Author: Charles Sedelmeyer
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 378
Book Description
Illustrated Catalogue of 300 Paintings by Old Masters of the Dutch, Flemish, Italian, French, and English Schools
Author: Charles Sedelmeyer
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 378
Book Description
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 378
Book Description
Dutch Paintings in the Metropolitan Museum of Art
Author: Walter A. Liedtke
Publisher: Metropolitan Museum of Art
ISBN: 1588392732
Category : Painters
Languages : en
Pages : 1109
Book Description
Presents a catalog that surveys the Dutch paintings found in the Metropolitan Museum of Art.
Publisher: Metropolitan Museum of Art
ISBN: 1588392732
Category : Painters
Languages : en
Pages : 1109
Book Description
Presents a catalog that surveys the Dutch paintings found in the Metropolitan Museum of Art.
The Seventeenth Century French Paintings
Author: National Gallery (Great Britain)
Publisher: Virago Press
ISBN:
Category : Art
Languages : en
Pages : 482
Book Description
"Since 1957, when Martin Davies published The French School, an unprecedented amount of research has been undertaken on French seventeenth-century artists. Taking account of this, Humphrey Wine has written afresh on the seventeenth-century paintings in Davies's catalogue; he has also written detailed entries on all subsequent acquisitions in this field. These include, as well as paintings by Claude and Poussin, major pictures such as La Hyre's Allegory of Grammar, the Le Nain brothers' Adoration of the Shepherds and Le Sueur's Alexander and his Doctor.".
Publisher: Virago Press
ISBN:
Category : Art
Languages : en
Pages : 482
Book Description
"Since 1957, when Martin Davies published The French School, an unprecedented amount of research has been undertaken on French seventeenth-century artists. Taking account of this, Humphrey Wine has written afresh on the seventeenth-century paintings in Davies's catalogue; he has also written detailed entries on all subsequent acquisitions in this field. These include, as well as paintings by Claude and Poussin, major pictures such as La Hyre's Allegory of Grammar, the Le Nain brothers' Adoration of the Shepherds and Le Sueur's Alexander and his Doctor.".
Pictures-within-Pictures in Nineteenth-Century Britain
Author: Catherine Roach
Publisher: Routledge
ISBN: 1351554204
Category : Art
Languages : en
Pages : 277
Book Description
Repainting the work of another into one?s own canvas is a deliberate and often highly fraught act of reuse. This book examines the creation, display, and reception of such images. Artists working in nineteenth-century London were in a peculiar position: based in an imperial metropole, yet undervalued by their competitors in continental Europe. Many claimed that Britain had yet to produce a viable national school of art. Using pictures-within-pictures, British painters challenged these claims and asserted their role in an ongoing visual tradition. By transforming pre-existing works of art, they also asserted their own painterly abilities. Recognizing these statements provided viewers with pleasure, in the form of a witty visual puzzle solved, and with prestige, in the form of cultural knowledge demonstrated. At stake for both artist and audience in such exchanges was status: the status of the painter relative to other artists, and the status of the viewer relative to other audience members. By considering these issues, this book demonstrates a new approach to images of historic displays. Through examinations of works by J.M.W. Turner, John Everett Millais, John Scarlett Davis, Emma Brownlow King, and William Powell Frith, this book reveals how these small passages of paint conveyed both personal and national meanings.
Publisher: Routledge
ISBN: 1351554204
Category : Art
Languages : en
Pages : 277
Book Description
Repainting the work of another into one?s own canvas is a deliberate and often highly fraught act of reuse. This book examines the creation, display, and reception of such images. Artists working in nineteenth-century London were in a peculiar position: based in an imperial metropole, yet undervalued by their competitors in continental Europe. Many claimed that Britain had yet to produce a viable national school of art. Using pictures-within-pictures, British painters challenged these claims and asserted their role in an ongoing visual tradition. By transforming pre-existing works of art, they also asserted their own painterly abilities. Recognizing these statements provided viewers with pleasure, in the form of a witty visual puzzle solved, and with prestige, in the form of cultural knowledge demonstrated. At stake for both artist and audience in such exchanges was status: the status of the painter relative to other artists, and the status of the viewer relative to other audience members. By considering these issues, this book demonstrates a new approach to images of historic displays. Through examinations of works by J.M.W. Turner, John Everett Millais, John Scarlett Davis, Emma Brownlow King, and William Powell Frith, this book reveals how these small passages of paint conveyed both personal and national meanings.
Guide Through Germany, Austria-Hungary, Switzerland, Italy, France, Belgium, Holland, the United Kingdom, Spain, Portugal, &c
Author: Hamburg-Amerikanische Packetfahrt-Actien-Gesellschaft
Publisher:
ISBN:
Category : Europe
Languages : en
Pages : 986
Book Description
Publisher:
ISBN:
Category : Europe
Languages : en
Pages : 986
Book Description
Vermeer and the Delft School
Author: Walter A. Liedtke
Publisher: Metropolitan Museum of Art
ISBN: 0870999737
Category : Art, Dutch
Languages : en
Pages : 642
Book Description
Walter Liedtke, curator of European paintings at the Metropolitan Museum of Art in New York, has assembled a splendid catalog of Vermeer and his artistic milieu. Seven lengthy, well-illustrated chapters (Liedtke wrote five, Dutch art historians Michiel Plomp and Marten Jan Bok wrote the others) describe life in the city of Delft; the painters Carel Fabritius, Leonart Bramer, and others who preceded Vermeer; the careers of Vermeer and De Hooch; the making of drawings and prints in 17th-century Delft; and the collecting of art in the same period. The catalog follows: each painting, print, and drawing accompanied by a lengthy catalog essay. Oversize: 12.25x9.75". c. Book News Inc.
Publisher: Metropolitan Museum of Art
ISBN: 0870999737
Category : Art, Dutch
Languages : en
Pages : 642
Book Description
Walter Liedtke, curator of European paintings at the Metropolitan Museum of Art in New York, has assembled a splendid catalog of Vermeer and his artistic milieu. Seven lengthy, well-illustrated chapters (Liedtke wrote five, Dutch art historians Michiel Plomp and Marten Jan Bok wrote the others) describe life in the city of Delft; the painters Carel Fabritius, Leonart Bramer, and others who preceded Vermeer; the careers of Vermeer and De Hooch; the making of drawings and prints in 17th-century Delft; and the collecting of art in the same period. The catalog follows: each painting, print, and drawing accompanied by a lengthy catalog essay. Oversize: 12.25x9.75". c. Book News Inc.
Pictures and Drawings
Author: Wallace Collection (London, England)
Publisher:
ISBN:
Category : Drawing
Languages : en
Pages : 456
Book Description
Publisher:
ISBN:
Category : Drawing
Languages : en
Pages : 456
Book Description
The national encyclopædia. Libr. ed
Author: National cyclopaedia
Publisher:
ISBN:
Category :
Languages : en
Pages : 698
Book Description
Publisher:
ISBN:
Category :
Languages : en
Pages : 698
Book Description
Pictures Italian, French, Flemish and Dutch Masters
Author: James Christie
Publisher:
ISBN: 9783337938505
Category :
Languages : en
Pages :
Book Description
Publisher:
ISBN: 9783337938505
Category :
Languages : en
Pages :
Book Description
The Manchester Art Treasures Exhibition of 1857
Author: ElizabethA. Pergam
Publisher: Routledge
ISBN: 1351542796
Category : Art
Languages : en
Pages : 417
Book Description
An overdue study of a groundbreaking event, this is the first book-length examination of the Manchester Art Treasures Exhibition of 1857. Intended to rehabilitate Manchester's image at a heady time of economic prosperity, the Exhibition became a touchstone for aesthetic, social, and economic issues of the mid-nineteenth century. Reverberations of this moment can be followed to the present day in the discipline of art history and its practice in public museums of Europe and America. Highlighting the tension between art and commerce, philanthropy and profit, the book examines the Exhibition's organization and the presentation of the works of art in the purpose-built Art Treasures Palace. Pergam places the Exhibition in the context of contemporary debates about museum architecture and display. With an analysis of the reception of both "Ancient" and "Modern" paintings, the book questions the function of exhibitions in the construction of an art historical canon. The book also provides an essential reference tool: a compiled list of all of the paintings exhibited in 1857 that are now in public collections throughout the world, with an analysis of the collecting trends manifest in their provenance.
Publisher: Routledge
ISBN: 1351542796
Category : Art
Languages : en
Pages : 417
Book Description
An overdue study of a groundbreaking event, this is the first book-length examination of the Manchester Art Treasures Exhibition of 1857. Intended to rehabilitate Manchester's image at a heady time of economic prosperity, the Exhibition became a touchstone for aesthetic, social, and economic issues of the mid-nineteenth century. Reverberations of this moment can be followed to the present day in the discipline of art history and its practice in public museums of Europe and America. Highlighting the tension between art and commerce, philanthropy and profit, the book examines the Exhibition's organization and the presentation of the works of art in the purpose-built Art Treasures Palace. Pergam places the Exhibition in the context of contemporary debates about museum architecture and display. With an analysis of the reception of both "Ancient" and "Modern" paintings, the book questions the function of exhibitions in the construction of an art historical canon. The book also provides an essential reference tool: a compiled list of all of the paintings exhibited in 1857 that are now in public collections throughout the world, with an analysis of the collecting trends manifest in their provenance.