Author: T. H. Asso
Publisher:
ISBN:
Category : Japan
Languages : en
Pages : 132
Book Description
Pictures of Ancient Japanese History
The Japan Review
Transactions and Proceedings of the Japan Society, London
Author: Japan Society of London
Publisher:
ISBN:
Category : Japan
Languages : en
Pages : 452
Book Description
Publisher:
ISBN:
Category : Japan
Languages : en
Pages : 452
Book Description
A Bibliography of the Japanese Empire
Author: Friedrich Wenckstern
Publisher:
ISBN:
Category :
Languages : en
Pages : 440
Book Description
Publisher:
ISBN:
Category :
Languages : en
Pages : 440
Book Description
A bibliography of the Japanese empire
Author: Friedrich von Wenckstern
Publisher:
ISBN:
Category :
Languages : en
Pages : 434
Book Description
Publisher:
ISBN:
Category :
Languages : en
Pages : 434
Book Description
A Bibliography of the Japanese Empire: From 1859-93 A. D. [VIth year of Ansei
Author: Friedrich Wenckstern
Publisher:
ISBN:
Category : Japan
Languages : en
Pages : 436
Book Description
Publisher:
ISBN:
Category : Japan
Languages : en
Pages : 436
Book Description
Trubner's American and Oriental Literary Record
The history of Japanese photography
A Bibliography of the Japanese Empire;: 1859-93...to which is added a facsimile-reprint of Leon Pagès, Bibliographie japonaise dupuis le XVe siècle juisqu'à 1859
Author: Friedrich Wenckstern
Publisher:
ISBN:
Category : Classification
Languages : en
Pages : 432
Book Description
Publisher:
ISBN:
Category : Classification
Languages : en
Pages : 432
Book Description
Challenging Past and Present
Author: Ellen P. Conant
Publisher: University of Hawaii Press
ISBN: 0824840593
Category : Art
Languages : en
Pages : 312
Book Description
The complex and coherent development of Japanese art during the course of the nineteenth century was inadvertently disrupted by a political event: the Meiji Restoration of 1868. Scholars of both the preceding Edo (1615–1868) and the succeeding Meiji (1868–1912) eras have shunned the decades bordering this arbitrary divide, thus creating an art-historical void that the former view as a period of waning technical and creative inventiveness and the latter as one threatened by Meiji reforms and indiscriminate westernization and modernization. Challenging Past and Present, to the contrary, demonstrates that the period 1840–1890, as seen progressively rather than retrospectively, experienced a dramatic transformation in the visual arts, which in turn made possible the creative achievements of the twentieth century. The first group of chapters takes as its theme the diverse cultural currents of the transitional period, particularly as they applied to art.The second section deals with the inconsistent yet determinedly pragmatic courses pursed by artists, entrepreneurs, and patrons to achieve a secure footing in the uncertain terrain of early Meiji. Further chapters look at how painters and sculptors sought to absorb and integrate foreign influences and reinterpret their own stylistic mediums.
Publisher: University of Hawaii Press
ISBN: 0824840593
Category : Art
Languages : en
Pages : 312
Book Description
The complex and coherent development of Japanese art during the course of the nineteenth century was inadvertently disrupted by a political event: the Meiji Restoration of 1868. Scholars of both the preceding Edo (1615–1868) and the succeeding Meiji (1868–1912) eras have shunned the decades bordering this arbitrary divide, thus creating an art-historical void that the former view as a period of waning technical and creative inventiveness and the latter as one threatened by Meiji reforms and indiscriminate westernization and modernization. Challenging Past and Present, to the contrary, demonstrates that the period 1840–1890, as seen progressively rather than retrospectively, experienced a dramatic transformation in the visual arts, which in turn made possible the creative achievements of the twentieth century. The first group of chapters takes as its theme the diverse cultural currents of the transitional period, particularly as they applied to art.The second section deals with the inconsistent yet determinedly pragmatic courses pursed by artists, entrepreneurs, and patrons to achieve a secure footing in the uncertain terrain of early Meiji. Further chapters look at how painters and sculptors sought to absorb and integrate foreign influences and reinterpret their own stylistic mediums.