Pictorial Narrative in Antiquity and the Middle Ages PDF Download

Author: Herbert L. Kessler
Publisher:
ISBN:
Category : Art, Ancient
Languages : en
Pages : 196

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Book Description
The nine papers published in this volume were originally given at a symposium held at Johns Hopkins University in 1984. They cover visual storytelling in ancient Western Asia, Egypt, Greece and the Far East, as well as in medieval Christian Europe and Islamic Persia.

Author: Deborah Schultz
Publisher: Routledge
ISBN: 1317967526
Category : Art
Languages : en
Pages : 150

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Book Description
This book investigates creative responses to the Nazi period in the work of three artists, Felix Nussbaum, Charlotte Salomon and Arnold Daghani, focusing on their use of pictorial narrative. It analyses their contrasting aesthetic strategies and their innovative forms of artistic production. In contrast with the autonomous, modernist art object, their works were explicitly linked with the historical conditions under which they were produced – the pressures of persecution and exile. Conditions in the slave labour camps and ghettos in the Ukraine, which shaped the paintings and drawings of Daghani, are contrasted with the experiences of exile in Belgium and France, which inspired Nussbaum and Salomon. In defiance of conventional artistic practice, they produced word-image combinations that can be read as narrative sequences, incorporating specific references to political events. While there has been a wealth of literary, philosophical and historical studies relating to the Holocaust, aesthetic debate has developed less extensively. This is the first comparative study of three artists who are only belatedly achieving recognition and the recent reception of their work is evaluated. By identifying the aesthetic principles and narrative strategies underlying their work, the book reassesses their achievement in creating new forms of modernism with an unmistakable political momentum. This book was published as a special issue of Word & Image.

Author: K. Starkey
Publisher: Springer
ISBN: 113705655X
Category : History
Languages : en
Pages : 290

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Book Description
This multi-disciplinary collection of essays draws on various theoretical approaches to explore the highly visual nature of the Middle Ages and expose new facets of old texts and artefacts. The term 'visual culture' has been used in recent years to refer to modern media theory, film, modern art and other contemporary representational forms and functions. But this emphasis on visuality is not only a modern phenomenon. Discourses on visual processes pervade the works of medieval secular poets, theologians, and scholastics alike. The Middle Ages was a highly visual society in which images, objects, and performance played a dominant communicative and representational role in both secular and religious areas of society. The essays in this volume, which present various perspectives on medieval visual culture, provide a critical historical basis for the study of visuality and visual processes.

Author: Mary Weitzel Gibbons
Publisher: Univ of California Press
ISBN: 0520328396
Category : Art
Languages : en
Pages : 526

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Book Description
This title is part of UC Press's Voices Revived program, which commemorates University of California Press’s mission to seek out and cultivate the brightest minds and give them voice, reach, and impact. Drawing on a backlist dating to 1893, Voices Revived makes high-quality, peer-reviewed scholarship accessible once again using print-on-demand technology. This title was originally published in 1995. This title is part of UC Press's Voices Revived program, which commemorates University of California Press’s mission to seek out and cultivate the brightest minds and give them voice, reach, and impact. Drawing on a backlist dating to 1893, Voices Revived

Author: Lisa Kaaren Bailey
Publisher: Bloomsbury Publishing
ISBN: 147251906X
Category : History
Languages : en
Pages : 258

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Book Description
Christianity in the late antique world was not imposed but embraced, and the laity were not passive members of their religion but had a central role in its creation. This volume explores the role of the laity in Gaul, bringing together the fields of history, archaeology and theology. First, this book follows the ways in which clergy and monks tried to shape and manufacture lay religious experience. They had themselves constructed the category of 'the laity', which served as a negative counterpart to their self-definition. Lay religious experience was thus shaped in part by this need to create difference between categories. The book then focuses on how the laity experienced their religion, how they interpreted it and how their decisions shaped the nature of the Church and of their faith. This part of the study pays careful attention to the diversity of the laity in this period, their religious environments, ritual engagement, behaviours, knowledge and beliefs. The first volume to examine laity in this period in Gaul – a key region for thinking about the transition from Roman rule to post-Roman society – The Religious Worlds of the Laity in Late Antique Gaul fills an important gap in current literature.

Author: Leslie Ross
Publisher: McFarland
ISBN: 1476616256
Category : Literary Criticism
Languages : en
Pages : 241

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Book Description
This book discusses text and image relationships in the history of art from ancient times to the contemporary period across a diversity of cultures and geographic areas. Focusing on the use of words in art and words as art forms, thematic chapters include "Pictures in Words/Words in Pictures," "Word/Picture Puzzles," "Picture/Word Puzzles," "Words as Images," "The Power of the Word," and "Monumental and Moving Words." Chapter subsections further explore cross-cultural themes. Examining text and image relationships from the obvious to the elusive, the puzzling to the profound, the minor to the major, the book demonstrates the diverse ways in which images and writing have been combined through the ages, and explores the interplay between visual and written communication in a wide range of thought-provoking examples. A color insert is included. Instructors considering this book for use in a course may request an examination copy here.

Author: Karl Kroeber
Publisher: Rutgers University Press
ISBN: 9780813517650
Category : Art
Languages : en
Pages : 282

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Book Description
"In this passionate, erudite, and far-ranging book, Kroeber renews for our multi-cultural age a fundamental argument: the stories we tell, hear, read, and see make a difference to the lives we read."--Jonathan Arac, University of Pittsburgh In this highly readable and thoroughly original book, Karl Kroeber questions the assumptions about storytelling we have inherited from the exponents of modernism and postmodernism. These assumptions have led to overly formalistic and universalizing conceptions of narrative that mystify the social functions of storytelling. Even "politically correct" critics have Eurocentrically defined story as too "primitive" to be taken seriously as art. Kroeber reminds us that the fundamental value of storytelling lies in retelling, this paradoxical remaking anew that constitutes story's role as one of the essential modes of discourse. His work develops some recent anthropological and feminist criticism to delineate the participative function of audience in narrative performances. In depicting how audiences contribute to storytelling transactions, Kroeber carries us into a surprising array of examples, ranging from a Mesopotamian sculpture to Derek Walcott's Omeros; startling juxtapositions, such as Cervantes to Vermeer; and innovative readings of familiar novels and paintings. Tom Wolfe's comparison of his Bonfire of the Vanities to Vanity Fair is critically analyzed, as are the differences between Thackeray's novel and Joyce's Ulysses and Flaubert's Madame Bovary. Other discussions focus on traditional Native American stories, Henry James's The Ambassadors, Calvino's If on a winter's night a traveler, and narrative paintings of Giotto, Holman Hunt, and Roy Lichtenstein. Kroeber deploys the ideas of Ricoeur and Bakhtin to reassess dramatically the field of narrative theory, demonstrating why contemporary narratologists overrate plot and undervalue story's capacity to give meaning to the contingencies of real experience. Retelling/Rereading provides solid theoretical grounding for a new understanding of storytelling's strange role in twentieth-century art and of our need to develop a truly multicultural narrative criticism.

Author: Jack Cheng
Publisher: BRILL
ISBN: 9004157026
Category : Art
Languages : en
Pages : 541

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Book Description
Through her published works and in the classroom, Irene J. Winter has served as a mentor for the latest generation of scholars of Mesopotamian visual culture. The various contributions to this volume in her honor represent a cross section of the state of scholarship today. Topics by the twenty authors include palatial and temple architecture, royal sculpture, gender in the ancient Near East, and interdisciplinary studies that range from the fourth millennium BCE to modern ethnography and cover Sumer, Assyria, Babylonia, Iran, Syria, Urartu, and the Levant. Reflections on Winter's scholarship and teaching accompany her bibliography. The volume will be useful for scholars who are curious about how visual culture is being used to study the ancient Near East.

Author: Stephanie Lynn Budin
Publisher: Taylor & Francis
ISBN: 1000860787
Category : History
Languages : en
Pages : 324

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Book Description
Gender in the Ancient Near East is a wide-ranging study through text and art that presents our current understanding of gender constructs in ancient Mesopotamia, Egypt, Anatolia, Cyprus, and the Levant, and incorporates current trends in gender theory. Budin begins with definitions of sex and gender in modern society and scholarship before exploring ancient Near Eastern understandings of these concepts. Readers are then guided through sources in translation in order to understand how the denizens of the ancient Near East understood notions of femininity, masculinity, and other, with a final chapter considering how modern notions of hetero- and homosexuality apply to the ancient world. The volume also explores how these concepts are portrayed in ancient art and material culture through accompanying photographs and illustrations. The overview of both Near Eastern history and contemporary gender theory allows readers unfamiliar with the material easily to approach the subject and draw meaningful conclusions. Gender in the Ancient Near East offers a comprehensive and engaging introduction to the subject for students of the ancient Near East and of gender in the ancient world. It is also of interest to those working in gender studies and queer studies.

Author: Irene Winter
Publisher: BRILL
ISBN: 9004172378
Category : Art
Languages : en
Pages : 657

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Book Description
This volume of Collected Essays brings together for the first time the range of Winter's pioneering studies related to Neo-Assyrian relief sculpture and seals, Phoeician and Syrian ivory and bronze production, and inter-polity connections across the various cultures of first millennium B.C.E. from the Aegean to Iran. Consistent threads are an emphasis on the potential for art historical analysis to yield 'history' in the broadest sense; the importance of making the theoretical frame of interpretation explicit; and the necessity of textual evidence being brought to bear on upon elements of formal analysis and archaeological context.