Author: Society for improving the condition of the labouring classes
Publisher:
ISBN:
Category :
Languages : en
Pages : 44
Book Description
Plans and suggestions for dwellings adapted to the working classes, including the model houses for families built by command of ... the prince consort ... in connection with the Exposition of the works of industry of all nations, 1851
Author: Society for improving the condition of the labouring classes
Publisher:
ISBN:
Category :
Languages : en
Pages : 44
Book Description
Publisher:
ISBN:
Category :
Languages : en
Pages : 44
Book Description
Catalogue of Books Added to the Radcliffe Library, Oxford University Museum ...
General Catalogue of Printed Books
Author: British Museum. Department of Printed Books
Publisher:
ISBN:
Category : English imprints
Languages : en
Pages : 704
Book Description
Publisher:
ISBN:
Category : English imprints
Languages : en
Pages : 704
Book Description
The Dwellings of the Labouring Classes, Their Arrangement and Construction
Author: Henry Roberts
Publisher:
ISBN:
Category : Architecture, Domestic
Languages : en
Pages : 196
Book Description
Publisher:
ISBN:
Category : Architecture, Domestic
Languages : en
Pages : 196
Book Description
Plans and suggestions for dwellings adapted to the working classes, including the model houses for families built by command of His Royal Highness the Prince Albert, K. G., in connexion with the exposition of the works of industry of all nations, 1851; and the Windsor Royal Society‛s Cottages
The Principal Speeches and Addresses of His Royal Highness the Prince Consort
Author: Albert (Prince Consort, consort of Victoria, Queen of Great Britain)
Publisher:
ISBN:
Category : Great Britain
Languages : en
Pages : 276
Book Description
"Two editions of the Prince Consort's speeches were published by the Society of Arts in 1857; and cheap editions of the same collection have been published since the Prince's death. The present volume contains, in addition to the speeches previously printed, a speech made by His Royal Highness at the meeting of the British Association for the Advancement of Science, held at Aberdeen, September 14, 1859; and his address on opening the International Statistical Congress, held in London, 16th July, 1860; together with several minor speeches made by the Prince since the year 1857. This volume also contains some extracts from a memorandum written by the Prince in reference to the office of Commander-in-Chief" (fly-leaf)
Publisher:
ISBN:
Category : Great Britain
Languages : en
Pages : 276
Book Description
"Two editions of the Prince Consort's speeches were published by the Society of Arts in 1857; and cheap editions of the same collection have been published since the Prince's death. The present volume contains, in addition to the speeches previously printed, a speech made by His Royal Highness at the meeting of the British Association for the Advancement of Science, held at Aberdeen, September 14, 1859; and his address on opening the International Statistical Congress, held in London, 16th July, 1860; together with several minor speeches made by the Prince since the year 1857. This volume also contains some extracts from a memorandum written by the Prince in reference to the office of Commander-in-Chief" (fly-leaf)
Hawaii's Story
Author: Liliuokalani (Queen of Hawaii)
Publisher:
ISBN:
Category : Hawaii
Languages : en
Pages : 478
Book Description
Publisher:
ISBN:
Category : Hawaii
Languages : en
Pages : 478
Book Description
“The” Illustrated London News
The Working Man
Luxury Arts of the Renaissance
Author: Marina Belozerskaya
Publisher: Getty Publications
ISBN: 0892367857
Category : Art
Languages : en
Pages : 292
Book Description
Today we associate the Renaissance with painting, sculpture, and architecture—the “major” arts. Yet contemporaries often held the “minor” arts—gem-studded goldwork, richly embellished armor, splendid tapestries and embroideries, music, and ephemeral multi-media spectacles—in much higher esteem. Isabella d’Este, Marchesa of Mantua, was typical of the Italian nobility: she bequeathed to her children precious stone vases mounted in gold, engraved gems, ivories, and antique bronzes and marbles; her favorite ladies-in-waiting, by contrast, received mere paintings. Renaissance patrons and observers extolled finely wrought luxury artifacts for their exquisite craftsmanship and the symbolic capital of their components; paintings and sculptures in modest materials, although discussed by some literati, were of lesser consequence. This book endeavors to return to the mainstream material long marginalized as a result of historical and ideological biases of the intervening centuries. The author analyzes how luxury arts went from being lofty markers of ascendancy and discernment in the Renaissance to being dismissed as “decorative” or “minor” arts—extravagant trinkets of the rich unworthy of the status of Art. Then, by re-examining the objects themselves and their uses in their day, she shows how sumptuous creations constructed the world and taste of Renaissance women and men.
Publisher: Getty Publications
ISBN: 0892367857
Category : Art
Languages : en
Pages : 292
Book Description
Today we associate the Renaissance with painting, sculpture, and architecture—the “major” arts. Yet contemporaries often held the “minor” arts—gem-studded goldwork, richly embellished armor, splendid tapestries and embroideries, music, and ephemeral multi-media spectacles—in much higher esteem. Isabella d’Este, Marchesa of Mantua, was typical of the Italian nobility: she bequeathed to her children precious stone vases mounted in gold, engraved gems, ivories, and antique bronzes and marbles; her favorite ladies-in-waiting, by contrast, received mere paintings. Renaissance patrons and observers extolled finely wrought luxury artifacts for their exquisite craftsmanship and the symbolic capital of their components; paintings and sculptures in modest materials, although discussed by some literati, were of lesser consequence. This book endeavors to return to the mainstream material long marginalized as a result of historical and ideological biases of the intervening centuries. The author analyzes how luxury arts went from being lofty markers of ascendancy and discernment in the Renaissance to being dismissed as “decorative” or “minor” arts—extravagant trinkets of the rich unworthy of the status of Art. Then, by re-examining the objects themselves and their uses in their day, she shows how sumptuous creations constructed the world and taste of Renaissance women and men.