, which features a very critical attitude towards America. Regarding the Native Americans’ poetry, which deals in many cases with the balance between humans and their environment or appears in the form of vocables, as an additional facet, these developments illustrate how wide the range of style has already been when comparing it to later forms of poetry, and that always a breaking with conventions, accompanied by enthusiastic adherents on the one hand and sceptics on the other hand, took place. Analyzing a selection of punk rock lyrics by American artists I want to show that they possess features that are typical for classical poetry, whereas the term classical poetry will represent the traditional understanding of poetry, which does not include punk rock lyrics. Intertextual elements as well as formal aspects will be pointed out and compared to similar cases in works of different poets that are supposed to serve as a kind of measuring staff, which will help to show where congruence is present and where it is not.
Author: Gerfried Ambrosch Publisher: Routledge ISBN: 1351384449 Category : Literary Criticism Languages : en Pages : 346
Book Description
Punk bands have produced an abundance of poetic texts, some crude, some elaborate, in the form of song lyrics. These lyrics are an ideal means by which to trace the developments and explain the conflicts and schisms that have shaped, and continue to shape, punk culture. They can be described as the community’s collective ‘poetic voice,’ and they come in many different forms. Their themes range from romantic love to emotional distress to radical politics. Some songs are intended to entertain, some to express strong feelings, some to provoke, some to spread awareness, and some to foment unrest. Most have an element of confrontation, of kicking against the pricks. Socially and epistemologically, they play a central role in the scene’s internal discourse, shaping communities and individual identities. The Poetry of Punk is an investigation into the Anglophone punk culture, specifically in the UK and the US, where punk originated in the mid-1970s, its focus being on the song lyrics written and performed by punk rock and hardcore artists.
Author: Charlotte Pence Publisher: Univ. Press of Mississippi ISBN: 1617031577 Category : Music Languages : en Pages : 309
Book Description
The Poetics of American Song Lyrics is the first collection of academic essays that regards songs as literature and that identifies intersections between the literary histories of poems and songs. The essays by well-known poets and scholars including Pulitzer Prize winner Claudia Emerson, Peter Guralnick, Adam Bradley, David Kirby, Kevin Young, and many others, locate points of synthesis and separation so as to better understand both genres and their crafts. The essayists share a desire to write on lyrics in a way that moves beyond sociological, historical, and autobiographical approaches and explicates songs in relation to poetics. Unique to this volume, the essays focus not on a single genre but on folk, rap, hip hop, country, rock, indie, soul, and blues. The first section of the book provides a variety of perspectives on the poetic history and techniques within songs and poems, and the second section focuses on a few prominent American songwriters such as Bob Dylan, Bruce Springsteen, and Michael Stipe. Through conversational yet in-depth analyses of songs, the essays discuss sonnet forms, dramatic monologues, Modernism, ballads, blues poems, confessionalism, Language poetry, Keatsian odes, unreliable narrators, personas, poetic sequences, rhythm, rhyme, transcription methods, the writing process, and more. While the strategies of explication differ from essay to essay, the nexus of each piece is an unveiling of the poetic history and poetic techniques within songs.
Author: Mike Mattison Publisher: Univ. Press of Mississippi ISBN: 1496837290 Category : Literary Criticism Languages : en Pages : 176
Book Description
Poetic Song Verse: Blues-Based Popular Music and Poetry invokes and critiques the relationship between blues-based popular music and poetry in the twentieth and twenty-first centuries. The volume is anchored in music from the 1960s, when a concentration of artists transformed modes of popular music from entertainment to art-that-entertains. Musician Mike Mattison and literary historian Ernest Suarez synthesize a wide range of writing about blues and rock—biographies, histories, articles in popular magazines, personal reminiscences, and a selective smattering of academic studies—to examine the development of a relatively new literary genre dubbed by the authors as “poetic song verse.” They argue that poetic song verse was nurtured in the fifties and early sixties by the blues and in Beat coffee houses, and matured in the mid-to-late sixties in the art of Bob Dylan, the Beatles, the Rolling Stones, the Doors, Jimi Hendrix, Joni Mitchell, Leonard Cohen, Gil Scott-Heron, Van Morrison, and others who used voice, instrumentation, arrangement, and production to foreground semantically textured, often allusive, and evocative lyrics that resembled and engaged poetry. Among the questions asked in Poetic Song Verse are: What, exactly, is this new genre? What were its origins? And how has it developed? How do we study and assess it? To answer these questions, Mattison and Suarez engage in an extended discussion of the roots of the relationship between blues-based music and poetry and address how it developed into a distinct literary genre. Unlocking the combination of richly textured lyrics wedded to recorded music reveals a dynamism at the core of poetic song verse that can often go unrealized in what often has been considered merely popular entertainment. This volume balances historical details and analysis of particular songs with accessibility to create a lively, intelligent, and cohesive narrative that provides scholars, teachers, students, music influencers, and devoted fans with an overarching perspective on the poetic power and blues roots of this new literary genre.
Author: James Rovira Publisher: Springer ISBN: 3319726889 Category : Literary Criticism Languages : en Pages : 308
Book Description
Rock and Romanticism: Post-Punk, Goth, and Metal as Dark Romanticisms explores the relationships among the musical genres of post-punk, goth, and metal and American and European Romanticisms traditionally understood. It argues that these contemporary forms of music are not only influenced by but are an expression of Romanticism continuous with their eighteenth- and nineteenth-century influences. Figures such as Blake, Wordsworth, Coleridge, Byron, Keats, Mary Shelley, Percy Shelley, Friedrich, Schlegel, and Hoffman are brought alongside the music and visual aesthetics of the Rolling Stones, the New Romantics, the Pretenders, Joy Division, Nick Cave, Tom Verlaine, emo, Eminem, My Dying Bride, and Norwegian black metal to explore the ways that Romanticism continues into the present in all of its varying forms and expressions.
Author: Carrie Noland Publisher: Princeton University Press ISBN: 0691227543 Category : Literary Criticism Languages : en Pages : 277
Book Description
Taking seriously Guillaume Apollinaire's wager that twentieth-century poets would one day "mechanize" poetry as modern industry has mechanized the world, Carrie Noland explores poetic attempts to redefine the relationship between subjective expression and mechanical reproduction, high art and the world of things. Noland builds upon close readings to construct a tradition of diverse lyricists--from Arthur Rimbaud, Blaise Cendrars, and René Char to contemporary performance artists Laurie Anderson and Patti Smith--allied in their concern with the nature of subjectivity in an age of mechanical reproduction.
Author: Stephen Citron Publisher: Rowman & Littlefield ISBN: 0879107162 Category : Music Languages : en Pages : 334
Book Description
Ê SONGWRITING is a standard data source for professional tunesmiths and their hopeful brethren. It expertly conveys the process from concept to copyright with appropriate references to currently popular songs. ÊÞ±äBack Stage Magazine±ÞÊ SONGWRITING is a fine book. If you know all the basics of the craft that Citron presents you'll be well on your way to penning your first hit. ÊÞ±äKeyboard Magazine±
Author: Eric Morse Publisher: Akashic Books ISBN: 1617754242 Category : Juvenile Nonfiction Languages : en Pages : 33
Book Description
One of The Globe and Mail's Best Books of 2015 "A punk primer for the youngest set....Yi's incredibly detailed clay figures are a kinetic and inspired art choice. Their crazy creativity matches the expressive spirit of punk....As [Morse] points out, the best way to learn about punk it just to listen....If invested adults love the topic, a shared reading experience can't be beat." --Kirkus Reviews "Clay artist Yi molds...fantastically detailed Plasticine figures to create scenes of the birth of punk. Using a benign craft-project material for the skinny bodies and ragged clothing of Joey Ramone, Sid Vicious, and their rowdy, fist-waving audiences is very much in the spirit of punk (Plasticine is especially good for mohawks), and readers will spend long stretches inspecting her painstakingly modeled guitars, amplifiers, and safety pins." --Publishers Weekly "Why It's Wild: A history of punk music for kids illustrated in Gumby-esque claymation (minus the –mation)." --School Library Journal, 100 Scope Notes's "Wildest Children's Books of 2015" "What is Punk? is fun, sophisticated and beautifully illustrated introduction to the music genre for kids--or adults." --New York Daily News "Reading What is Punk? to [my kids] made me feel as if I was passing on something truly significant. Morse and Yi have created a comprehensive and articulate...documentary about the roots of punk rock." --The Globe and Mail "An essential way to pass down to your son or daughter the lesson that pop culture can be political." --The Globe and Mail, 100 Best Books of 2015 "A cool book of punk history for kids by Eric Morse, with great clay illustrations by Anny Yi." --Slate, Mom and Dad Are Fighting podcast "Eric Morse's book What Is Punk? explains the envelope-pushing genre to the younger set, and perhaps some adults, as well." --St. Louis Public Radio "Think Wallace and Grommet with liberty spikes and anarchy patches...While [Anny Yi's] images of Johnny Rotten and Henry Rollins are cute, they're presented as live action dioramas that are adorable, accurate and engaging." --San Diego City Beat "While What Is Punk? is undeniably a children’s book, it can serve as a history lesson for potential fans of any age....What Is Punk? exposes the reader to the rebellious sub-culture in a friendly, educative manner." --Alternative Press "A fun little book intended to serve as (rhyming) curriculum for little punks learning their Punk History 101....Sid, Glenn, and Milo meet Wallace and Gromit." --Razorcake "Pairing Yi's Wallace & Gromit-style clay pictorials with Morse's rhyming ride through the history of punk music across the globe, the children’s book is ready to raise the next generation of riot grrrls....You're going to want to give What Is Punk? as a gift at every baby shower this year. Just don't be surprised if your niece ends up bleaching her hair blonde and tearing up her leather jacket at age 6." --Bustle "Written by Trampoline House founder Eric Morse in classically Suessical iambic, the book is lusciously illustrated with photographs of Play-Doh recreations of all mommy's and daddy's favorite punk heroes: the Ramones, Iggy and the Stooges--and Debbie Harry, David Byrne, David Johansen, Tom Verlaine, and Lou Reed all standing in front of CBGBs." --Bedford & Bowery What Is Punk? is a must-read pop-culture primer for children--an introduction to the punk revolution, recreated in vivid 3-D clay illustrations and told through rhyming couplets. From London's Clash and Sex Pistols to the Ramones' NYC protopunk, from Iggy Pop to the Misfits, this volume depicts some of our culture's seminal moments and iconic characters. A delightful read for kids and parents alike, illustrated in a truly unique visual style, What Is Punk? lays the groundwork for the next generation of little punks.
Author: Thomas Keller Publisher: Narr Francke Attempto Verlag ISBN: 3381108530 Category : Literary Criticism Languages : en Pages : 738
Book Description
This study connects the idiosyncratic modernism of Wyndham Lewis, co-founder of the Vorticist art movement, with works of several artists from the British art rock tradition, among them Bryan Ferry, David Bowie, art-punk pioneers Wire and electronic pop musician John Foxx. By taking a transdisciplinary and intermedial approach to texts from two fields normally studied in isolation and staking out the elements of a shared modernist ethos, the book presents a new perspective on both fields relevant to scholars of literature, popular culture, and the visual arts alike. While the book rests on sound research from the fields of literary criticism, art history, and pop theory, the structure and writing of the book is fundamentally designed to be accessible and comprehensible to non-scholarly readers.
Author: Sebastian Heinrichs
Author: Sebastian Heinrichs
Author: Sebastian Heinrichs
Author: Gerfried Ambrosch
Author: Charlotte Pence
Author: Mike Mattison
Author: James Rovira
Author: Carrie Noland
Author: Stephen Citron
Author: Eric Morse
Author: Thomas Keller