Author: Publisher:
ISBN:
Category : Motion pictures
Languages : en
Pages : 982
Book Description
Dramatic Mirror of the Stage and Motion Pictures
Author: Playbill
Author: Rethinking Popular Culture
Author: Chandra MukerjiPublisher: Univ of California Press
ISBN: 9780520068933
Category : Art
Languages : en
Pages : 514
Book Description
Rethinking Popular Culture presents some of the most important current scholarship analyzing popular culture. Drawing upon recent developments in cultural theory and exciting new methods of critical analysis, the essays in this volume break down disciplinary boundaries and offer fresh insight into popular culture.
The Playbill
Author: Publisher:
ISBN:
Category : College and school drama
Languages : en
Pages : 642
Book Description
Literary Digest: a Repository of Contemporaneous Thought and Research as Presented in the Periodical Literature of the World
Author: Edward Jewitt WheelerPublisher:
ISBN:
Category :
Languages : en
Pages : 924
Book Description
Highbrow/Lowbrow
Author: Lawrence W. LEVINEPublisher: Harvard University Press
ISBN: 0674040139
Category : History
Languages : en
Pages : 321
Book Description
In this unusually wide-ranging study, spanning more than a century and covering such diverse forms of expressive culture as Shakespeare, Central Park, symphonies, jazz, art museums, the Marx Brothers, opera, and vaudeville, a leading cultural historian demonstrates how variable and dynamic cultural boundaries have been and how fragile and recent the cultural categories we have learned to accept as natural and eternal are. For most of the nineteenth century, a wide variety of expressive forms—Shakespearean drama, opera, orchestral music, painting and sculpture, as well as the writings of such authors as Dickens and Longfellow—enjoyed both high cultural status and mass popularity. In the nineteenth century Americans (in addition to whatever specific ethnic, class, and regional cultures they were part of) shared a public culture less hierarchically organized, less fragmented into relatively rigid adjectival groupings than their descendants were to experience. By the twentieth century this cultural eclecticism and openness became increasingly rare. Cultural space was more sharply defined and less flexible than it had been. The theater, once a microcosm of America—housing both the entire spectrum of the population and the complete range of entertainment from tragedy to farce, juggling to ballet, opera to minstrelsy—now fragmented into discrete spaces catering to distinct audiences and separate genres of expressive culture. The same transition occurred in concert halls, opera houses, and museums. A growing chasm between “serious” and “popular,” between “high” and “low” culture came to dominate America’s expressive arts. “If there is a tragedy in this development,” Lawrence Levine comments, “it is not only that millions of Americans were now separated from exposure to such creators as Shakespeare, Beethoven, and Verdi, whom they had enjoyed in various formats for much of the nineteenth century, but also that the rigid cultural categories, once they were in place, made it so difficult for so long for so many to understand the value and importance of the popular art forms that were all around them. Too many of those who considered themselves educated and cultured lost for a significant period—and many have still not regained—their ability to discriminate independently, to sort things out for themselves and understand that simply because a form of expressive culture was widely accessible and highly popular it was not therefore necessarily devoid of any redeeming value or artistic merit.” In this innovative historical exploration, Levine not only traces the emergence of such familiar categories as highbrow and lowbrow at the turn of the century, but helps us to understand more clearly both the process of cultural change and the nature of culture in American society.
The Legacy of Stylistic Theatre in the Creation of a Modern Sinhala Drama in Sri Lanka
Author: Lakshmi D. BulathsinghalaPublisher: Taylor & Francis
ISBN: 1040021727
Category : Performing Arts
Languages : en
Pages : 255
Book Description
This book explores the development of Sinhala stylistic drama from its earliest manifestations to the post-independence era. Bulathsinghala examines the impact of indigenous and imported folk theatrical forms on the work of the most significant postcolonial stylistic dramatists and on key plays that they produced. In the process, the book explores a number of myths and misunderstandings regarding Sri Lanka’s folk heritage and seeks to establish more reliable information on the principal indigenous Sri Lankan folk dramatic forms and their characteristics. At the same time, by drawing connections between folk drama and the post-independence stylistic theatrical movement, the author demonstrates the essential role of the former in Sinhala culture prior to the advent of Western and other influences and shows how both continue to inflect Sri Lankan drama today. This book will help to open the field of South Asian drama studies to an audience consisting not only of scholars and students but also of general readers who are interested in the fields of drama and theatre and Asian studies.
Catalog of the Theatre and Drama Collections
Author: New York Public Library. Research LibrariesPublisher:
ISBN:
Category : Drama
Languages : en
Pages : 1182
Book Description
Dramatic Mirror of Motion Pictures and the Stage
Author: What the Constitution Means to Me (TCG Edition)
Author: Heidi SchreckPublisher: Theatre Communications Group
ISBN: 1559369213
Category : Drama
Languages : en
Pages : 71
Book Description
“BEST PLAY OF THE YEAR” New York Times · New Yorker · TIME · Hollywood Reporter · Newsweek · BuzzFeed · Forbes · New York · NPR · Washington Post · Entertainment Weekly · Los Angeles Times · Chicago Tribune Finalist for the 2019 Pulitzer Prize for Drama When she was fifteen years old, Heidi Schreck started traveling the country, taking part in constitutional debates to earn money for her college tuition. Decades later, in What the Constitution Means to Me, she traces the effect that the Constitution has had on four generations of women in her family, deftly examining how the United States’ founding principles are inextricably linked with our personal lives.