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Author: Matthew Fraleigh Publisher: BRILL ISBN: 1684175658 Category : Biography & Autobiography Languages : en Pages : 502
Book Description
Plucking Chrysanthemums is a critical study of the life and works of Narushima Ryūhoku (1837–1884): Confucian scholar, world traveler, pioneering journalist, and irrepressible satirist. A major figure on the nineteenth-century Japanese cultural scene, Ryūhoku wrote works that were deeply rooted in classical Sinitic literary traditions. Sinitic poetry and prose enjoyed a central and prestigious place in Japan for nearly all of its history, and the act of composing it continued to offer modern Japanese literary figures the chance to incorporate themselves into a written tradition that transcended national borders. Adopting Ryūhoku’s multifarious invocations of Six Dynasties poet Tao Yuanming as an organizing motif, Matthew Fraleigh traces the disparate ways in which Ryūhoku drew upon the Sinitic textual heritage over the course of his career. The classical figure of this famed Chinese poet and the Sinitic tradition as a whole constituted a referential repository to be shaped, shifted, and variously spun to meet the emerging circumstances of the writer as well as his expressive aims. Plucking Chrysanthemums is the first book-length study of Ryūhoku in a Western language and also one of the first Western-language monographs to examine Sinitic poetry and prose (kanshibun) composition in modern Japan.
Author: Matthew Fraleigh Publisher: BRILL ISBN: 1684175658 Category : Biography & Autobiography Languages : en Pages : 502
Book Description
Plucking Chrysanthemums is a critical study of the life and works of Narushima Ryūhoku (1837–1884): Confucian scholar, world traveler, pioneering journalist, and irrepressible satirist. A major figure on the nineteenth-century Japanese cultural scene, Ryūhoku wrote works that were deeply rooted in classical Sinitic literary traditions. Sinitic poetry and prose enjoyed a central and prestigious place in Japan for nearly all of its history, and the act of composing it continued to offer modern Japanese literary figures the chance to incorporate themselves into a written tradition that transcended national borders. Adopting Ryūhoku’s multifarious invocations of Six Dynasties poet Tao Yuanming as an organizing motif, Matthew Fraleigh traces the disparate ways in which Ryūhoku drew upon the Sinitic textual heritage over the course of his career. The classical figure of this famed Chinese poet and the Sinitic tradition as a whole constituted a referential repository to be shaped, shifted, and variously spun to meet the emerging circumstances of the writer as well as his expressive aims. Plucking Chrysanthemums is the first book-length study of Ryūhoku in a Western language and also one of the first Western-language monographs to examine Sinitic poetry and prose (kanshibun) composition in modern Japan.
Author: Fiona Sze-Lorrain Publisher: Simon and Schuster ISBN: 1668012987 Category : Fiction Languages : en Pages : 176
Book Description
A startling and vivid debut novel in stories from acclaimed poet and translator Fiona Sze-Lorrain featuring deeply compelling Asian women who reckon with the past, violence, and exileset in Shanghai, Beijing, Singapore, Paris, and New York.Cooking for Madame Chiang, 1946: Two cooks work for Madame Chiang Kai-shek and prepare a foreign dish craved by their mistress, which becomes a political weapon and leads to their tragic end. Death at the Wukang Mansion, 1966: Punished for her extramarital affair, a dancer is transferred to Shanghai during the Cultural Revolution and assigned to an ominous apartment in a building whose other residents often depart in coffins.The White Piano, 1996: A budding pianist from New York City settles down in Paris and is assaulted when a mysterious piano arrives from Singapore.The Invisible Window, 2016: After their exile following the Tiananmen Square massacre, three women gather in a French cathedral to renew their friendship and reunite in their grief and faith. Evocative, vivid, disturbing, and written with a masterly ear for language, Dear Chrysanthemumsrenders a devastating portrait of diasporic life and inhumanity, as well as a tender web of shared memory, artistic expression, and love.
Author: Wai-lim Yip Publisher: Duke University Press ISBN: 9780822319467 Category : Literary Criticism Languages : en Pages : 382
Book Description
An anthology of Chinese poetry, featuring 150 selections drawn from throughout two thousand years, each presented in original Chinese characters, coordinated with word-for-word annotations, and followed by an English translation.
Author: Peipei Qiu Publisher: University of Hawaii Press ISBN: 0824861574 Category : Literary Criticism Languages : en Pages : 265
Book Description
Although haiku is well known throughout the world, few outside Japan are familiar with its precursor, haikai (comic linked verse). Fewer still are aware of the role played by the Chinese Daoist classics in turning haikai into a respected literary art form. Bashō and the Dao examines the haikai poets’ adaptation of Daoist classics, particularly the Zhuangzi, in the seventeenth century and the eventual transformation of haikai from frivolous verse to high poetry. The author analyzes haikai’s encounter with the Zhuangzi through its intertextual relations with the works of Bashō and other major haikai poets, and also the nature and characteristics of haikai that sustained the Zhuangzi’s relevance to haikai poetic construction. She demonstrates how the haikai poets’ interest in this Daoist work was rooted in the intersection of deconstructing and reconstructing the classical Japanese poetic tradition. Well versed in both Chinese and Japanese scholarship, Qiu explores the significance of Daoist ideas in Bashō’s and others’ conceptions of haikai. Her method involves an extensive hermeneutic reading of haikai texts, an in-depth analysis of the connection between Chinese and Japanese poetic terminology, and a comparison of Daoist traits in both traditions. The result is a penetrating study of key ideas that have been instrumental in defining and rediscovering the poetic essence of haikai verse. Bashō and the Dao adds to an increasingly vibrant area of academic inquiry—the complex literary and cultural relations between Japan and China in the early modern era. Researchers and students of East Asian literature, philosophy, and cultural criticism will find this book a valuable contribution to cross-cultural literary studies and comparative aesthetics.
Author: Zong-qi Cai Publisher: Columbia University Press ISBN: 0231139403 Category : Poetry Languages : en Pages : 456
Book Description
In this "guided" anthology, experts lead students through the major genres and eras of Chinese poetry from antiquity to the modern time. The volume is divided into 6 chronological sections and features more than 140 examples of the best shi, sao, fu, ci, and qu poems. A comprehensive introduction and extensive thematic table of contents highlight the thematic, formal, and prosodic features of Chinese poetry, and each chapter is written by a scholar who specializes in a particular period or genre. Poems are presented in Chinese and English and are accompanied by a tone-marked romanized version, an explanation of Chinese linguistic and poetic conventions, and recommended reading strategies. Sound recordings of the poems are available online free of charge. These unique features facilitate an intense engagement with Chinese poetical texts and help the reader derive aesthetic pleasure and insight from these works as one could from the original. Contributors: Robert Ashmore (Univ. of California, Berkeley); Zong-qi Cai; Charles Egan (San Francisco State); Ronald Egan (Univ. of California, Santa Barbara); Grace Fong (McGill); David R. Knechtges (Univ. of Washington); Xinda Lian (Denison); Shuen-fu Lin (Univ. of Michigan); William H. Nienhauser Jr. (Univ. of Wisconsin); Maija Bell Samei; Jui-lung Su (National Univ. of Singapore); Wendy Swartz (Columbia); Xiaofei Tian (Harvard); Paula Varsano (Univ. of California, Berkeley); Fusheng Wu (Univ. of Utah)
Author: Maria CHENG, TANG Wai Hung, Eric CHOY Publisher: City University of HK Press ISBN: 962937188X Category : Art Languages : en Pages : 448
Book Description
Essential Terms of Chinese Painting provides a comprehensive coverage of the broad spectrum of Chinese painting. Through an array of some 900 terms, it exhibits the history of Chinese culture, as interpreted by artists and portrayed in their work. In masterful detail, it describes not only the artistic implements and drawing styles, but also how these are influenced by changing cultural considerations over time such as religion, philosophy, intellectual ideas, and political developments. From the broad view of how the change of dynasties affected painting trends in both format and subject, to the smallest detail of the methods used to paint different styles of tree branches, this is a full compendium of the scope and depth of artwork from China. This volume features twelve chapters which • explore all major areas of art including techniques, implements and materials, inscriptions and seals, painting and mounting formats for all categories including landscape, bird-and-flower, figure and auspicious paintings; • provide a helpful resource for readers to enjoy Chinese art with over 500 full-colour illustrations and pictures to further elaborate the terms discussed; • serve as an introduction to begin a true understanding of traditional Chinese painting.
Author: Kuang-ming Wu Publisher: State University of New York Press ISBN: 1438424493 Category : Religion Languages : en Pages : 530
Book Description
Chuang Tzu's first three chapters are arranged into free verse (in Chinese, in the original word order) and translated, nearly word-for-word, with extensive critical glosses vis-a-vis over fifty Chinese, Japanese, and Western commentators. The exegetical, philosophical, and contemporary implications of these chapters are then meditated upon. Here, in Chuang Tzu's world, all strivings are a play, parodying stories and arguments; each plays off of and refers to the others. Chuang Tzu lived during the third and fourth centuries B.C. Historically, he is the foremost spokesman for Taoism and its legendary founder, Lao Tzu. It was mainly due to the influence of Chuang Tzu that Indian Buddhism was transformed in China into Ch'an into the unique vehicle we usually call by its Japanese name, Zen. This is the most thorough presentation to date of the Chuang Tzu's poetic beauty, philosophical insights, and unity.
Author: Mareshi Saito Publisher: BRILL ISBN: 9004436944 Category : Literary Criticism Languages : en Pages : 261
Book Description
In Kanbunmyaku: The Literary Sinitic Context and the Birth of Modern Japanese Language and Literature, Saito Mareshi demonstrates the centrality of kanbun and kanshi in the creation of modern literary Japanese and problematizes the modern antagonism between kanbun and Japanese.
Author: Zhang Zhizhong Publisher: Cambridge Scholars Publishing ISBN: 1036400328 Category : Language Arts & Disciplines Languages : en Pages : 196
Book Description
This book comprises a selection of 168 poems from the extant 514 poems by Du Mu (803－852), a distinguished poet of the Tang dynasty in China, and it is the first poetry anthology which translates Du Mu’s work from Chinese into English. The author, Zhang Zhizhong, as a poet and prolific translator, is sensitive to the poetic nuances in Chinese poems, which ensures his success in rendering them into English. Zhang’s view on poetry translation can be summarized as follows: spirit over form. This philosophy is embodied in the present collection. The book will be of interest to those studying Chinese culture in general, and Chinese poetry in particular.
Author: Matthew Fraleigh
Author: Matthew Fraleigh
Author: Fiona Sze-Lorrain
Author: Wai-lim Yip
Author: Peipei Qiu
Author: Zong-qi Cai
Author: Maria CHENG, TANG Wai Hung, Eric CHOY
Author: Kuang-ming Wu
Author: Mareshi Saito
Author: I.L. POWELL
Author: Zhang Zhizhong