Picturing a Colonial Past PDF Download

Author: Isaac Schapera
Publisher: University of Chicago Press
ISBN: 0226114120
Category : History
Languages : en
Pages : 241

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Author: Beth Fowkes Tobin
Publisher: Duke University Press
ISBN: 9780822323389
Category : Art
Languages : en
Pages : 324

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Book Description
An interdisciplinary study of visual representations of British colonial power in the eighteenth century.

Author: Eleanor M. Hight
Publisher: Routledge
ISBN: 1136473874
Category : History
Languages : en
Pages : 343

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Book Description
Colonialist Photography is an absorbing collection of essays and photographs exploring the relationship between photography and European and American colonialism. The book is packed with well over a hundred captivating images, ranging from the first experiments with photography as a documentary medium up to the decolonization of many regions after World War II. Reinforcing a broad range of Western assumptions and prejudices, Eleanor M. Hight and Gary D. Sampson argue that such images often assisted in the construction of a colonial culture.

Author: Christopher Pinney
Publisher: Reaktion Books
ISBN: 1780231520
Category : Social Science
Languages : en
Pages : 329

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Book Description
A wedding couple gazes resolutely at viewers from the wings of a butterfly; a portrait surrounded by rose petals commemorates a recently deceased boy. These quiet but moving images represent the changing role of photographic portraiture in India, a topic anthropologist Christopher Pinney explores in Camera Indica. Studying photographic practice in India, Pinney traces photography's various purposes and goals from colonial through postcolonial times. He identifies three key periods in Indian portraiture: the use of photography under British rule as a quantifiable instrument of measurement, the later role of portraiture in moral instruction, and the current visual popular culture and its effects on modes of picturing. Photographic culture thus becomes a mutable realm in which capturing likeness is only part of the project. Lavishly illustrated, Pinney's account of the change from depiction to invention uncovers fascinating links between these evocative images and the society and history from which they emerge.

Author: Elizabeth Edwards
Publisher: Conran Octopus
ISBN:
Category : Travel
Languages : en
Pages : 156

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Author: Paul Munro
Publisher: Berghahn Books
ISBN: 1789206251
Category : Political Science
Languages : en
Pages : 212

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“Empire forestry”—the broadly shared forest management practice that emerged in the West in the nineteenth century—may have originated in Europe, but it would eventually reshape the landscapes of colonies around the world. Melding the approaches of environmental history and political ecology, Colonial Seeds in African Soil unravels the complex ways this dynamic played out in twentieth-century colonial Sierra Leone. While giving careful attention to topics such as forest reservation and exploitation, the volume moves beyond conservation practices and discourses, attending to the overlapping social, economic, and political contexts that have shaped approaches to forest management over time.

Author: Barbara J. Mitnick
Publisher: Rizzoli International Publications
ISBN:
Category : Architecture
Languages : en
Pages : 266

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Book Description
This book accompanies the exhibition organized by Fraunces Tavern Museum, New York City.

Author: Gabrielle Moser
Publisher: Penn State Press
ISBN: 0271082852
Category : Photography
Languages : en
Pages : 170

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Book Description
In Projecting Citizenship, Gabrielle Moser gives a comprehensive account of an unusual project produced by the British government’s Colonial Office Visual Instruction Committee at the beginning of the twentieth century—a series of lantern slide lectures that combined geography education and photography to teach schoolchildren around the world what it meant to look and to feel like an imperial citizen. Through detailed archival research and close readings, Moser elucidates the impact of this vast collection of photographs documenting the land and peoples of the British Empire, circulated between 1902 and 1945 in classrooms from Canada to Hong Kong, from the West Indies to Australia. Moser argues that these photographs played a central role in the invention and representation of imperial citizenship. She shows how citizenship became a photographable and teachable subject by tracing the intended readings of the images that the committee hoped to impart to viewers and analyzing how spectators may have used their encounters with these photographs for protest and resistance. Interweaving political and economic history, history of pedagogy, and theories of citizenship with a consideration of the aesthetic and affective dimensions of viewing the lectures, Projecting Citizenship offers important insights into the social inequalities and visual language of colonial rule.

Author: Paul S. Landau
Publisher: Univ of California Press
ISBN: 9780520229495
Category : History
Languages : en
Pages : 408

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Book Description
This volume considers the meaning and power of images in African history and culture. It assembles a wide-ranging collection of essays dealing with specific visual forms, including monuments cinema, cartoons, domestic and professional photography, body art, world fairs, and museum exhibits.

Author: Martha G. Anderson
Publisher: African Expressive Cultures
ISBN: 9780253028952
Category : Art
Languages : en
Pages : 384

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Book Description
J. A. Green (1873 1905) was one of the most prolific and accomplished indigenous photographers to be active in West Africa. This beautiful book celebrates Green s photographs and opens a new chapter in the early photographic history of Africa. Soon after photography reached the west coast of Africa in the 1840s, the technology and the resultant images were disseminated widely, appealing to African elites, European residents, and travelers to the region. Responding to the need for more photographs, expatriate and indigenous photographers began working along the coasts, particularly in major harbor towns. Green, whose identity remained hidden behind his English surname, maintained a photography business in Bonny along the Niger Delta. His work covered a wide range of themes including portraiture, scenes of daily and ritual life, commerce, and building. Martha G. Anderson, Lisa Aronson, and the contributors have uncovered 350 of Green s images in archives, publications, and even albums that celebrated colonial achievements. This landmark book unifies these dispersed images and presents a history of the photographer and the area in which he worked. "