Author: J. H. Croucher
Publisher: BoD – Books on Demand
ISBN: 3368865293
Category : Fiction
Languages : en
Pages : 46
Book Description
Reprint of the original, first published in 1845.
Plain Directions for Obtaining Photographic Pictures by the Calotype, Energiatype, and Other Processes on Paper, Including the Chrysotype, Cyanotype, Chromotype, etc., with All the Latest Improvements
Author: J. H. Croucher
Publisher: BoD – Books on Demand
ISBN: 3368865285
Category : Fiction
Languages : en
Pages : 45
Book Description
Reprint of the original, first published in 1845.
Publisher: BoD – Books on Demand
ISBN: 3368865285
Category : Fiction
Languages : en
Pages : 45
Book Description
Reprint of the original, first published in 1845.
Impressed by Light
Author: Roger Taylor
Publisher: Metropolitan Museum of Art
ISBN: 1588392252
Category : Calotype
Languages : en
Pages : 456
Book Description
Photography emerged in 1839 in two forms simultaneously. In France, Louis Daguerre produced photographs on silvered sheets of copper, while in Great Britain, William Henry Fox Talbot put forward a method of capturing an image on ordinary writing paper treated with chemicals. Talbot’s invention, a paper negative from which any number of positive prints could be made, became the progenitor of virtually all photography carried out before the digital age. Talbot named his perfected invention "calotype," a term based on the Greek word for beauty. Calotypes were characterized by a capacity for subtle tonal distinctions, massing of light and shadow, and softness of detail. In the 1840s, amateur photographers in Britain responded with enthusiasm to the challenges posed by the new medium. Their subjects were wide-ranging, including landscapes and nature studies, architecture, and portraits. Glass-negative photography, which appeared in 1851, was based on the same principles as the paper negative but yielded a sharper picture, and quickly gained popularity. Despite the rise of glass negatives in commercial photography, many gentlemen of leisure and learning continued to use paper negatives into the 1850s and 1860s. These amateurs did not seek the widespread distribution and international reputation pursued by their commercial counterparts, nearly all of whom favored glass negatives. As a result, many of these calotype works were produced in a small number of prints for friends and fellow photographers or for a family album. This richly illustrated, landmark publication tells the first full history of the calotype, embedding it in the context of Britain’s changing fortunes, intricate class structure, ever-growing industrialization, and the new spirit under Queen Victoria. Of the 118 early photographs presented here in meticulously printed plates, many have never before been published or exhibited.
Publisher: Metropolitan Museum of Art
ISBN: 1588392252
Category : Calotype
Languages : en
Pages : 456
Book Description
Photography emerged in 1839 in two forms simultaneously. In France, Louis Daguerre produced photographs on silvered sheets of copper, while in Great Britain, William Henry Fox Talbot put forward a method of capturing an image on ordinary writing paper treated with chemicals. Talbot’s invention, a paper negative from which any number of positive prints could be made, became the progenitor of virtually all photography carried out before the digital age. Talbot named his perfected invention "calotype," a term based on the Greek word for beauty. Calotypes were characterized by a capacity for subtle tonal distinctions, massing of light and shadow, and softness of detail. In the 1840s, amateur photographers in Britain responded with enthusiasm to the challenges posed by the new medium. Their subjects were wide-ranging, including landscapes and nature studies, architecture, and portraits. Glass-negative photography, which appeared in 1851, was based on the same principles as the paper negative but yielded a sharper picture, and quickly gained popularity. Despite the rise of glass negatives in commercial photography, many gentlemen of leisure and learning continued to use paper negatives into the 1850s and 1860s. These amateurs did not seek the widespread distribution and international reputation pursued by their commercial counterparts, nearly all of whom favored glass negatives. As a result, many of these calotype works were produced in a small number of prints for friends and fellow photographers or for a family album. This richly illustrated, landmark publication tells the first full history of the calotype, embedding it in the context of Britain’s changing fortunes, intricate class structure, ever-growing industrialization, and the new spirit under Queen Victoria. Of the 118 early photographs presented here in meticulously printed plates, many have never before been published or exhibited.
Plain Directions for Obtaining Photographic Pictures ...
Author: John H. Croucher
Publisher:
ISBN:
Category : Calotype
Languages : en
Pages : 246
Book Description
Publisher:
ISBN:
Category : Calotype
Languages : en
Pages : 246
Book Description
Approaches to Drawing in Architectural and Urban Design
Author: Fabio Colonnese
Publisher: Cambridge Scholars Publishing
ISBN: 1527565912
Category : Architecture
Languages : en
Pages : 653
Book Description
Architects draw for a variety of purposes; they draw to assimilate places and precedents, to generate ideas, to develop a concept into a consistent project in a team, to communicate ideas and solutions to patrons and clients, and to guide building contractors during the construction stages, as well as to produce further elaborations in order to publish their project in a treatise, a journal or their own portfolio. Most importantly, architects draw to think and to manage complexity in a visual way. By taking into account innovative and interdisciplinary uses of architectural drawing in the design process, both historical and current, the collection of chapters and interviews in this book frames a new critical perspective and a uniquely contextual appreciation of drawing as a way to encourage spatial thinking and practice in architecture and urbanism. The authors take the discussion to a new level of philosophical sophistication, while also considering drawing in relation to a series of specific engagements with urban development, planning, and architecture.
Publisher: Cambridge Scholars Publishing
ISBN: 1527565912
Category : Architecture
Languages : en
Pages : 653
Book Description
Architects draw for a variety of purposes; they draw to assimilate places and precedents, to generate ideas, to develop a concept into a consistent project in a team, to communicate ideas and solutions to patrons and clients, and to guide building contractors during the construction stages, as well as to produce further elaborations in order to publish their project in a treatise, a journal or their own portfolio. Most importantly, architects draw to think and to manage complexity in a visual way. By taking into account innovative and interdisciplinary uses of architectural drawing in the design process, both historical and current, the collection of chapters and interviews in this book frames a new critical perspective and a uniquely contextual appreciation of drawing as a way to encourage spatial thinking and practice in architecture and urbanism. The authors take the discussion to a new level of philosophical sophistication, while also considering drawing in relation to a series of specific engagements with urban development, planning, and architecture.
A Guide to the use of the magic lanthorn and dissolving view apparatus, including directions for the application of the oxy-hydrogen light to optical purposes
“The” Archaeological Journal
Smoking & Smokers, an antiquarian, historical, comical, veritable and narcotical disquisition, etc. [By George T. Fisher.] (Illustrated by W. A. Delamotte. Engraved by F. G. Delamotte.).
Incunabula of British Photographic Literature
Author: Helmut Gernsheim
Publisher: Ashgate Publishing
ISBN:
Category : Photography
Languages : en
Pages : 166
Book Description
Publisher: Ashgate Publishing
ISBN:
Category : Photography
Languages : en
Pages : 166
Book Description
Journal of the Photographic Society of London
Author:
Publisher:
ISBN:
Category : Photography
Languages : en
Pages : 1036
Book Description
Vols. for 1853- include the transactions of the Royal Photographic Society of Great Britain.
Publisher:
ISBN:
Category : Photography
Languages : en
Pages : 1036
Book Description
Vols. for 1853- include the transactions of the Royal Photographic Society of Great Britain.
Library Catalogue: to end of 1939
Author: Royal Photographic Society of Great Britain. Library
Publisher:
ISBN:
Category : Photography
Languages : en
Pages : 64
Book Description
Publisher:
ISBN:
Category : Photography
Languages : en
Pages : 64
Book Description