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Author: Fred R Kuester Publisher: FriesenPress ISBN: 1525544217 Category : Poetry Languages : en Pages : 59
Book Description
Here is a fascinating blend of prose, lyrics and poetry that probes a range of human expression from reverent to somewhat less than fully reverent This is a presentation of so many topics that it can be described as a morph of almost any conceivable blend of genres. Some lyrics have already been set to music. Feel free to hum, whistle and sing as you enjoy this book of glad to sad and back again to glad Enjoy
Author: Fred R Kuester Publisher: FriesenPress ISBN: 1525544217 Category : Poetry Languages : en Pages : 59
Book Description
Here is a fascinating blend of prose, lyrics and poetry that probes a range of human expression from reverent to somewhat less than fully reverent This is a presentation of so many topics that it can be described as a morph of almost any conceivable blend of genres. Some lyrics have already been set to music. Feel free to hum, whistle and sing as you enjoy this book of glad to sad and back again to glad Enjoy
Author: Rosemary Greentree Publisher: Boydell & Brewer ISBN: 9780859916219 Category : Literary Criticism Languages : en Pages : 610
Book Description
This Bibliography assembles annotation of collections and criticism of lyrics of religious and secular love, carols and songs, and rhymes of everyday life. The Middle English lyrics and short poems form a varied group that ranges over most aspects of life to include lyrics of religious and secular love, carols and songs, and mundane rhymes of everyday life. Thus there are expressionsof devotion, ethereal or earthly, theological expositions, and knowledge needed for life. The poems are disparate and generally anonymous, and their survival owes much to chance. The bibliography assembles neutral annotation of collections and criticism of the works, arranged chronologically to show the course of criticism and the growing appreciation of these poems and all they can tell us. The introduction considers these matters, problems of definitionof the genre, and the isolable lyrics, and seeks to reconcile some first impressions of the poems, as disparate and slight, with the rewards of close study. ROSEMARY GREENTREE is currently Visiting Research Fellow, Dept of English, University of Adelaide.
Author: Charles Bernstein Publisher: University of Chicago Press ISBN: 022633211X Category : Literary Criticism Languages : en Pages : 362
Book Description
Praised in recent years as a “calculating, improvisatory, essential poet” by Daisy Fried in the New York Times, Charles Bernstein is a leading voice in American literary theory. Pitch of Poetry is his irreverent guide to modernist and contemporary poetics. Subjects range across Holocaust representation, Occupy Wall Street, and the figurative nature of abstract art. Detailed overviews of formally inventive work include essays on—or “pitches” for—a set of key poets, from Gertrude Stein and Robert Creeley to John Ashbery, Barbara Guest, Larry Eigner, and Leslie Scalapino. Bernstein also reveals the formative ideas behind the magazine L=A=N=G=U=A=G=E. The final section, published here for the first time, is a sweeping work on the poetics of stigma, perversity, and disability that is rooted in the thinking of Edgar Allan Poe, Emily Dickinson, Ralph Waldo Emerson, and William Blake. Pitch of Poetry makes an exhilarating case for what Bernstein calls echopoetics: a poetry of call and response, reason and imagination, disfiguration and refiguration.
Author: Carl R. Woodring Publisher: Columbia University Press ISBN: 9780585041551 Category : Literary Criticism Languages : en Pages : 764
Book Description
The Columbia Anthology of British Poetry brings together the most remarkable verse written in the British Isles over the course of the past twelve centuries, offering the greatest diversity of poetic voices in any anthology of its kind. From Shakespeare's memorable sonnets to Keats's haunting odes to T.S. Eliot's mediations on the conditions of modern life, the collection contains many of the best-loved treasures of British poetry. Longer and much-celebrated poems that rarely find their way into anthologies-including Pope's "Rape of the Lock" and Coleridge's "Rime of the Ancient Mariner"-claim a place in this collection. Queen Elizabeth I, Anne Killigrew, Aphra Behn, Elizabeth Barrett Browning, and Felicia Hemans are among dozens of women writers renowned in their own day and now restored to their rightful prominence. Scottish, Welsh, and Irish poets often excluded from anthologies of British poetry are here as well, including such extraordinary voices as Lady Grisell Baillie, Robert Burns, Hugh MacDiarmid, and Seamus Heaney. The finest contemporary poets are fully represented also, from Thom Gunn to Eavan Boland. The result is an amazingly rich and wide-ranging conversation among British poets that transcends the boundaries of time and place. Carl Woodring and James Shapiro, the team scholars who edited The Columbia History of British Poetry, have written incisive introductions to the careers of the poets, making this the most accessible and comprehensive anthology of British verse in print. Covering the new and the ancient, the classic and the rediscovered, this generous volume reimagines the horizons of British poetry.
Author: Cristina Maria Cervone Publisher: University of Pennsylvania Press ISBN: 0812298519 Category : Literary Collections Languages : en Pages : 561
Book Description
What Kind of a Thing Is a Middle English Lyric? considers issues pertaining to a corpus of several hundred short poems written in Middle English between the twelfth and early fifteenth centuries. The chapters draw on perspectives from varied disciplines, including literary criticism, musicology, art history, and cognitive science. Since the early 1900s, the poems have been categorized as “lyrics,” the term now used for most kinds of short poetry, yet neither the difficulties nor the promise of this treatment have received enough attention. In one way, the book argues, considering these poems to be lyrics obscures much of what is interesting about them. Since the nineteenth century, lyrics have been thought of as subjective and best read without reference to cultural context, yet nonetheless they are taken to form a distinct literary tradition. Since Middle English short poems are often communal and usually spoken, sung, and/or danced, this lyric template is not a good fit. In another way, however, the very differences between these poems and the later ones on which current debates about the lyric still focus suggest they have much to offer those debates, and vice versa. As its title suggests, this book thus goes back to the basics, asking fundamental questions about what these poems are, how they function formally and culturally, how they are (and are not) related to other bodies of short poetry, and how they might illuminate and be illuminated by contemporary lyric scholarship. Eleven chapters by medievalists and two responses by modernists, all in careful conversation with one another, reflect on these questions and suggest very different answers. The editors’ introduction synthesizes these answers by suggesting that these poems can most usefully be read as a kind of “play,” in several senses of that word. The book ends with eight “new Middle English lyrics” by seven contemporary poets.
Author: Seth Lerer Publisher: Yale University Press ISBN: 9780300125979 Category : Literary Criticism Languages : en Pages : 436
Book Description
A collection of essays on Chaucer's poetry, this guide provides up-to-date information on the history and textual contexts of Chaucer's work, on the ranges of critical interpretation, and on the poet's place in English and European literary history.
Author: Catherine Bates Publisher: Oxford University Press ISBN: 0192678876 Category : Literary Criticism Languages : en Pages : 775
Book Description
The Oxford History of Poetry in English is designed to offer a fresh, multi-voiced, and comprehensive analysis of 'poetry': from Anglo-Saxon culture through contemporary British, Irish, American, and Global culture, including English, Scottish, and Welsh poetry, Anglo-American colonial and post-colonial poetry, and poetry in Canada, Australia, New Zealand, the Caribbean, India, Africa, Asia, and other international locales. The series both synthesises existing scholarship and presents cutting-edge research, employing a global team of expert contributors for each of the volumes. Sixteenth-Century British Poetry features a history of the birth moment of modern 'English' poetry in greater detail than previous studies. It examines the literary transitions, institutional contexts, artistic practices, and literary genres within which poets compose their works. Each chapter combines an orientation to its topic and a contribution to the field. Specifically, the volume introduces a narrative about the advent of modern English poetry from Skelton to Spenser, attending to the events that underwrite the poets' achievements: Humanism; Reformation; monarchism and republicanism; colonization; print and manuscript; theatre; science; and companionate marriage. Featured are metre and form, figuration and allusiveness, and literary career, as well as a wide range of poets, from Wyatt, Surrey, and Isabella Whitney to Ralegh, Drayton, and Mary Herbert. Major works discussed include Sidney's Astrophil and Stella, Spenser's Faerie Queene, Marlowe's Hero and Leander, and Shakespeare's Sonnets.
Author: Kristen Mossler Figg Publisher: Routledge ISBN: 0429589433 Category : Literary Collections Languages : en Pages : 338
Book Description
Originally published in 1994, The Short Lyric Poems of Jean Froissart is a meticulous reading of the important but generally neglected short lyric poems of Jean Froissart. The book situates Froissart within the cultural and literary context of fourteenth-century Europe and examines a representative number of his lyric forms (pastourelles, chansons royales, ballades, virelais, and rondeaux) demonstrating their richness of theme and poetic virtuosity. The book provides a readable and reliable English translation, making it possible for English scholars unfamiliar with the original Middle French forms to understand and appreciate the influence Froissart had on Chaucer and other authors of the age. The book focuses on themes, techniques, meters, and rhythms that Froissart employed in his poetry, on how his poetry fits poetic tradition, and on the place of Froissart in literary history.
Author: Fred R Kuester
Author: Fred R Kuester
Author: Rosemary Greentree
Author: Rhian Williams
Author: Charles Bernstein
Author: Carl R. Woodring
Author: Frank Stanford
Author: Cristina Maria Cervone
Author: Seth Lerer
Author: Catherine Bates
Author: Kristen Mossler Figg