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Author: Mark Jackson Publisher: ISBN: 9781941704141 Category : Drama Languages : en Pages : 0
Book Description
Drama. Literary Nonfiction. In the hit 2016 Shotgun Players production of Hamlet, seven actors learned all the roles. Each night, in front of the audience, they drew from Yorick's skull the characters they would play, then had five minutes to get ready before show time. PLAYING HAMLET ROULETTE explores what eventually emerged as the production's true subjects: failure, expectation, possibility, and democracy. In these pages, the production's director, actors, designers, and audience explore the wide ranging implications of these subjects both in and out of theatre. How might a critical consideration of creative experiences with failure expand our expectations of what is possible in our democratic societies? Theatre makers, goers, students, and teachers alike will enjoy the book for its exploration of rehearsal processes and of the impact theatre performances can have on audiences, as well as its uniquely poly-vocal analysis of Shakespeare's play, Hamlet. "A mind- bending new production... Refreshing... The actors' ability to pull off this Hamlet is simply awe-inspiring. And the format makes you examine your preconceptions of both the play and the nature of theater: All lines of gender, age and race will be crossed at some point."--San Francisco Chronicle "Uplifting and weirdly affecting... You immediately notice that there isn't a conventional Hamlet in the cast. They are a wonderfully eclectic bunch: men and women, a smattering of ages and races, even different acting styles... We are plunged into a democracy of infinite possibilities... A unique and rich response to the play... We should be thankful to witness such a circus of daring."--KQED.org "By opening up Hamlet to thousands of possible casting combinations, Jackson inevitably defies traditional assumptions about the gender, age and race of the play's well-known characters... This spontaneous diversity seizes upon the universality of Shakespeare's work in a way that many other productions fail to--fully revealing the kernels of common humanity within each character... An exhilarating journey, and one that manages to stoke the audience's appreciation for the very mechanics of theater while its powerhouse cast brings new vitality--and vigor--to a well-known play."--East Bay Express
Author: Mark Jackson Publisher: ISBN: 9781941704141 Category : Drama Languages : en Pages : 0
Book Description
Drama. Literary Nonfiction. In the hit 2016 Shotgun Players production of Hamlet, seven actors learned all the roles. Each night, in front of the audience, they drew from Yorick's skull the characters they would play, then had five minutes to get ready before show time. PLAYING HAMLET ROULETTE explores what eventually emerged as the production's true subjects: failure, expectation, possibility, and democracy. In these pages, the production's director, actors, designers, and audience explore the wide ranging implications of these subjects both in and out of theatre. How might a critical consideration of creative experiences with failure expand our expectations of what is possible in our democratic societies? Theatre makers, goers, students, and teachers alike will enjoy the book for its exploration of rehearsal processes and of the impact theatre performances can have on audiences, as well as its uniquely poly-vocal analysis of Shakespeare's play, Hamlet. "A mind- bending new production... Refreshing... The actors' ability to pull off this Hamlet is simply awe-inspiring. And the format makes you examine your preconceptions of both the play and the nature of theater: All lines of gender, age and race will be crossed at some point."--San Francisco Chronicle "Uplifting and weirdly affecting... You immediately notice that there isn't a conventional Hamlet in the cast. They are a wonderfully eclectic bunch: men and women, a smattering of ages and races, even different acting styles... We are plunged into a democracy of infinite possibilities... A unique and rich response to the play... We should be thankful to witness such a circus of daring."--KQED.org "By opening up Hamlet to thousands of possible casting combinations, Jackson inevitably defies traditional assumptions about the gender, age and race of the play's well-known characters... This spontaneous diversity seizes upon the universality of Shakespeare's work in a way that many other productions fail to--fully revealing the kernels of common humanity within each character... An exhilarating journey, and one that manages to stoke the audience's appreciation for the very mechanics of theater while its powerhouse cast brings new vitality--and vigor--to a well-known play."--East Bay Express
Author: Arthur F. Kinney Publisher: Routledge ISBN: 1136017348 Category : Literary Criticism Languages : en Pages : 297
Book Description
Using a variety of approaches, from postcolonialism and New Historicism to psychoanalysis and gender studies, the international contributors to Hamlet: New Critical Essays contribute major new interpretations on the conception and writing, editing, and cultural productions of Hamlet. This book is the most up-to-date and comprehensive critical analysis available of one of Shakespeare's best-known and most engaging plays.
Author: Roger Caillois Publisher: University of Illinois Press ISBN: 9780252070334 Category : Games & Activities Languages : en Pages : 228
Book Description
According to Roger Caillois, play is an occasion of pure waste. In spite of this - or because of it - play constitutes an essential element of human social and spiritual development. In this study, the author defines play as a free and voluntary activity that occurs in a pure space, isolated and protected from the rest of life.
Author: Helen Epstein Publisher: Plunkett Lake Press ISBN: Category : Biography & Autobiography Languages : en Pages : 803
Book Description
Joseph Papp (1921-1991), theater producer, champion of human rights and of the First Amendment, founder of the New York Shakespeare Festival and Public Theater, changed the American cultural landscape. Born Yussel Papirofsky in Williamsburg, Brooklyn, he discovered Shakespeare in public school and first produced a show on an aircraft carrier during World War II. After a stint at the Actors’ Lab in Hollywood, he moved to New York, where he worked as a CBS stage manager during the golden age of television. He fought Parks Commissioner Robert Moses (as well as Mayors Wagner, Lindsay, Beame and Koch) winning first the right to stage free Shakespeare in New York’s Central Park, then municipal funding to keep it going. He built the Delacorte Theater and later rebuilt the former Astor Library on Lafayette Street, transforming it into the Public Theater. In addition to helping create an "American" style of Shakespeare, Papp pioneered colorblind casting and theater as a not-for-profit institution. He showcased playwrights David Rabe, Elizabeth Swados, Ntozake Shange, David Hare, Wallace Shawn, John Guare, and Vaclav Havel; directors Michael Bennett, Wilford Leach and James Lapine; actors Al Pacino, Colleen Dewhurst, George C. Scott, James Earl Jones, Meryl Streep, Kevin Kline, Sam Waterston, and Denzel Washington; and produced Hair, Sticks and Bones, for colored girls, The Normal Heart, and A Chorus Line, the longest running musical in Broadway history. "This first biography of the late Joseph Papp will be a hard act to follow." — Booklist "The final portrait that emerges might have been jointly painted by Goya, Whistler and Francis Bacon." — Benedict Nightingale, front-page New York Times Sunday Book Review Playwright Tony Kushner called Papp "one of the very few heroes this tawdry, timid business has produced" and the book, a "nourishing and juicy biography." "Helen Epstein recounts [Papp's] career in [this] definitive, meticulously researched and highly readable biography. [...] It is a tribute to Epstein’s narrative skill that the detailed account of Papp’s decline and eventual defeat by cancer [...] reads as both riveting and horrifying." — Ellen Schiff, All About Jewish Theatre Oklahoma-born Paul Davis created 51 iconic posters for Joseph Papp, starting in 1975 with the New York Shakespeare Festival production of "Hamlet" starring Sam Waterston. "It was inspiring to work with Joe," says Davis. "We would discuss what he wanted to achieve in a production, and he trusted me to find a way to express it. And he respected the poster as its own dramatic form." The artist’s work has been exhibited in the U.S., Europe and Japan. He is a recipient of a special Drama Desk award created for his theater art. Davis was elected to the Art Directors Club Hall of Fame and the Society of Illustrators Hall of Fame, and is a Fellow of the American Academy in Rome.
Author: Eli Rozik Publisher: University of Iowa Press ISBN: 1587294265 Category : Performing Arts Languages : en Pages : 385
Book Description
The topic of the origins of theatre is one of the most controversial in theatre studies, with a long history of heated discussions and strongly held positions. In The Roots of Theatre, Eli Rozik enters the debate in a feisty way, offering not just another challenge to those who place theatre’s origins in ritual and religion but also an alternative theory of roots based on the cultural and psychological conditions that made the advent of theatre possible. Rozik grounds his study in a comprehensive review and criticism of each of the leading historical and anthropological theories. He believes that the quest for origins is essentially misleading because it does not provide any significant insight for our understanding of theatre. Instead, he argues that theatre, like music or dance, is a sui generis kind of human creativity—a form of thinking and communication whose roots lie in the spontaneous image-making faculty of the human psyche. Rozik’s broad approach to research lies within the boundaries of structuralism and semiotics, but he also utilizes additional disciplines such as psychoanalysis, neurology, sociology, play and game theory, science of religion, mythology, poetics, philosophy of language, and linguistics. In seeking the roots of theatre, what he ultimately defines is something substantial about the nature of creative thought—a rudimentary system of imagistic thinking and communication that lies in the set of biological, primitive, and infantile phenomena such as daydreaming, imaginative play, children’s drawing, imitation, mockery (caricature, parody), storytelling, and mythmaking.
Author: Mark Jackson
Author: Mark Jackson
Author: Arthur F. Kinney
Author: William Shakespeare
Author: Mark Thornton Burnett
Author: Roger Caillois
Author: Helen Epstein
Author: David Chapman Berry
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Author: 
Author: Eli Rozik