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Author: Brannon Costello Publisher: LSU Press ISBN: 0807135240 Category : History Languages : en Pages : 216
Book Description
In Plantation Airs, Brannon Costello argues persuasively for new attention to the often neglected issue of class in southern literary studies. Focusing on the relationship between racial paternalism and social class in American novels written after World War II, Costello asserts that well into the twentieth century, attitudes and behaviors associated with an idealized version of agrarian antebellum aristocracy -- especially, those of racial paternalism -- were believed to be essential for white southerners. The wealthy employed them to validate their identities as "aristocrats," while less-affluent whites used them to separate themselves from "white trash" in the social hierarchy. Even those who were not legitimate heirs of plantation-owning families found that "putting on airs" associated with the legacy of the plantation could align them with the forces of power and privilege and offer them a measure of authority in the public arena that they might otherwise lack. Fiction by Zora Neale Hurston, Eudora Welty, William Faulkner, Ernest Gaines, Walker Percy, and others reveals, however, that the racial paternalism central to class formation and mobility in the South was unraveling in the years after World War II, when the civil rights movement and the South's increasing industrialization dramatically altered southern life. Costello demonstrates that these writers were keenly aware of the ways in which the changes sweeping the South complicated the deeply embedded structures that governed the relationship between race and class. He further contends that the collapse of racial paternalism as a means of organizing class lies at the heart of their most important works -- including Hurston's Seraph on the Suwanee and her essay "The 'Pet Negro' System," Welty's Delta Wedding and The Ponder Heart, Faulkner's The Mansion and The Reivers, Gaines's Of Love and Dust and his story "Bloodline," and Percy's The Last Gentleman and Love in the Ruins. By examining ways in which these works depict and critique the fall of the plantation ideal and its aftermath, Plantation Airs indicates the richness and complexity of the literary responses to this intersection of race and class. Understanding how many of the modern South's best writers imagined and engaged the various facets of racial paternalism in their fiction, Costello confirms, helps readers construct a more comprehensive picture of the complications and contradictions of class in the South.
Author: Brannon Costello Publisher: LSU Press ISBN: 0807135240 Category : History Languages : en Pages : 216
Book Description
In Plantation Airs, Brannon Costello argues persuasively for new attention to the often neglected issue of class in southern literary studies. Focusing on the relationship between racial paternalism and social class in American novels written after World War II, Costello asserts that well into the twentieth century, attitudes and behaviors associated with an idealized version of agrarian antebellum aristocracy -- especially, those of racial paternalism -- were believed to be essential for white southerners. The wealthy employed them to validate their identities as "aristocrats," while less-affluent whites used them to separate themselves from "white trash" in the social hierarchy. Even those who were not legitimate heirs of plantation-owning families found that "putting on airs" associated with the legacy of the plantation could align them with the forces of power and privilege and offer them a measure of authority in the public arena that they might otherwise lack. Fiction by Zora Neale Hurston, Eudora Welty, William Faulkner, Ernest Gaines, Walker Percy, and others reveals, however, that the racial paternalism central to class formation and mobility in the South was unraveling in the years after World War II, when the civil rights movement and the South's increasing industrialization dramatically altered southern life. Costello demonstrates that these writers were keenly aware of the ways in which the changes sweeping the South complicated the deeply embedded structures that governed the relationship between race and class. He further contends that the collapse of racial paternalism as a means of organizing class lies at the heart of their most important works -- including Hurston's Seraph on the Suwanee and her essay "The 'Pet Negro' System," Welty's Delta Wedding and The Ponder Heart, Faulkner's The Mansion and The Reivers, Gaines's Of Love and Dust and his story "Bloodline," and Percy's The Last Gentleman and Love in the Ruins. By examining ways in which these works depict and critique the fall of the plantation ideal and its aftermath, Plantation Airs indicates the richness and complexity of the literary responses to this intersection of race and class. Understanding how many of the modern South's best writers imagined and engaged the various facets of racial paternalism in their fiction, Costello confirms, helps readers construct a more comprehensive picture of the complications and contradictions of class in the South.
Author: Paul Musselwhite Publisher: University of Chicago Press ISBN: 022658528X Category : History Languages : en Pages : 354
Book Description
The English settlers who staked their claims in the Chesapeake Bay were drawn to it for a variety of reasons. Some sought wealth from the land, while others saw it as a place of trade, a political experiment, or a potential spiritual sanctuary. But like other European colonizers in the Americas, they all aspired to found, organize, and maintain functioning towns—an aspiration that met with varying degrees of success, but mostly failure. Yet this failure became critical to the economy and society that did arise there. As Urban Dreams, Rural Commonwealth reveals, the agrarian plantation society that eventually sprang up around the Chesapeake Bay was not preordained—rather, it was the necessary product of failed attempts to build cities. Paul Musselwhite details the unsuccessful urban development that defined the region from the seventeenth century through the Civil War, showing how places like Jamestown and Annapolis—despite their small size—were the products of ambitious and cutting-edge experiments in urbanization comparable to those in the largest port cities of the Atlantic world. These experiments, though, stoked ongoing debate about commerce, taxation, and self-government. Chesapeake planters responded to this debate by reinforcing the political, economic, and cultural authority of their private plantation estates, with profound consequences for the region’s laborers and the political ideology of the southern United States. As Musselwhite makes clear, the antebellum economy around this well-known waterway was built not in the absence of cities, but upon their aspirational wreckage.
Author: Frances Kermeen Publisher: Hachette+ORM ISBN: 0446510726 Category : Body, Mind & Spirit Languages : en Pages : 204
Book Description
Welcome to The Myrtles, the most haunted house in America -- and featured in Netflix's #1 TV show Files of the Unexplained. Broken clocks tick...beds rise in the air...paintings fly across the room...locked doors fling open...crystal chandeliers shake...heavy footsteps and eerie piano music sound in the dead of night -- and that's just for starters. Welcome to the Myrtles Long. Recognized as America's most haunted house both by parapsychologists and the media, The Myrtles is a twenty-eight-room Louisiana bed-and-breakfast once owned by Frances Kermeen. In this spine-tingling chronicle, Frances tells the story of how she was drawn to this former plantation mansion, its bone-chilling history, and the incredible encounters of the ghostly kind she had that forever changed her beliefs about the supernatural -- and just may change yours. Along with the sometimes terrifying, sometimes benevolent hauntings, her years at The Myrtles also brought death threats from the Ku Klux Klan, the tragic loss of friends, a catastrophic betrayal, and other personal challenges. And they would all converge with the paranormal phenomena around her into one cataclysmic event...
Author: Daniel Wilkinson Publisher: Duke University Press ISBN: 9780822333685 Category : History Languages : en Pages : 396
Book Description
Written by a young human rights worker, "Silence on the Mountain" is a virtuoso work of reporting and a masterfully plotted narrative tracing the history of Guatemala's 36-year internal war, a conflict that claimed the lives of more than 200,000 people.
Author: Jay Watson Publisher: Univ. Press of Mississippi ISBN: 1496845048 Category : Literary Criticism Languages : en Pages : 185
Book Description
Contributions by Josephine Adams, Jeff Allred, Garry Bertholf, Maxwell Cassity, John N. Duvall, Katherine Henninger, Maude Hines, Robert Jackson, Julie Beth Napolin, Rebecca Nisetich, George Porter Thomas, Jay Watson, and Yuko Yamamoto If it seems outrageous to suggest that one of the twentieth century’s most important literary cartographers of the private recesses of consciousness is also among its great novelists of family, William Faulkner nonetheless fits the bill on both counts. Family played an outsized role in both his life and his writings, often in deeply problematic ways, surfacing across his oeuvre in a dazzling range of distorted, defamiliarized, and transgressive forms, while on other occasions serving as a crucible for crushing forces of conformity, convention, and tradition. The dozen essays featured in this collection approach Faulkner’s many families—actual and imagined—as especially revealing windows to his work and his world. Contributors explore the role of the child in Faulkner’s vision of family and regional society; sibling relations throughout the author's body of work; the extension of family networks beyond blood lineage and across racial lines; the undutiful daughters of Yoknapatawpha County; the critical power of family estrangement and subversive genealogies in Faulkner’s imagination; forms of queer and interspecies kinship; the epidemiological imagination of Faulkner’s notorious Snopes family as social contagion; the experiences of the African American families who worked on the writer’s Greenfield Farm property; and Faulkner’s role in promoting a Cold War–era ideology of “the family of man” in post–World War II Japan.
Author: Brannon Costello
Author: Brannon Costello
Author: Paul Musselwhite
Author: Frances Kermeen
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Author: Daniel Wilkinson
Author: Jay Watson
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