Author: Stuart Sillars
Publisher: Oxford University Press
ISBN: 0198828926
Category : Literary Criticism
Languages : en
Pages : 316
Book Description
A richly illustrated study of the interplay of word and image in representations of the English countryside, built environment, and domestic space during the interwar period. During the 1920s and 30s, words and pictures in print were the main way in which people received ideas and entertainment, the two working together in a great variety of forms. Many books of the twenties argued against the loss of the countryside because of suburban building. But the demand for post-war building was great and, following the lead of a government report, many books appeared that showed house designs, allowing readers to design or imagine their ownership. Book designs became attractive, helped by colourful dust jackets and internal pictures. Magazines developed individual talents and special interests for both men and women. And, at the periods close, word and image were combined to publicise the growing RAF and give advice about protecting houses from bombing. In all these, words and images worked together as a complex form of art, communication, and entertainment.
Picturing England Between the Wars
Author: Stuart Sillars
Publisher: Oxford University Press
ISBN: 0198828926
Category : Literary Criticism
Languages : en
Pages : 316
Book Description
A richly illustrated study of the interplay of word and image in representations of the English countryside, built environment, and domestic space during the interwar period. During the 1920s and 30s, words and pictures in print were the main way in which people received ideas and entertainment, the two working together in a great variety of forms. Many books of the twenties argued against the loss of the countryside because of suburban building. But the demand for post-war building was great and, following the lead of a government report, many books appeared that showed house designs, allowing readers to design or imagine their ownership. Book designs became attractive, helped by colourful dust jackets and internal pictures. Magazines developed individual talents and special interests for both men and women. And, at the periods close, word and image were combined to publicise the growing RAF and give advice about protecting houses from bombing. In all these, words and images worked together as a complex form of art, communication, and entertainment.
Publisher: Oxford University Press
ISBN: 0198828926
Category : Literary Criticism
Languages : en
Pages : 316
Book Description
A richly illustrated study of the interplay of word and image in representations of the English countryside, built environment, and domestic space during the interwar period. During the 1920s and 30s, words and pictures in print were the main way in which people received ideas and entertainment, the two working together in a great variety of forms. Many books of the twenties argued against the loss of the countryside because of suburban building. But the demand for post-war building was great and, following the lead of a government report, many books appeared that showed house designs, allowing readers to design or imagine their ownership. Book designs became attractive, helped by colourful dust jackets and internal pictures. Magazines developed individual talents and special interests for both men and women. And, at the periods close, word and image were combined to publicise the growing RAF and give advice about protecting houses from bombing. In all these, words and images worked together as a complex form of art, communication, and entertainment.
Picturing Empire
Author: James R. Ryan
Publisher: Reaktion Books
ISBN: 1780231636
Category : Science
Languages : en
Pages : 274
Book Description
Coinciding with the extraordinary expansion of Britain's overseas empire under Queen Victoria, the invention of photography allowed millions to see what they thought were realistic and unbiased pictures of distant peoples and places. This supposed accuracy also helped to legitimate Victorian geography's illuminations of the "darkest" recesses of the globe with the "light" of scientific mapping techniques. But as James R. Ryan argues in Picturing Empire, Victorian photographs reveal as much about the imaginative landscapes of imperial culture as they do about the "real" subjects captured within their frames. Ryan considers the role of photography in the exploration and domestication of foreign landscapes, in imperial warfare, in the survey and classification of "racial types," in "hunting with the camera," and in teaching imperial geography to British schoolchildren. Ryan's careful exposure of the reciprocal relation between photographic image and imperial imagination will interest all those concerned with the cultural history of the British Empire.
Publisher: Reaktion Books
ISBN: 1780231636
Category : Science
Languages : en
Pages : 274
Book Description
Coinciding with the extraordinary expansion of Britain's overseas empire under Queen Victoria, the invention of photography allowed millions to see what they thought were realistic and unbiased pictures of distant peoples and places. This supposed accuracy also helped to legitimate Victorian geography's illuminations of the "darkest" recesses of the globe with the "light" of scientific mapping techniques. But as James R. Ryan argues in Picturing Empire, Victorian photographs reveal as much about the imaginative landscapes of imperial culture as they do about the "real" subjects captured within their frames. Ryan considers the role of photography in the exploration and domestication of foreign landscapes, in imperial warfare, in the survey and classification of "racial types," in "hunting with the camera," and in teaching imperial geography to British schoolchildren. Ryan's careful exposure of the reciprocal relation between photographic image and imperial imagination will interest all those concerned with the cultural history of the British Empire.
Keeper of the Hearth
Author: Odette England
Publisher: Schilt Publishing
ISBN: 9789053309377
Category : Antiques & Collectibles
Languages : en
Pages : 0
Book Description
This lavish book marks the 40th anniversary of Barthes' renowned work Camera Lucida in 2020. Artist Odette England invited 199 of the world's best-known contemporary photographers, writers, critics, curators and art historians to contribute an image or text that reflects on Barthes' unpublished snapshot of his mother, aged five. This snapshot is known as the winter garden photograph. Barthes discusses it at length in Camera Lucida, but never reproduces it. It is one of the most famous unseen photographs in the world.
Publisher: Schilt Publishing
ISBN: 9789053309377
Category : Antiques & Collectibles
Languages : en
Pages : 0
Book Description
This lavish book marks the 40th anniversary of Barthes' renowned work Camera Lucida in 2020. Artist Odette England invited 199 of the world's best-known contemporary photographers, writers, critics, curators and art historians to contribute an image or text that reflects on Barthes' unpublished snapshot of his mother, aged five. This snapshot is known as the winter garden photograph. Barthes discusses it at length in Camera Lucida, but never reproduces it. It is one of the most famous unseen photographs in the world.
Picturing Old New England
Author: William H. Truettner
Publisher: Yale University Press
ISBN: 9780300079388
Category : Art
Languages : en
Pages : 239
Book Description
Despite the fact that there is a New England of cities, factories, and an increasingly diverse ethnic population, it is the Old New England that Americans have always treasured, finding in it a kind of 'national memory bank.' This book examines images of Old New England created between 1865 and 1945, demonstrating how these images encoded the values of age and tradition to a nation facing complex cultural issues during the period.
Publisher: Yale University Press
ISBN: 9780300079388
Category : Art
Languages : en
Pages : 239
Book Description
Despite the fact that there is a New England of cities, factories, and an increasingly diverse ethnic population, it is the Old New England that Americans have always treasured, finding in it a kind of 'national memory bank.' This book examines images of Old New England created between 1865 and 1945, demonstrating how these images encoded the values of age and tradition to a nation facing complex cultural issues during the period.
Historical pictures, England
Picturing England
Author: Mike Evans
Publisher: Historic England Publishing
ISBN: 9781848020993
Category : Architecture
Languages : en
Pages : 0
Book Description
Photographers have taken pictures of England's buildings and landscapes since the invention of the medium, making images of the traces of past societies as well as photographing the new buildings around them. They have done so for many reasons: to capture the picturesque; to make a living or a souvenir; to promote or to condemn; to record what is disappearing or to reveal what is normally hidden. The formats and types of photograph they have used have been, over time, just as various, from the rare and special image, such as the first calotype, to the ubiquitous digital photograph. Collectively these photographers, both famous and anonymous, have changed the way we see and understand our environment. This book features over 300 striking photographs from the Historic England Archive, an unparalleled collection of 9 million images on England's buildings and landscapes from the 1850s to the present. Viewed collectively, its photographic collections record the changing face of England from the beginning of photography to the present day. They form a remarkable national asset, a huge memory bank that helps us understand and interpret the past, informs the present and assists with future management and appreciation of the historic environment. With informative essays and captions by the authors, this book will appeal to anyone with an interest in photography, architecture, archaeology or social history.
Publisher: Historic England Publishing
ISBN: 9781848020993
Category : Architecture
Languages : en
Pages : 0
Book Description
Photographers have taken pictures of England's buildings and landscapes since the invention of the medium, making images of the traces of past societies as well as photographing the new buildings around them. They have done so for many reasons: to capture the picturesque; to make a living or a souvenir; to promote or to condemn; to record what is disappearing or to reveal what is normally hidden. The formats and types of photograph they have used have been, over time, just as various, from the rare and special image, such as the first calotype, to the ubiquitous digital photograph. Collectively these photographers, both famous and anonymous, have changed the way we see and understand our environment. This book features over 300 striking photographs from the Historic England Archive, an unparalleled collection of 9 million images on England's buildings and landscapes from the 1850s to the present. Viewed collectively, its photographic collections record the changing face of England from the beginning of photography to the present day. They form a remarkable national asset, a huge memory bank that helps us understand and interpret the past, informs the present and assists with future management and appreciation of the historic environment. With informative essays and captions by the authors, this book will appeal to anyone with an interest in photography, architecture, archaeology or social history.
Monarchy, Print Culture, and Reverence in Early Modern England
Author: Stephanie E. Koscak
Publisher: Routledge
ISBN: 1000038548
Category : History
Languages : en
Pages : 384
Book Description
This richly illustrated and interdisciplinary study examines the commercial mediation of royalism through print and visual culture from the second half of the seventeenth century. The rapidly growing marketplace of books, periodicals, pictures, and material objects brought the spectacle of monarchy to a wide audience, saturating spaces of daily life in later Stuart and early Hanoverian England. Images of the royal family, including portrait engravings, graphic satires, illustrations, medals and miniatures, urban signs, playing cards, and coronation ceramics were fundamental components of the political landscape and the emergent public sphere. Koscak considers the affective subjectivities made possible by loyalist commodities; how texts and images responded to anxieties about representation at moments of political uncertainty; and how individuals decorated, displayed, and interacted with pictures of rulers. Despite the fractious nature of party politics and the appropriation of royal representations for partisan and commercial ends, print media, images, and objects materialized emotional bonds between sovereigns and subjects as the basis of allegiance and obedience. They were read and re-read, collected and exchanged, kept in pockets and pasted to walls, and looked upon as repositories of personal memory, national history, and political reverence.
Publisher: Routledge
ISBN: 1000038548
Category : History
Languages : en
Pages : 384
Book Description
This richly illustrated and interdisciplinary study examines the commercial mediation of royalism through print and visual culture from the second half of the seventeenth century. The rapidly growing marketplace of books, periodicals, pictures, and material objects brought the spectacle of monarchy to a wide audience, saturating spaces of daily life in later Stuart and early Hanoverian England. Images of the royal family, including portrait engravings, graphic satires, illustrations, medals and miniatures, urban signs, playing cards, and coronation ceramics were fundamental components of the political landscape and the emergent public sphere. Koscak considers the affective subjectivities made possible by loyalist commodities; how texts and images responded to anxieties about representation at moments of political uncertainty; and how individuals decorated, displayed, and interacted with pictures of rulers. Despite the fractious nature of party politics and the appropriation of royal representations for partisan and commercial ends, print media, images, and objects materialized emotional bonds between sovereigns and subjects as the basis of allegiance and obedience. They were read and re-read, collected and exchanged, kept in pockets and pasted to walls, and looked upon as repositories of personal memory, national history, and political reverence.
Coming to England
Author: Floella Benjamin
Publisher: Pan Macmillan
ISBN: 1529049296
Category : Juvenile Nonfiction
Languages : en
Pages : 31
Book Description
A picture book story about the triumph of hope, love, and determination, Coming to England is the inspiring true story of Baroness Floella Benjamin: from Trinidad, to London as part of the Windrush generation, to the House of Lords. When she was ten years old, Floella Benjamin, along with her older sister and two younger brothers, set sail from Trinidad to London, to be reunited with the rest of their family. Alone on a huge ship for two weeks, then tumbled into a cold and unfriendly London, coming to England wasn't at all what Floella had expected. Coming to England is both deeply personal and universally relevant – Floella's experiences of moving home and making friends will resonate with young children, who will be inspired by her trademark optimism and joy. This is a true story with a powerful message: that courage and determination can always overcome adversity.
Publisher: Pan Macmillan
ISBN: 1529049296
Category : Juvenile Nonfiction
Languages : en
Pages : 31
Book Description
A picture book story about the triumph of hope, love, and determination, Coming to England is the inspiring true story of Baroness Floella Benjamin: from Trinidad, to London as part of the Windrush generation, to the House of Lords. When she was ten years old, Floella Benjamin, along with her older sister and two younger brothers, set sail from Trinidad to London, to be reunited with the rest of their family. Alone on a huge ship for two weeks, then tumbled into a cold and unfriendly London, coming to England wasn't at all what Floella had expected. Coming to England is both deeply personal and universally relevant – Floella's experiences of moving home and making friends will resonate with young children, who will be inspired by her trademark optimism and joy. This is a true story with a powerful message: that courage and determination can always overcome adversity.
Speeches and Addresses in Parliament, on the Platform, and at the Bar
Author: Alexander Martin Sullivan
Publisher:
ISBN:
Category : Ireland
Languages : en
Pages : 272
Book Description
Publisher:
ISBN:
Category : Ireland
Languages : en
Pages : 272
Book Description
England, England
Author: Julian Barnes
Publisher: Vintage
ISBN: 030755595X
Category : Fiction
Languages : en
Pages : 256
Book Description
BOOKER PRIZE FINALIST • From the internationally acclaimed bestselling author The Sense of an Ending comes a "wickedly funny” novel (The New York Times) about an idyllic land of make-believe in England that gets horribly and hilariously out of hand. Imagine an England where all the pubs are quaint, where the Windsors behave themselves (mostly), where the cliffs of Dover are actually white, and where Robin Hood and his merry men really are merry. This is precisely what visionary tycoon, Sir Jack Pitman, seeks to accomplish on the Isle of Wight, a "destination" where tourists can find replicas of Big Ben (half size), Princess Di's grave, and even Harrod's (conveniently located inside the tower of London). Martha Cochrane, hired as one of Sir Jack's resident "no-people," ably assists him in realizing his dream. But when things go awry, Martha develops her own vision of the perfect England. Julian Barnes delights us with a novel that is at once a philosophical inquiry, a burst of mischief, and a moving elegy about authenticity and nationality.
Publisher: Vintage
ISBN: 030755595X
Category : Fiction
Languages : en
Pages : 256
Book Description
BOOKER PRIZE FINALIST • From the internationally acclaimed bestselling author The Sense of an Ending comes a "wickedly funny” novel (The New York Times) about an idyllic land of make-believe in England that gets horribly and hilariously out of hand. Imagine an England where all the pubs are quaint, where the Windsors behave themselves (mostly), where the cliffs of Dover are actually white, and where Robin Hood and his merry men really are merry. This is precisely what visionary tycoon, Sir Jack Pitman, seeks to accomplish on the Isle of Wight, a "destination" where tourists can find replicas of Big Ben (half size), Princess Di's grave, and even Harrod's (conveniently located inside the tower of London). Martha Cochrane, hired as one of Sir Jack's resident "no-people," ably assists him in realizing his dream. But when things go awry, Martha develops her own vision of the perfect England. Julian Barnes delights us with a novel that is at once a philosophical inquiry, a burst of mischief, and a moving elegy about authenticity and nationality.