Author: Catherine Pickren
Publisher: Xlibris Corporation
ISBN: 150359498X
Category : Fiction
Languages : en
Pages : 143
Book Description
This is a fictional heartrending love story told by Lauras character. Laura and D.R. met and dated during the late 1960s and early 1970s. They were in love and perfect for each other. It seemed inevitable that they would eventually marry and settle down with a family. However, something happened, which changed the course of Lauras life. During a four-decade interim of time, Laura was married twice and remained childless. Middle-aged and alone, Laura moved back to her home town of Beaufort, North Carolina. While on Harkers Island, North Carolina, and through a chance encounter, Laura and D.R. meet again. They are both single, and soon love is rekindled.
Please Don’T Shoot the Piano Player
Author: Catherine Pickren
Publisher: Xlibris Corporation
ISBN: 150359498X
Category : Fiction
Languages : en
Pages : 143
Book Description
This is a fictional heartrending love story told by Lauras character. Laura and D.R. met and dated during the late 1960s and early 1970s. They were in love and perfect for each other. It seemed inevitable that they would eventually marry and settle down with a family. However, something happened, which changed the course of Lauras life. During a four-decade interim of time, Laura was married twice and remained childless. Middle-aged and alone, Laura moved back to her home town of Beaufort, North Carolina. While on Harkers Island, North Carolina, and through a chance encounter, Laura and D.R. meet again. They are both single, and soon love is rekindled.
Publisher: Xlibris Corporation
ISBN: 150359498X
Category : Fiction
Languages : en
Pages : 143
Book Description
This is a fictional heartrending love story told by Lauras character. Laura and D.R. met and dated during the late 1960s and early 1970s. They were in love and perfect for each other. It seemed inevitable that they would eventually marry and settle down with a family. However, something happened, which changed the course of Lauras life. During a four-decade interim of time, Laura was married twice and remained childless. Middle-aged and alone, Laura moved back to her home town of Beaufort, North Carolina. While on Harkers Island, North Carolina, and through a chance encounter, Laura and D.R. meet again. They are both single, and soon love is rekindled.
Catalog of Copyright Entries
Author: Library of Congress. Copyright Office
Publisher:
ISBN:
Category : Copyright
Languages : en
Pages : 1560
Book Description
Publisher:
ISBN:
Category : Copyright
Languages : en
Pages : 1560
Book Description
Please Don't Shoot Me!
Author: Perry Sproat
Publisher: Xulon Press
ISBN: 1591602491
Category : Biography & Autobiography
Languages : en
Pages : 166
Book Description
Publisher: Xulon Press
ISBN: 1591602491
Category : Biography & Autobiography
Languages : en
Pages : 166
Book Description
Shoot the Piano Player
Author: Peter Brunette
Publisher:
ISBN: 9781857100129
Category : Motion pictures
Languages : en
Pages : 263
Book Description
Publisher:
ISBN: 9781857100129
Category : Motion pictures
Languages : en
Pages : 263
Book Description
The American Tyler-keystone
Player Piano
Author: Kurt Vonnegut
Publisher: Dial Press
ISBN: 0307568083
Category : Fiction
Languages : en
Pages : 353
Book Description
“A funny, savage appraisal of a totally automated American society of the future.”—San Francisco Chronicle Kurt Vonnegut’s first novel spins the chilling tale of engineer Paul Proteus, who must find a way to live in a world dominated by a supercomputer and run completely by machines. Paul’s rebellion is vintage Vonnegut—wildly funny, deadly serious, and terrifyingly close to reality. Praise for Player Piano “An exuberant, crackling style . . . Vonnegut is a black humorist, fantasist and satirist, a man disposed to deep and comic reflection on the human dilemma.”—Life “His black logic . . . gives us something to laugh about and much to fear.”—The New York Times Book Review
Publisher: Dial Press
ISBN: 0307568083
Category : Fiction
Languages : en
Pages : 353
Book Description
“A funny, savage appraisal of a totally automated American society of the future.”—San Francisco Chronicle Kurt Vonnegut’s first novel spins the chilling tale of engineer Paul Proteus, who must find a way to live in a world dominated by a supercomputer and run completely by machines. Paul’s rebellion is vintage Vonnegut—wildly funny, deadly serious, and terrifyingly close to reality. Praise for Player Piano “An exuberant, crackling style . . . Vonnegut is a black humorist, fantasist and satirist, a man disposed to deep and comic reflection on the human dilemma.”—Life “His black logic . . . gives us something to laugh about and much to fear.”—The New York Times Book Review
Shoot the Piano Player
Author: David Goodis
Publisher: Film Ink S.
ISBN: 9781853753084
Category : Detective and mystery stories
Languages : en
Pages : 196
Book Description
Eddie plays to forget. Haunted by his past, he hides from life playing nightly in a skid row drinking joint - a world of hookers, lowlifes and petty crooks. A hopeless ghost of a man who has ceased caring about himself, he saves his loyalty for others which eventually drags him down.
Publisher: Film Ink S.
ISBN: 9781853753084
Category : Detective and mystery stories
Languages : en
Pages : 196
Book Description
Eddie plays to forget. Haunted by his past, he hides from life playing nightly in a skid row drinking joint - a world of hookers, lowlifes and petty crooks. A hopeless ghost of a man who has ceased caring about himself, he saves his loyalty for others which eventually drags him down.
Masonic Voice-review
Twenty-One Landmark European Films 1939-1999
Author: Bert Cardullo
Publisher: Algora Publishing
ISBN: 1628941316
Category : Performing Arts
Languages : en
Pages : 278
Book Description
The essays in this insightful film-analysis text show cover twenty-one of the best European films made between the coming of World War II and the end of the twentieth century, showing what makes each of them outstanding. These essays are clear and readable—that is, sophisticated and meaty yet not overly technical or jargon-heavy. They will make perfect introductions to their respective films as well as important contributions to the field of film studies in general. Written with university students in mind, these essays cover some of the central films treated—and central issues raised—in today’s cinema courses and provide students with practical models to help them improve their own writing and analytical skills. A list of questions for discussion is included, to trigger further thinking among film buffs and to help educators prepare for class. The book is aimed at students, teachers, and cinephiles with an interest in European cinema in particular and cinema studies in general, as well as at those educated readers with an interest in the practice of film analysis and criticism. The only competition comes from Stanley Kauffmann’s relatively brief Ten Great Films (136 pp., 2012). The current work offers twenty-one illustrated essays (Kauffmann’s book contains no images) and focuses on Europe. (The countries represented are France, Italy, England, Hungary, Belgium, Sweden, Scotland, Denmark, Russia, Spain, Germany, Scotland, and Finland.) Twenty-One Landmark European Films, 1939-1999 overlaps with Kauffmann’s book only in the case of L’avventura, though the two approach this film from vastly different angles. Moreover, the book provides a complete critical apparatus—notes, bibliographies, credits, and filmographies, whereas Kauffmann’s has none. This book could be one of the primary texts for courses in film analysis, to accompany a work like Timothy Corrigan’s A Short Guide to Writing about Film (8th edition, 2011). It would also be a suitable supplementary or secondary text in such courses as 'Introduction to Film' or 'Film Appreciation'; 'Western European Cinema'; 'History of Film' or 'Global Cinema'; and 'Film Directors' or 'Film Style and Imagination.'
Publisher: Algora Publishing
ISBN: 1628941316
Category : Performing Arts
Languages : en
Pages : 278
Book Description
The essays in this insightful film-analysis text show cover twenty-one of the best European films made between the coming of World War II and the end of the twentieth century, showing what makes each of them outstanding. These essays are clear and readable—that is, sophisticated and meaty yet not overly technical or jargon-heavy. They will make perfect introductions to their respective films as well as important contributions to the field of film studies in general. Written with university students in mind, these essays cover some of the central films treated—and central issues raised—in today’s cinema courses and provide students with practical models to help them improve their own writing and analytical skills. A list of questions for discussion is included, to trigger further thinking among film buffs and to help educators prepare for class. The book is aimed at students, teachers, and cinephiles with an interest in European cinema in particular and cinema studies in general, as well as at those educated readers with an interest in the practice of film analysis and criticism. The only competition comes from Stanley Kauffmann’s relatively brief Ten Great Films (136 pp., 2012). The current work offers twenty-one illustrated essays (Kauffmann’s book contains no images) and focuses on Europe. (The countries represented are France, Italy, England, Hungary, Belgium, Sweden, Scotland, Denmark, Russia, Spain, Germany, Scotland, and Finland.) Twenty-One Landmark European Films, 1939-1999 overlaps with Kauffmann’s book only in the case of L’avventura, though the two approach this film from vastly different angles. Moreover, the book provides a complete critical apparatus—notes, bibliographies, credits, and filmographies, whereas Kauffmann’s has none. This book could be one of the primary texts for courses in film analysis, to accompany a work like Timothy Corrigan’s A Short Guide to Writing about Film (8th edition, 2011). It would also be a suitable supplementary or secondary text in such courses as 'Introduction to Film' or 'Film Appreciation'; 'Western European Cinema'; 'History of Film' or 'Global Cinema'; and 'Film Directors' or 'Film Style and Imagination.'
Understanding Film
Author: James R Russo
Publisher: Liverpool University Press
ISBN: 1782847642
Category : Performing Arts
Languages : en
Pages : 318
Book Description
This film analysis textbook contains sixteen essays on historically significant, artistically superior films released between 1922 and 1982. Written for college, high school, and university students, the essays cover central issues raised in todays cinema courses and provide students with practical models to help them improve their own writing and analytical skills. This film casebook is geographically diverse, with eight countries represented: Italy, France, the United States, Russia, Germany, Great Britain, Japan, and India. The essays, sophisticated yet not overly technical or jargon-heavy, are perfect introductions to their respective films as well as important contributions to the field of film studies in general. The books critical apparatus features credits, images, and bibliographies for all films discussed, filmographies for the directors, a glossary of film terms, the elements of film analysis, a chronology of film theory and criticism, topics for writing and discussion, a bibliography of film criticism, and a comprehensive index. Understanding Film: A Viewers Guide bucks the trend of current film analysis texts (few of which contain actual film analyses) by promoting analysis of the chosen films alongside the methods and techniques of film analysis. It has been prepared as a primary text for courses in film analysis, and a supplementary text for courses such as Introduction to Film or Film Appreciation; History of Film or Survey of Cinema; and Film Directors or Film Style and Imagination.
Publisher: Liverpool University Press
ISBN: 1782847642
Category : Performing Arts
Languages : en
Pages : 318
Book Description
This film analysis textbook contains sixteen essays on historically significant, artistically superior films released between 1922 and 1982. Written for college, high school, and university students, the essays cover central issues raised in todays cinema courses and provide students with practical models to help them improve their own writing and analytical skills. This film casebook is geographically diverse, with eight countries represented: Italy, France, the United States, Russia, Germany, Great Britain, Japan, and India. The essays, sophisticated yet not overly technical or jargon-heavy, are perfect introductions to their respective films as well as important contributions to the field of film studies in general. The books critical apparatus features credits, images, and bibliographies for all films discussed, filmographies for the directors, a glossary of film terms, the elements of film analysis, a chronology of film theory and criticism, topics for writing and discussion, a bibliography of film criticism, and a comprehensive index. Understanding Film: A Viewers Guide bucks the trend of current film analysis texts (few of which contain actual film analyses) by promoting analysis of the chosen films alongside the methods and techniques of film analysis. It has been prepared as a primary text for courses in film analysis, and a supplementary text for courses such as Introduction to Film or Film Appreciation; History of Film or Survey of Cinema; and Film Directors or Film Style and Imagination.