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Author: Gabriel Antonio Tejeira Arias Publisher: Hats Office Books ISBN: 9781587360480 Category : Games Languages : en Pages : 159
Book Description
The game of dominoes has several varieties, or modalities, the most exciting of which is the version practiced in the Latin American countries. This book summarizes, in a progressive manner, all the strategies that can be utilized in Latin Partnership Dominoes. (Games)
Author: Chuck Sher Publisher: "O'Reilly Media, Inc." ISBN: 1457101386 Category : Music Languages : en Pages : 466
Book Description
The only comprehensive book ever published on how to play bass in authentic Afro-Cuban, Brazilian, Caribbean and various South American styles. Over 250 pages of exact transcriptions of every note Oscar plays on the 3 accompanying CDs. Endorsed by Down Beat magazine, Latin Beat magazine, Benny Rietveld, etc.
Author: Sam Bardfeld Publisher: ISBN: Category : Languages : en Pages : 137
Book Description
"A wonderful book. Sam Bardfeld's approach to teaching soloing along with being able to listen to examples of the masters of Afro-Cuban style on the violin sparked new and creative ideas in me. He presents a huge amount of material in a way that seems fun and lets you dive right in." - Regina Carter, jazz violinist and MacArthur "Genius" Award recipient"It's very satisfying that Sam Bardfeld's contribution to the texts on Latin music comes out of the gate so strongly. The historical context is wonderful, the information about the overall structure of the music is invaluable and a great place for the violinist to start, and the transcriptions are beautiful. Congratulations on a wonderful project that is going to fill a vacuum that is vast and fill it completely. I see no reason for there ever to be another book besides this one on Latin violin playing." - Matt Glaser, violinist, Chairman Emeritus, Strings Department, Berklee College of Music"This book is a welcome addition to the growing number of texts on Afro-Cuban based music. Sam opens the door for all violinists (and all instrumentalists) to this incredibly rich tradition in a clear, concise manner with a great deal of respect for its history. I recommend it highly." - Bobby Sanabria, 8x Grammy Nominee, percussionist, bandleader and educator"A very useful book for the violinist who wants to begin to understand the complexities and intricacies of Latin jazz music." - Mark Feldman, jazz violinist, composer, recording artist.Originally published in 2001, Sam Bardfeld's book Latin Violin is considered one of the classics of the creative/alternative strings literature. It's been out of print since 2014 and is finally getting re-released as an eBook. The music on the original accompanying CD can be accessed via a download link provided in the book. Latin Violin is useful for both professional and student violinists who want to learn something about playing violin in the Afro-Cuban tradition (aka "salsa" or "Latin music"). The book is in four sections and covers an historical overview of the role of the violin in Afro-Cuban music; how the music works; transcriptions and analyses of solos by the seminal violinists in the Afro-Cuban tradition; and an outline of the music featured on the accompanying CD. The CD includes famous Afro-Cuban violin solos and an extended play-along session. "Salsa, and Latin music in general, have been exploding in popularity since the late seventies and show no sign of slowing down. The violin has filled an intriguing role in this kind of music, and there are many great opportunities for string players playing this style, but there has been very little documentation on the style up until this book. One of the great things about the book is its powerful approach to context: Bardfeld managed to get the rights to important recordings of some of the originators of the style, and included them in a CD recording with the book. Historical information and painstakingly accurate transcriptions of those solos complete the picture. Discussions of Clave and other important features of Latin music make this book a must for any serious violinist, professional or amateur." - Darol Anger, violinist, educator, recording artist
Author: Brian Eugenio Herrera Publisher: University of Michigan Press ISBN: 0472052640 Category : Performing Arts Languages : en Pages : 289
Book Description
From the conga line to West Side Story to Ricky Martin, how popular performance prompted American audiences to view Latinos as a distinct (and distinctly non-white) ethnic group
Author: Phillip Penix-Tadsen Publisher: MIT Press ISBN: 0262034050 Category : Games & Activities Languages : en Pages : 345
Book Description
How culture uses games and how games use culture: an examination of Latin America's gaming practices and the representation of the region's cultures in games. Video games are becoming an ever more ubiquitous element of daily life, played by millions on devices that range from smart phones to desktop computers. An examination of this phenomenon reveals that video games are increasingly being converted into cultural currency. For video game designers, culture is a resource that can be incorporated into games; for players, local gaming practices and specific social contexts can affect their playing experiences. In Cultural Code, Phillip Penix-Tadsen shows how culture uses games and how games use culture, looking at examples related to Latin America. Both static code and subjective play have been shown to contribute to the meaning of games; Penix-Tadsen introduces culture as a third level of creating meaning. Penix-Tadsen focuses first on how culture uses games, looking at the diverse practices of play in Latin America, the ideological and intellectual uses of games, and the creative and economic possibilities opened up by video games in Latin America—the evolution of regional game design and development. Examining how games use culture, Penix-Tadsen discusses in-game cultural representations of Latin America in a range of popular titles (pointing out, for example, appearances of Rio de Janeiro's Christ the Redeemer statue in games from Call of Duty to the tourism-promoting Brasil Quest). He analyzes this through semiotics, the signifying systems of video games and the specific signifiers of Latin American culture; space, how culture is incorporated into different types of game environments; and simulation, the ways that cultural meaning is conveyed procedurally and algorithmically through gameplay mechanics.
Author: Humberto Morales Publisher: Alfred Music ISBN: 9781457445927 Category : Music Languages : en Pages : 136
Book Description
English / Spanish. The bible of Latin patterns and sounds. This compendium of native instruments shows how each instrument plays its part of the beat. There is also a special section of supplementary timbale exercises and correctly notated Latin-rhythm instrument scores.
Author: Brian Eugenio Herrera Publisher: University of Michigan Press ISBN: 0472121065 Category : Social Science Languages : en Pages : 289
Book Description
Latin Numbers is a work of performance history, examining the way in which Latino actors on the twentieth-century stage and screen communicated and influenced American ideas about race and ethnicity. Brian Eugenio Herrera looks at how these performances and performers contributed to American popular understanding of Latinos as a distinct racial and ethnic group. His book tracks the conspicuously “Latin” musical number; the casting of Latino actors; the history of West Side Story; how Latina/o performers confront stereotypes; and the proliferation of the gay Latino character in the AIDS era. With a flair for storytelling and a unique ability to see the deeper meanings embedded in popular culture, Herrera creates a history that will appeal to popular culture enthusiasts, theater aficionados, and those interested in the cultural history of Latinos. The book will also delight readers interested in the memorable (and many of the lesser-known) Latino performances on stage and screen.
Author: Hal Leonard Corp. Publisher: Hal Leonard ISBN: 1480390402 Category : Music Languages : en Pages : 909
Book Description
(Fake Book). The ultimate collection for Latin lovers everywhere! Over 350 standards in one Real Book collection, including: Adios * Agua De Beber (Water to Drink) * Aguas De Marco (Waters of March) * All That's Left Is to Say Goodbye (E Preciso Dizer Adeus) * Alma Con Alma * Always in My Heart (Siempre En Mi Corazon) * Amapola (Pretty Little Poppy) * Amor (Amor, Amor, Amor) * Antigua * Babalu * Besame Mucho (Kiss Me Much) * Bonita * Brazil * Call Me * Cast Your Fate to the Wind * Cherry Pink and Apple Blossom White * Con Alma * Copacabana (At the Copa) * Corazon Corazon * Desafinado * Don't Cry for Me Argentina * El Triste * Evil Ways * Feelings (?Dime?) * 500 Miles High * For Once in My Life * Frenesi * The Girl from Ipanema (Garota De Ipanema) * Granada * Himno Nacional Mexicano (Mexican National Hymn) * How Insensitive (Insensatez) * It's Impossible (Somos Novios) * Killer Joe * Kiss of Fire * La Bamba * La Malaguena * Little Boat * Livin' La Vida Loca * The Look of Love * Malaguena * Meditation (Meditacao) * More (Ti Guardero Nel Cuore) * Never on Sunday * A Night in Tunisia * One Note Samba (Samba De Uma Nota So) * Oye Como Va * Paloma Blanca * Papa Loves Mambo * Perfidia * Por Amor * St. Thomas * Sway (Quien Sera) * Tico Tico (Tico Tico No Fuba) * Triste * Wave * What a Diff'rence a Day Made * and more!
Author: Leslie Gourse Publisher: Oxford University Press ISBN: 0195355555 Category : Music Languages : en Pages : 304
Book Description
Nadine Jansen, a flugelhornist and pianist, remembers a night in the 1940s when a man came out of the audience as she was playing both instruments. "I hate to see a woman do that," he explained as he hit the end of her horn, nearly chipping her tooth. Half a century later, a big band named Diva made its debut in New York on March 30, 1993, with Melissa Slocum on bass, Sue Terry on alto sax, Lolly Bienenfeld on trombone, Sherrie Maricle on drums, and a host of other first rate instrumentalists. The band made such a good impression that it was immediately booked to play at Carnegie Hall the following year. For those who had yet to notice, Diva signaled the emergence of women musicians as a significant force in jazz. Madame Jazz is a fascinating invitation to the inside world of women in jazz. Ranging primarily from the late 1970s to today's vanguard of performance jazz in New York City and on the West Coast, it chronicles a crucial time of transition as women make the leap from novelty acts regarded as second class citizens to sought-out professionals admired and hired for their consummate musicianship. Author Leslie Gourse surveys the scene in the jazz clubs, the concert halls, the festivals, and the recording studios from the musicians' point of view. She finds exciting progress on all fronts, but also lingering discrimination. The growing success of women instrumentalists has been a long time in coming, she writes. Long after women became accepted as writers and, to a lesser extent, as visual artists, women in music--classical, pop, or jazz--faced the nearly insuperable barrier of chauvinism and the still insidious force of tradition and habit that keeps most men performing with the musicians they have always worked with, other men. Gourse provides dozens of captivating no-holds-barred interviews with both rising stars and seasoned veterans. Here are up-and-coming pianists Renee Rosnes and Rachel Z., trumpeter Rebecca Coupe Frank, saxophonist Virginia Mayhew, bassist Tracy Wormworth, and drummer Terri Lynne Carrington, and enduring legends Dorothy Donegan, Marian McParland and Shirley Horne. Here, as well, are conversations with three pioneering business women: agent and producer Helen Keane, manager Linda Goldstein, and festival and concert producer Cobi Narita. All of the women speak insightfully about their inspiration and their commitment to pursuing the music they love. They are also frank about the realities of life on the road, and the extra dues women musicians pay in a tough and competitive field where everybody pays dues. A separate chapter offers a closer look at women musicians and the continual stress confronting those who would combine love, marriage, and/or motherhood with a life in music. Madame Jazz is about the history that women jazz instrumentalists are making now, as well as an inspiring preview of the even brighter days ahead. It concludes with Frankie Nemko's lively evaluation of the West Coast jazz scene, and appends the most comprehensive list ever assembled of women currently playing instruments professionally.
Author: Gabriel Antonio Tejeira Arias
Author: Chuck Sher
Author: Sam Bardfeld
Author: Brian Eugenio Herrera
Author: Phillip Penix-Tadsen
Author: John Mays
Author: Humberto Morales
Author: Brian Eugenio Herrera
Author: John Crawford de Cominges
Author: Hal Leonard Corp.
Author: Leslie Gourse