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Author: Kathryn M. Rudy Publisher: Open Book Publishers ISBN: 1783742364 Category : Literary Criticism Languages : en Pages : 226
Book Description
Medieval manuscripts resisted obsolescence. Made by highly specialised craftspeople (scribes, illuminators, book binders) with labour-intensive processes using exclusive and sometimes exotic materials (parchment made from dozens or hundreds of skins, inks and paints made from prized minerals, animals and plants), books were expensive and built to last. They usually outlived their owners. Rather than discard them when they were superseded, book owners found ways to update, amend and upcycle books or book parts. These activities accelerated in the fifteenth century. Most manuscripts made before 1390 were bespoke and made for a particular client, but those made after 1390 (especially books of hours) were increasingly made for an open market, in which the producer was not in direct contact with the buyer. Increased efficiency led to more generic products, which owners were motivated to personalise. It also led to more blank parchment in the book, for example, the backs of inserted miniatures and the blanks ends of textual components. Book buyers of the late fourteenth and throughout the fifteenth century still held onto the old connotations of manuscripts—that they were custom-made luxury items—even when the production had become impersonal. Owners consequently purchased books made for an open market and then personalised them, filling in the blank spaces, and even adding more components later. This would give them an affordable product, but one that still smacked of luxury and met their individual needs. They kept older books in circulation by amending them, attached items to generic books to make them more relevant and valuable, and added new prayers with escalating indulgences as the culture of salvation shifted. Rudy considers ways in which book owners adjusted the contents of their books from the simplest (add a marginal note, sew in a curtain) to the most complex (take the book apart, embellish the components with painted decoration, add more quires of parchment). By making sometimes extreme adjustments, book owners kept their books fashionable and emotionally relevant. This study explores the intersection of codicology and human desire. Rudy shows how increased modularisation of book making led to more standardisation but also to more opportunities for personalisation. She asks: What properties did parchment manuscripts have that printed books lacked? What are the interrelationships among technology, efficiency, skill loss and standardisation?
Author: Kathryn M. Rudy Publisher: Open Book Publishers ISBN: 1783742364 Category : Literary Criticism Languages : en Pages : 226
Book Description
Medieval manuscripts resisted obsolescence. Made by highly specialised craftspeople (scribes, illuminators, book binders) with labour-intensive processes using exclusive and sometimes exotic materials (parchment made from dozens or hundreds of skins, inks and paints made from prized minerals, animals and plants), books were expensive and built to last. They usually outlived their owners. Rather than discard them when they were superseded, book owners found ways to update, amend and upcycle books or book parts. These activities accelerated in the fifteenth century. Most manuscripts made before 1390 were bespoke and made for a particular client, but those made after 1390 (especially books of hours) were increasingly made for an open market, in which the producer was not in direct contact with the buyer. Increased efficiency led to more generic products, which owners were motivated to personalise. It also led to more blank parchment in the book, for example, the backs of inserted miniatures and the blanks ends of textual components. Book buyers of the late fourteenth and throughout the fifteenth century still held onto the old connotations of manuscripts—that they were custom-made luxury items—even when the production had become impersonal. Owners consequently purchased books made for an open market and then personalised them, filling in the blank spaces, and even adding more components later. This would give them an affordable product, but one that still smacked of luxury and met their individual needs. They kept older books in circulation by amending them, attached items to generic books to make them more relevant and valuable, and added new prayers with escalating indulgences as the culture of salvation shifted. Rudy considers ways in which book owners adjusted the contents of their books from the simplest (add a marginal note, sew in a curtain) to the most complex (take the book apart, embellish the components with painted decoration, add more quires of parchment). By making sometimes extreme adjustments, book owners kept their books fashionable and emotionally relevant. This study explores the intersection of codicology and human desire. Rudy shows how increased modularisation of book making led to more standardisation but also to more opportunities for personalisation. She asks: What properties did parchment manuscripts have that printed books lacked? What are the interrelationships among technology, efficiency, skill loss and standardisation?
Author: Anne Clark Bartlett Publisher: Cornell University Press ISBN: 1501726765 Category : Religion Languages : en Pages : 266
Book Description
Devotional texts in late medieval England were notable for their flamboyant piety and their preoccupation with the tortured body of Christ and the grief of the Virgin Mary. Generations of readers internalized and shaped the "cultures of piety" represented by these works. Anne Clark Bartlett and Thomas H. Bestul here gather seven examples of this literature, all written in the period 1350–1450, one in Anglo-Norman, the remainder in Middle English. (The volume includes an appendix containing the original texts of the latter six pieces.) The collection illustrates the polyglottal, conflicting, and often polemical nature of devotional culture in the Middle Ages. It provides a valuable context for and interesting counterpoint to the Canterbury Tales and other classic works of late medieval England. The introduction and the translators' headnotes discuss crucial aspects of the texts' histories and thematics, including the importance of the body in spiritual practices, the development of female patronage and of a wide audience for this literature, and the indivisibility of the political and the religious in medieval times.
Author: Wesley Yang Publisher: W. W. Norton & Company ISBN: 0393652653 Category : Social Science Languages : en Pages : 166
Book Description
“Fierce and refreshing.”— Carlos Lozada, Washington Post Named a notable book of the year by the New York Times Book Review and the Washington Post, and one of the best books of the year by Spectator and Publishers Weekly, The Souls of Yellow Folk is the powerful debut from one of the most acclaimed essayists of his generation. Wesley Yang writes about race and sex without the polite lies that bore us all.
Author: Alexander Lawrence Ames Publisher: ISBN: 9780271085913 Category : Languages : en Pages : 264
Book Description
Examines the history of Fraktur (illuminated religious manuscripts created and used by Pennsylvania Germans in the eighteenth and nineteenth centuries) and explores its role in early American popular piety and devotional culture.
Author: Charlotte Ikels Publisher: Stanford University Press ISBN: 0804747911 Category : Social Science Languages : en Pages : 318
Book Description
How have rapid industrial development and the aging of the population affected the expression of filial piety in East Asia? Eleven experienced fieldworkers take a fresh look at an old idea, analyzing contemporary behavior, not norms, among both rural and urban families in China, Japan, Korea, and Taiwan. Each chapter presents rich ethnographic data on how filial piety shapes the decisions and daily lives of adult children and their elderly parents. The authors ability to speak the local languages and their long-term, direct contact with the villagers and city dwellers they studied lend an immediacy and authenticity lacking in more abstract treatments of the topic. This book is an ideal text for social science and humanities courses on East Asia because it focuses on shared cultural practices while analyzing the ways these practices vary with local circumstances of history, economics, social organization, and demography and with personal circumstances of income, gender, and family configuration.
Author: Margaret Frazer Publisher: ISBN: 9781101441541 Category : Great Britain Languages : en Pages : 290
Book Description
While his troupe leader recovers from a fall, 15th century actor Joliffe takes a temporary job in a hospital and investigates a series of mysterious patient deaths that may have been failed attempts on the life a cantankerous, hypochondriac widow.
Author: Ruben Suykerbuyk Publisher: Studies in Netherlandish Art a ISBN: 9789004426306 Category : Art Languages : en Pages : 428
Book Description
"The Matter of Piety provides the first in-depth study of Zoutleeuw's exceptionally well-preserved pilgrimage church in a comparative perspective, and revaluates religious art and material culture in Netherlandish piety from the late Middle Ages through the crisis of iconoclasm and the Reformation to Catholic restoration. Analyzing the changing functions, outlooks, and meanings of devotional objects - monumental sacrament houses, cult statues and altarpieces, and small votive offerings or relics - Ruben Suykerbuyk revises dominant narratives about Catholic culture and patronage in the Low Countries. Rather than being a paralyzing force, the Reformation incited engaged counterinitiatives, and the vitality of late medieval devotion served as the fertile ground from which the Counter-Reformation organically grew under Protestant impulses"--
Author: Kathryn M. Rudy Publisher: Open Book Publishers ISBN: 1783745193 Category : Literary Criticism Languages : en Pages : 254
Book Description
In this ingenious study, Kathryn Rudy takes the reader on a journey to trace the birth, life and afterlife of a Netherlandish book of hours made in 1500. Image, Knife, and Gluepot painstakingly reconstructs the process by which this manuscript was created and discusses its significance as a text at the forefront of fifteenth-century book production, when the invention of mechanically-produced images led to the creation of new multimedia objects. Rudy then travels to the nineteenth century to examine the phenomenon of manuscript books being pillaged for their prints and drawings: she has diligently tracked down the dismembered parts of this book of hours for the first time. Image, Knife, and Gluepot also documents Rudy’s twenty-first-century research process, as she hunts through archives while grappling with the logistics and occasionally the limits of academic research. This is a timely volume, focusing on questions of materiality at the forefront of medieval and literary studies. Beautifully illustrated throughout, its use of original material and its striking interdisciplinary approach, combining book and art history, make it a significant academic achievement. Image, Knife, and Gluepot is a valuable text for any scholar in the fields of medieval studies, the history of early books and publishing, cultural history or material culture. Written in Rudy’s inimitable style, it will also be rewarding for any student enrolled in a course on manuscript production, as well as non-specialists interested in the afterlives of manuscripts and prints. The Royal Society of Edinburgh has generously contributed to this Open Access publication. Due to the number and quality of the images in this book, we have provided the option of a more expensive hardback edition, printed on the best quality paper available, in order to present the images as clearly and beautifully as possible. We hope this range of options — the freely available PDF, HTML and XML editions; the economically priced EPUB, MOBI and paperback editions; and the more expensively printed hardback — will satisfy everyone. Furthermore the HTML edition allows readers to magnify the images of the manuscripts displayed in the book.
Author: Kathryn M. Rudy
Author: Kathryn M. Rudy
Author: Anne Clark Bartlett
Author: Wesley Yang
Author: Alexander Lawrence Ames
Author: Charlotte Ikels
Author: Margaret Frazer
Author: Pratapaditya Pal
Author: Ruben Suykerbuyk
Author: Lewis Bayly
Author: Kathryn M. Rudy