Plays by Scots, 1660-1800 PDF Download

Author: Terence Tobin
Publisher: Iowa City : University of Iowa Press
ISBN:
Category : Drama
Languages : en
Pages : 264

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Book Description

Author: Clare Jackson
Publisher: Boydell Press
ISBN: 9780851159300
Category : History
Languages : en
Pages : 284

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Book Description
Amidst current interest in Scottish political and parliamentary history before 1707, this book emphasises the dynamic and characteristic cosmopolitanism of Restoration intellectual culture as revealed from a range of national, British and Continental perspectives."--BOOK JACKET.

Author: Frederick M. Link
Publisher: Detroit : Gale Research Company
ISBN:
Category : Literary Criticism
Languages : en
Pages : 408

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Book Description

Author: Tobias Smollett
Publisher: University of Georgia Press
ISBN: 0820346098
Category : Poetry
Languages : en
Pages : 670

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Book Description
The poems, plays, and political writings in this volume are essential to an understanding of Smollett and the literary and social currents of eighteenth-century England. In his introductions to the sections, Gassman traces the history of their publication and reception, and provides extensive explanations of historical and literary allusions.

Author: Adrienne Scullion
Publisher:
ISBN:
Category : Performing Arts
Languages : en
Pages : 340

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Book Description
This is the first ever comprehensive, illustrated historical survey of Scottish theatre considered in its broadest sense to include the companies, buildings, theatre-going trends, and key plays, from the minstrels of the 15th & 16th centuries to today.

Author: Ian Brown
Publisher: Springer
ISBN: 1137473363
Category : Performing Arts
Languages : en
Pages : 255

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Book Description
This revelatory study explores how Scottish history plays, especially since the 1930s, raise issues of ideology, national identity, historiography, mythology, gender and especially Scottish language. Covering topics up to the end of World War Two, the book addresses the work of many key figures from the last century of Scottish theatre, including Robert McLellan and his contemporaries, and also Hector MacMillan, Stewart Conn, John McGrath, Donald Campbell, Bill Bryden, Sue Glover, Liz Lochhead, Jo Clifford, Peter Arnott, David Greig, Rona Munro and others often neglected or misunderstood. Setting these writers’ achievements in the context of their Scottish and European predecessors, Ian Brown offers fresh insights into key aspects of Scottish theatre. As such, this represents the first study to offer an overarching view of historical representation on Scottish stages, exploring the nature of ‘history’ and ‘myth’ and relating these afresh to how dramatists use – and subvert – them. Engaging and accessible, this innovative book will attract scholars and students interested in history, ideology, mythology, theatre politics and explorations of national and gender identity.

Author: Ronnie Young
Publisher: Bucknell University Press
ISBN: 161148801X
Category : Literary Criticism
Languages : en
Pages : 315

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Book Description
This collection of essays explores the role played by imaginative writing in the Scottish Enlightenment and its interaction with the values and activities of that movement. Across a broad range of areas via specially commissioned essays by experts in each field, the volume examines the reciprocal traffic between the groundbreaking intellectual project of eighteenth-century Scotland and the imaginative literature of the period, demonstrating that the innovations made by the Scottish literati laid the foundations for developments in imaginative writing in Scotland and further afield. In doing so, it provide a context for the widespread revaluation of the literary culture of the Scottish Enlightenment and the part that culture played in the project of Enlightenment.

Author: Joanna Baillie
Publisher: Broadview Press
ISBN: 9781551111858
Category : Drama
Languages : en
Pages : 476

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Book Description
Baillie’s eminently readable dramas stand at the crossroads of the Scottish Enlightenment and early Romanticism, and compellingly engage with questions of women’s rights. Her exploration of the passions, first published in 1798, is here reissued with a wealth of contextual materials including “The Introductory Discourse,” Baillie’s own brand of feminist literary criticism. The three plays included here are “Count Basil: A Tragedy,” and “The Tryal: A Comedy,” which show love from opposing perspectives; and “De Monfort: A Tragedy,” which explores the drama of hate. Among other appendices, the Broadview edition includes materials on the contemporary philosophical understanding of the passions, and contemporary reviews. Baillie’s work is enjoying a revival of interest. She lived a long life, (1762-1851), and had a wide circle of literary friends including Maria Edgeworth and Sir Walter Scott (who termed her a “female Shakespeare”). Scottish born, she moved to England in her twenties where she then resided. Her Plays on the Passions, alternatively known as A Series of Plays in which it is Attempted to Delineate the Stronger Passions of the Mind—Each Passion being the Subject of a Tragedy and Comedy was produced in three volumes between 1798 and 1812. The first volume created quite a stir amongst the literary circles of London and Edinburgh when introduced anonymously. The speculation into the authorship concluded two years later when Baillie came forward as the writer of the collection, thereby causing a subsequent sensation since no one had considered the shy spinster a candidate in the mystery.

Author: Ian Brown
Publisher: Rodopi
ISBN: 9401209944
Category : History
Languages : en
Pages : 256

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Book Description
Challenging the dominant view of a broken and discontinuous dramatic culture in Scotland, this book outlines the variety and richness of the nation ́s performance traditions and multilingual theatre history. Brown illuminates enduring strands of hybridity and diversity which use theatre and theatricality as a means of challenging establishment views, and of exploring social, political, and religious change. He describes the ways in which politically and religiously divisive moments in Scottish history, such as the Reformation and political Union, fostered alternative dramatic modes and means of expression. This major revisionist history also analyses the changing relationships between drama, culture, and political change in Scotland in the 20th and 21st centuries, drawing on the work of an extensive range of modern and contemporary Scottish playwrights and drama practitioners. Ian Brown is a playwright, poet and Professor of Drama at Kingston University, London. Until recently Chair of the Scottish Society of Playwrights, he was General Editor of the Edinburgh History of Scottish Theatre (EUP, 2007) and editor of From Tartan to Tartanry: Scottish Culture, History and Myth (EUP, 2010) and The Edinburgh Companion to Scottish Drama (EUP, 2011). He has published widely on theatre, cultural policy and literature and language.

Author: Ian Brown
Publisher: Edinburgh University Press
ISBN: 0748630643
Category : Literary Criticism
Languages : en
Pages : 400

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Book Description
Between 1707 and 1918, Scotland underwent arguably the most dramatic upheavals in its political, economic and social history. The Union with England, industrialisation and Scotland's subsequent defining contributions throughout the eighteenth and nineteenth centuries to the culture of Britain and Empire are reflected in the transformative energies of Scottish literature and literary institutions in the period. New genres, new concerns and whole new areas of interest opened under the creative scrutiny of sceptical minds. This second volume of the History reveals the major contribution made by Scottish writers and Scottish writing to the shape of modernity in Britain, Europe and the world.