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Author: Valentine Plisnier Photographs by Valerie Dartevelle Publisher: ISBN: 9788874398133 Category : Languages : en Pages : 304
Book Description
'Les arts primordiaux', as the author himself defines them, have been the cornerstone and passion of his life. And everything about his daily life expresses just this: the shelves overflowing with books and catalogues on extra-European art, the statues, the masks, and the way all this material is piled up in no particular order, blocking our view in every direction and preventing us from seeing any sort of background in the rooms. There is no doubting what makes Pierre Dartevelle get up in the morning. He has devoted fifty years to getting African art's status recognized in Brussels, where in 1967 he opened a gallery in impasse Saint Jacques at the Grand Sablon, which soon achieved international renown. A lawyer by training and a great traveler by inclination, he abandoned law to give free course to his personal passion, in the footsteps of his father, Edmond Dartevelle, an explorer in his own right and scientist, whose finds in the Congo built the collection of the Musée d'Afrique centrale, in Tervuren. Viewed today by his followers and peers as an 'icon', Pierre Dartevelle has always taken an active interest in preserving the artistic and ancestral heritage of Africa. He has built or expanded some of the most important private and public collections of tribal art known to this day, such as the Musée du Quai Branly - Jacques Chirac (Paris) and the Metropolitan Museum in New York.
Author: Valentine Plisnier Photographs by Valerie Dartevelle Publisher: ISBN: 9788874398133 Category : Languages : en Pages : 304
Book Description
'Les arts primordiaux', as the author himself defines them, have been the cornerstone and passion of his life. And everything about his daily life expresses just this: the shelves overflowing with books and catalogues on extra-European art, the statues, the masks, and the way all this material is piled up in no particular order, blocking our view in every direction and preventing us from seeing any sort of background in the rooms. There is no doubting what makes Pierre Dartevelle get up in the morning. He has devoted fifty years to getting African art's status recognized in Brussels, where in 1967 he opened a gallery in impasse Saint Jacques at the Grand Sablon, which soon achieved international renown. A lawyer by training and a great traveler by inclination, he abandoned law to give free course to his personal passion, in the footsteps of his father, Edmond Dartevelle, an explorer in his own right and scientist, whose finds in the Congo built the collection of the Musée d'Afrique centrale, in Tervuren. Viewed today by his followers and peers as an 'icon', Pierre Dartevelle has always taken an active interest in preserving the artistic and ancestral heritage of Africa. He has built or expanded some of the most important private and public collections of tribal art known to this day, such as the Musée du Quai Branly - Jacques Chirac (Paris) and the Metropolitan Museum in New York.
Author: Sarah Van Beurden Publisher: Ohio University Press ISBN: 0821445456 Category : History Languages : en Pages : 505
Book Description
Together, the Royal Museum for Central Africa in Tervuren, Belgium, and the Institut des Musées Nationaux du Zaire (IMNZ) in the Congo have defined and marketed Congolese art and culture. In Authentically African, Sarah Van Beurden traces the relationship between the possession, definition, and display of art and the construction of cultural authenticity and political legitimacy from the late colonial until the postcolonial era. Her study of the interconnected histories of these two institutions is the first history of an art museum in Africa, and the only work of its kind in English. Drawing on Flemish-language sources other scholars have been unable to access, Van Beurden illuminates the politics of museum collections, showing how the IMNZ became a showpiece in Mobutu’s effort to revive “authentic” African culture. She reconstructs debates between Belgian and Congolese museum professionals, revealing how the dynamics of decolonization played out in the fields of the museum and international heritage conservation. Finally, she casts light on the art market, showing how the traveling displays put on by the IMNZ helped intensify collectors’ interest and generate an international market for Congolese art. The book contributes to the fields of history, art history, museum studies, and anthropology and challenges existing narratives of Congo’s decolonization. It tells a new history of decolonization as a struggle over cultural categories, the possession of cultural heritage, and the right to define and represent cultural identities.
Author: Roy Sieber Publisher: Smithsonian Books (DC) ISBN: 9780874748222 Category : Art Languages : en Pages : 164
Book Description
Shows examples of tomb figures, posts, ancestor figures, masks, chairs, stools, cups, boxes, and doors and describes the background of each work.
Author: Alisa LaGamma Publisher: Metropolitan Museum of Art ISBN: 0870999338 Category : Art, Black Languages : en Pages : 82
Book Description
Twenty-eight African cultures are represented here by artifacts created to communicate with ancestors, spirits, and gods, about such issues as health, conception, and determination of guilt or innocence. Issued in conjunction with an April-July 2000 exhibit at The Metropolitan Museum of Art, NY, this catalog contains extensive ethnographic, descriptive, and interpretive text in connection with each of 50 pictured pieces, as well as a 13-page essay about divination in Sub-Saharan Africa (by John Pemberton III) and an introductory essay by LaGamma. Annotation copyrighted by Book News, Inc., Portland, OR
Author: Berny Sèbe Publisher: Routledge ISBN: 0429639376 Category : History Languages : en Pages : 229
Book Description
Decolonising Europe? Popular Responses to the End of Empire offers a new paradigm to understand decolonisation in Europe by showing how it was fundamentally a fluid process of fluxes and refluxes involving not only transfers of populations, ideas, and sociocultural practices across continents but also complex intra-European dynamics at a time of political convergence following the Treaty of Rome. Decolonisation was neither a process of sudden, rapid changes to European cultures nor one of cultural inertia, but a development marked by fluidity, movement, and dynamism. Rather than being a static process where Europe’s (former) metropoles and their peoples ‘at home’ reacted to the end of empire ‘out there’, decolonisation translated into new realities for Europe’s cultures, societies, and politics as flows, ebbs, fluxes, and cultural refluxes reshaped both former colonies and former metropoles. The volume’s contributors set out a carefully crafted panorama of decolonisation’s sequels in European popular culture by means of in-depth studies of specific cases and media, analysing the interwoven meaning, momentum, memory, material culture, and migration patterns of the end of empire across eight major European countries. The revised meaning of ‘decolonisation’ that emerges will challenge scholars in several fields, and the panorama of new research in the book charts paths for new investigations. The question mark in the title asks not only how European cultures experienced the ‘end of empire’ but also the extent to which this is still a work in progress.
Author: Alisa LaGamma Publisher: Metropolitan Museum of Art ISBN: 1588394328 Category : Art Languages : en Pages : 314
Book Description
Issued in connection with an exhibition held Sept. 20, 2011-Jan. 29, 2012, Metropolitan Museum of Art, New York, and at the Rietberg Museum, Zeurich, at later dates.
Author: National Museum of African Art (U.S.) Publisher: University of Washington Press ISBN: Category : Architecture Languages : en Pages : 204
Book Description
The National Museum of African Art began as a private educational institution in 1964 and became part of the Smithsonian Institution in 1979. This volume includes highlights from the museum's holdings of traditional African art from throughout the continent, although the majority of works originated in sub-Saharan Africa. The 150 objects presented include sculpted masks and figures, regalia, items of personal adornment, textiles, furniture, and household objects. Each entry provides a discussion about the object's meaning and use and includes provenance and publication history. Fully illustrated in color, the handbook also includes maps, an extensive bibliography, and an introduction by Roy Sieber, America's foremost authority on traditional African art.
Author: Raymond Corbey Publisher: Kit Pub ISBN: Category : Antiques & Collectibles Languages : en Pages : 260
Book Description
This publication traces the movements of hundreds of thousands of masks, statues, amulets, shields etc. from overseas tribul cultures to and within North Atlantic societies, in colonial and post-colonial times. While the focus is on the Low Countries and their overseas territories, the Belgian Congo and the Netherlands East Indies, related developments in three adjacent colonial powers, Germany, France and the United Kingdom, are also covered, as are links to the United States. The milieus and locales through which tribal objects circulated and circulate are charted, like colonial trading posts, auction houses and museums, and dealers, collectors and curators relate their more recent experiences with objects-in-motion.
Author: Valentine Plisnier Photographs by Valerie Dartevelle
Author: Valentine Plisnier Photographs by Valerie Dartevelle
Author: Sarah Van Beurden
Author: Roy Sieber
Author: Alisa LaGamma
Author: Berny Sèbe
Author: Alisa LaGamma
Author: National Museum of African Art (U.S.)
Author: 
Author: 
Author: Raymond Corbey