Piero della Francesca: Personal Encounters PDF Download

Author: Christiansen, Keith
Publisher: Metropolitan Museum of Art
ISBN: 0300199465
Category : Art
Languages : en
Pages : 98

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Book Description
Prominent Renaissance scholars reveal new insights into Piero’s life and work based on a study of his exquisite small panel paintings.

Author: Sir John Wyndham Pope-Hennessy
Publisher: New York Review of Books
ISBN: 9781892145130
Category : Art
Languages : en
Pages : 100

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Book Description
Thousands of travelers visit Tuscany and Umbria each year to follow the Piero della Francesca Trail. John Pope-Hennessy examines each work of Piero della Francesca. Included is Aldous Huxley's essay "The Best Picture, " which inspired Pope-Hennessy to seek out these paintings and frescoes. 56 photos.

Author: Nathaniel E.. Silver
Publisher:
ISBN: 9780912114576
Category : Painting, Italian
Languages : en
Pages : 149

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Book Description

Author: Jill Dunkerton
Publisher: Yale University Press
ISBN: 0300050828
Category : Art
Languages : en
Pages : 414

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Book Description
"This book provides a survey of European painting between 1260 and 1510, in both northern and southern Europe, based largely on the National Gallery collection ... some 70 of the finest and best known paintings in the Gallery are examined in detail"--Cover.

Author: Craig Burnett
Publisher: MIT Press
ISBN: 1846381339
Category : Art
Languages : en
Pages : 95

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Book Description
An illustrated examination of Philip Guston's comic and complex painting The Studio. Throughout his career, Philip Guston's work metamorphosed from figural to abstract and back to figural. In the 1950s, Guston (1913–1980) produced a body of shimmering abstract paintings that made him—along with Willem de Kooning, Jackson Pollock, and Franz Kline—an influential abstract expressionist of the “gestural” tendency. In the late 1960s, with works like The Studio came his most radical shift. Drawing from the imagery of his early murals and from elements in his later drawings, ignoring the prevailing “coolness” of Minimalism and antiform abstraction, Guston invented for these late works a cast of cartoon-like characters to articulate a vision that was at once comic, crude, and complex. In The Studio, Guston offers a darkly comic portrait of the artist as a hooded Ku Klux Klansman, painting a self-portrait. In this concise and generously illustrated book, Craig Burnett examines The Studio in detail. He describes the historical and personal motivations for Guston's return to figuration and the (mostly negative) critical reaction to the work from Hilton Kramer and others. He looks closely at the structure of The Studio, and at the influence of Piero della Francesca, Manet, and Krazy Kat, among others; and he considers the importance of the column of smoke in the painting—as a compositional device and as a ghost of abstraction and metaphysics. The Studio signals not only Guston's own artistic evolution but a broader shift, from the medium-centric and teleological claim of modernism to the discursive, carnivalesque, and mucky world of postmodernism.

Author: Nicholas Fox Weber
Publisher: Knopf
ISBN: 038535276X
Category : Biography & Autobiography
Languages : en
Pages : 1047

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Book Description
The first full-scale biography of one of the most elusive and enigmatic painters of our time -- the self-proclaimed Count Balthus Klossowski de Rola -- whose brilliantly rendered, markedly sexualized portraits, especially of young girls, are among the most memorable images in contemporary art. The story of Balthus's life has been shrouded by contradiction and hearsay, most of it his own invention; over the years he created for himself a persona of mystery, aristocracy, and glamour. Now, in Nicholas Fox Weber's superb biography, Balthus, the man and the artist, stands revealed as never before. He was born in Paris in 1908 to Polish parents. At age twelve he first stepped into the spotlight with the publication of forty of his drawings illustrating a story about a cat by Rainer Maria Rilke, who was then Balthus's mother's lover and a crucial influence on the young boy. From that moment, Balthus has never been out of the public eye. In 1934 his first exhibition, in Paris, stunned the art world. The seven canvases drew attention to his extraordinary technique -- a mix of tradition and imagination informed by the work of Piero della Francesca, Courbet, and Joseph Reinhardt, but unique to the twenty-six-year-old artist -- and to their provocative content; one of the paintings, The Guitar Lesson, was so powerful in its sadomasochistic imagery that it was deemed necessary to remove it from public display. Continuously since then, Balthus's work has provoked both great opprobrium and profound admiration -- as has the artist himself, whether collaborating with Antonin Artaud on his Theater of Cruelty, transforming the Villa Medici into the social center of Fellini's Rome in the 1950s, or competing for the artistic limelight with his friends Picasso and André Derain. The artist's complexities are clarified and his genius understood in a book that derives its particular immediacy from Weber's long and intense conversations with Balthus -- who never previously consented to discuss his life and work with a biographer -- as well as his interviews with the painter's closest friends, members of his family, and many of the subjects of his controversial canvases. Weber's critical and human grasp (he acutely analyzes the paintings in terms of both their aesthetic achievement and what they reveal of their maker's psyche), combined with his rich knowledge of Balthus's life and his insight into the ideas and forces that have helped to shape Balthus's work over the past seven decades, gives us a striking, illuminating portrait of one of the most admired and outrageous artists of our time.

Author: Paul Graham
Publisher: "O'Reilly Media, Inc."
ISBN: 0596006624
Category : Computers
Languages : en
Pages : 272

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Book Description
The author examines issues such as the rightness of web-based applications, the programming language renaissance, spam filtering, the Open Source Movement, Internet startups and more. He also tells important stories about the kinds of people behind technical innovations, revealing their character and their craft.

Author: Machtelt Brüggen Israëls
Publisher: Reaktion Books
ISBN: 1789143225
Category : Art
Languages : en
Pages : 369

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Book Description
As one of the most innovative and enlightened painters of the early Italian Renaissance, Piero della Francesca brought space, luminosity, and unparalleled subtlety to painting. In addition, Piero invented the role of the modern artist by becoming a traveler, a courtier, a geometrician, a patron, and much else besides. In this nuanced account of this great painter’s life and art, Machtelt Brüggen Israëls reconstructs how Piero came of age. Successfully demystifying the persistent notion of Piero’s art as enigmatic, she reveals the simple and stunning intentions behind his work.

Author: Joost Keizer
Publisher: Routledge
ISBN: 1317018249
Category : Art
Languages : en
Pages : 301

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Book Description
The fifteenth-century Italian artist Piero della Francesca painted a familiar world. Roads wind through hilly landscapes, run past farms, sheds, barns, and villages. This is the world in which Piero lived. At the same time, Piero’s paintings depict a world that is distant. The subjects of his pictures are often Christian and that means that their setting is the Holy Land, a place Piero had never visited. The Realism of Piero della Francesca studies this paradoxical aspect of Piero’s art. It tells the story of an artist who could think of the local churches, palaces, and landscapes in and around his hometown of Sansepolcro as miraculously built replicas of the monuments of Jerusalem. Piero’s application of perspective, to which he devoted a long treatise, was meant to convince his contemporaries that his paintings report on things that Piero actually observed. Piero’s methodical way of painting seems to have offered no room for his own fantasy. His art looks deliberately styleless. This book uncovers a world in which painting needed to validate itself by cultivating the illusion that it reported on things observed instead of things imagined by the artist. Piero’s painting claimed truth in a world of increasing uncertainties.

Author: Linda Wolk-Simon
Publisher: Metropolitan Museum of Art
ISBN: 0300117906
Category : Altarpieces
Languages : en
Pages : 78

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Book Description
Raphael has been the indispensable reference point for countless artists, great and small, Italian and non-Italian. His frescoes in the Vatican quickly asserted themselves as paradigms of the Grand Manner, while his serenely beautiful Madonnas and calmly dignified portraits redefined their respective genres. The combination of clarity and complexity in his compositions results in an ineffable quality of innate grace that many artists have since tried to emulate. Not only Parmigianino, Carracci, Poussin, Ingres, and Degas but Caravaggio, Rembrandt, Manet, and Picasso also mined Raphael's works for inspiration. The Colonna Altarpiece is the only altarpiece by Raphael in an American collection. Raphael painted this work in his early twenties for a convent of nuns in Perugia on the eve of his move to Florence. The two main panels of the altarpiece were bought by former Museum president J. Pierpont Morgan, and later given as a gift to the Museum's Collection in 1916. This volume accompanies an exhibition that reunites all seven parts of the altarpiece for the first time since the seventeenth century: the two main panels in the Metropolitan together with the five components of its predella, divided among the Metropolitan, the Isabella Stewart Gardner Museum in Boston, and the National Gallery and the Dulwich Picture Gallery, both in London. Also included is a fine selection of paintings and drawings by Raphael executed during the same period, 1502-5 A.D. Additionally, this exhibition showcases a preliminary study, now in the Ashmolean Museum in Oxford, for the landscape in the Metropolitan's altarpiece, as well as the beautiful painting Madonna and Child with a Book from the Norton Simon Art Foundation in Pasadena. These works document one of the pivotal moments in Raphael's career, when the young artist abandoned Perugia, in Umbria, and set his sights on Florence, where he encountered the work of Fra Bartolommeo and Leonardo da Vinci. To contextualize the transformative effect of this move, paintings by his master, Perugino, as well as by Pinturicchio and Fra Bartolommeo are also exhibited. -- Metropolitan Museum of Art website.