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Author: Ali Shobeiri Publisher: ISBN: 9789087283582 Category : Languages : en Pages : 180
Book Description
By examining photography through geography and philosophy, this book makes evident that place is not the content of a definite representation. To do this, it breaks down the participatory elements of photography into six tropes: the photographer, the camera, the photograph, the image, the spectator, and the genre. Afterwards, through a rigorous theoretical analysis of each of these themes vis-à-vis the notion of place, it shows how they manifest inactive, contingent, unlocalizable, liminal, evental, agential and exigent features. In doing so, it establishes a ?geophilosophy of photography?, which regards place as that which resists being restricted to where it is (the photographer), to what it is (the camera), to where it goes (the photograph), to what it encloses (the photographic image), to how and when it occurs (the spectator), and to what it represents (the genre).00Ali Shobeiri is Assistant Professor of Visual Art Theories in the Departments of Art History and Media Studies at Leiden University. He is co-editor of 'Animation and Memory' (2020).
Author: Ali Shobeiri Publisher: ISBN: 9789087283582 Category : Languages : en Pages : 180
Book Description
By examining photography through geography and philosophy, this book makes evident that place is not the content of a definite representation. To do this, it breaks down the participatory elements of photography into six tropes: the photographer, the camera, the photograph, the image, the spectator, and the genre. Afterwards, through a rigorous theoretical analysis of each of these themes vis-à-vis the notion of place, it shows how they manifest inactive, contingent, unlocalizable, liminal, evental, agential and exigent features. In doing so, it establishes a ?geophilosophy of photography?, which regards place as that which resists being restricted to where it is (the photographer), to what it is (the camera), to where it goes (the photograph), to what it encloses (the photographic image), to how and when it occurs (the spectator), and to what it represents (the genre).00Ali Shobeiri is Assistant Professor of Visual Art Theories in the Departments of Art History and Media Studies at Leiden University. He is co-editor of 'Animation and Memory' (2020).
Author: Vilém Flusser Publisher: Reaktion Books ISBN: 9781861890764 Category : Art Languages : en Pages : 100
Book Description
Media philosopher Vilém Flusser proposed a revolutionary new way of thinking about photography. An analysis of the medium in terms of aesthetics, science and politics provided him with new ways of understanding both the cultural crises of the past and the new social forms nascent within them. Flusser showed how the transformation of textual into visual culture (from the linearity of history into the two-dimensionality of magic) and of industrial into post-industrial society (from work into leisure) went hand in hand, and how photography allows us to read and interpret these changes with particular clarity.
Author: Maarten van Gageldonk Publisher: Springer Nature ISBN: 3030348881 Category : Performing Arts Languages : en Pages : 257
Book Description
This book examines the role of memory in animation, as well as the ways in which the medium of animation can function as a technology of remembering and forgetting. By doing so, it establishes a platform for the cross-fertilization between the burgeoning fields of animation studies and memory studies. By analyzing a wide range of different animation types, from stop motion to computer animation, and from cell animated cartoons to painted animation, this book explores the ways in which animation can function as a representational medium. The five parts of the book discuss the interrelation of animation and memory through the lens of materiality, corporeality, animation techniques, the city, and animated documentaries. These discussions raise a number of questions: how do animation films bring forth personal and collective pasts? What is the role of found footage, objects, and sound in the material and affective dimensions of animation? How does animation serve political ends? The essays in this volume offer answers to these questions through a wide variety of case studies and contexts. The book will appeal to both a broad academic and a more general readership with an interest in animation studies, memory studies, cultural studies, comparative visual arts, and media studies. Chapter “Introduction” is available open access under a Creative Commons Attribution 4.0 International License via link.springer.com.
Author: Hilde Van Gelder Publisher: Leuven University Press ISBN: 9462702659 Category : Photography Languages : en Pages : 739
Book Description
Imagine a world in which each individual has a fundamental right to be reborn. This idle dream haunts Hilde Van Gelder’s associative travelogue that takes Allan Sekula’s sequence Deep Six / Passer au bleu (1996/1998) as a touchstone for a dialogue with more recent artworks zooming in on the borderscape near the Channel Tunnel, such as those by Sylvain George and Bruno Serralongue. Combining ethnography, visual materials, political philosophy, cultural geography, and critical analysis, Ground Sea proceeds through an innovative methodological approach. Inspired by the meandering writings of W.G. Sebald, Javier Marías, and Roland Barthes, Van Gelder develops a style both interdisciplinary and personal. Resolutely opting for an aquatic perspective, Ground Sea offers a powerful meditation on the indifference of an increasingly divided European Union with regard to considerable numbers of persons on the move, who find themselves stranded close to Calais. The contested Strait of Dover becomes a microcosm where our present global challenges of migration, climate change, human rights, and neoliberal surveillance technology converge. Read more on the book's dedicated website: www.groundsea.be
Author: Ali Shobeiri Publisher: Springer Nature ISBN: 3031227158 Category : Photography Languages : en Pages : 210
Book Description
This book explores the potential of specific photographic images for reflecting on experiences of mental disorders. Instead of looking at photographs of (people suffering from) mental disorders, this volume aspires to comprehend the complexities of such conditions through photographic lexicons, metaphors, and practices. For this book, a mental disorder is not to be seen as a dysfunction or impairment, but a state in which the sustaining balance of stable and unstable mind is unsettled, which may induce mental/bodily disturbances. The term “psychosomatic” refers to the interaction of the mind (psyche) with the body (soma); it refers to their co-dependence. By the term “Psychosomatic Imagery” this volume refers to a distinctive trope of photographic images that deal with the body-mind interaction during the states of mental disorders. This novel theoretical framework in photography theory instigates critical discussions about the experiences of mental disorders visualized as disturbed corporeal and mental perceptions of the world. While the introduction of the volume unpacks and assesses the applications of photography in mental disorder studies from theoretical and historical perspectives, the chapters focus on specific cases of Psychosomatic Imagery in contemporary photography. Those cases include, but are not limited to: PTSD, hysteria, paranoia, psychosis, bipolar disorder, and Hikikomori.
Author: BIRKIN Publisher: ISBN: 9789463729642 Category : Languages : en Pages :
Book Description
This alternative study of archive and photography sits firmly against the backdrop of the traditional archive. Although many types of image assemblages feature-public and private, formal and informal, physical and digital-they are all considered in relation to the highly regulated systems that operate within the institutional milieu. Cataloguing is presented as a radical form of knowledge production, and the catalogue as a critical tool for mapping image time. The unfamiliar and overlooked language of image description is considered as having a life, a worth and an aesthetic value of its own. Functioning at the intersection of text and image, this book combines media culture and techniques of the archive, as well as contemporary discourse on art and conceptual writing. There is a media-archaeological debate throughout as to how physical archive systems and material technologies connect with different archival models, including social media spaces and other image networks.
Author: Ben Woodard Publisher: punctum books ISBN: 9780615785387 Category : Earth (Planet) Languages : en Pages : 118
Book Description
For too long, the Earth has been used to ground thought instead of bending it; such grounding leaves the planet as nothing but a stage for phenomenology, deconstruction, and other forms of anthropocentric philosophy. In far too much continental philosophy, the Earth is a cold dead place enlivened only by human thought-either as a thing to be exploited, or as an object of nostalgia. Geophilosophy seeks instead to question the ground of thinking itself, the relation of the inorganic to the capacities and limits of thought. This book constructs an eclectic variant of geophilosophy through engagements with digging machines, cyclones and volcanoes, secret vessels, nuclear waste, giant worms, decay, hell, demon souls, subterranean cities, black suns, and xenoarcheaology, via continental theory (Nietzsche, Schelling, Deleuze, et alia) and various cultural objects such as horror films, videogames, and weird Lovecraftian fictions, with special attention to Speculative Realism and the work of Reza Negarestani. In a time where the earth as a whole is threatened by ecological collapse, On an Ungrounded Earth generates a perversely realist account of the earth as a dynamic engine materially invading and upsetting our attempts to reduce it to the ground beneath our feet.
Author: Paul Jillard Publisher: ISBN: 9783668831902 Category : Languages : en Pages : 38
Book Description
Bachelor Thesis from the year 2017 in the subject Art - Photography and Film, grade: -, language: English, abstract: Place is an intangible concept. It is often used within geographical terminology, but the very nature of place eludes easy definition or categorization. In this dissertation I will interrogate the notion of place, how place is differentiated from space and how a photograph represents place using examples from different genres of photography. I will take examples of landscape, urban, architectural and interiors to look in detail at the manner in which photography produces meaning and represents place. A particular aspect of the relationship of photographic representation to place is how photography, using only the singular sense of seeing, can transform a literal reality into a meaningful representation of the multi- sensory experience of actually being in a place. My own photographic practice is based around architectural space and place, so I will be looking in particular at the many factors that influence photographs of buildings and how they represent place.
Author: Ali Shobeiri
Author: Ali Shobeiri
Author: 
Author: Seyed Abolfazl Shobeiri
Author: Vilém Flusser
Author: Maarten van Gageldonk
Author: Hilde Van Gelder
Author: Ali Shobeiri
Author: BIRKIN
Author: Ben Woodard
Author: Paul Jillard