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Author: Publisher: Rizzoli Publications ISBN: 0847835359 Category : Art Languages : en Pages : 0
Book Description
The catalog to an international art sensation – a once in a lifetime event of Picasso’s most prolific creative period – show opening at the Gagosian Gallery in London, June 2010. This volume features 3 single and 4 double gatefold illustrations and includes a detachable 23-page booklet of Picasso’s pencil and ink drawings. During the decade after the end of World War II Picasso began to spend more and more time in the Cote d’Azur where he began drawing on the Mediterranean sources that had inspired him in earlier years. Picasso’s return to the south marked a return to a family life as well – which in turn inspired him in the studio. In the 1950s his sculpture work evolved and he expanded into ceramics, lithography, printing and graphic design techniques. This latest Picasso exhibition from the Gagosian Gallery features a more private side to these prolific years – a dazzling coming together paintings, sculptures, prints and ceramics – many provided by of the pieces by Picasso’s grandson, Bernard Ruiz-Picasso and curated by Mr. Ruiz-Picasso and Picasso’s acclaimed biographer, Sir John Richardson. This is certain to garner as much press attention as Gagosian’s “must see” Picasso Mosqueteros exhibition in 2009.
Author: Publisher: Rizzoli Publications ISBN: 0847835359 Category : Art Languages : en Pages : 0
Book Description
The catalog to an international art sensation – a once in a lifetime event of Picasso’s most prolific creative period – show opening at the Gagosian Gallery in London, June 2010. This volume features 3 single and 4 double gatefold illustrations and includes a detachable 23-page booklet of Picasso’s pencil and ink drawings. During the decade after the end of World War II Picasso began to spend more and more time in the Cote d’Azur where he began drawing on the Mediterranean sources that had inspired him in earlier years. Picasso’s return to the south marked a return to a family life as well – which in turn inspired him in the studio. In the 1950s his sculpture work evolved and he expanded into ceramics, lithography, printing and graphic design techniques. This latest Picasso exhibition from the Gagosian Gallery features a more private side to these prolific years – a dazzling coming together paintings, sculptures, prints and ceramics – many provided by of the pieces by Picasso’s grandson, Bernard Ruiz-Picasso and curated by Mr. Ruiz-Picasso and Picasso’s acclaimed biographer, Sir John Richardson. This is certain to garner as much press attention as Gagosian’s “must see” Picasso Mosqueteros exhibition in 2009.
Author: Publisher: Rizzoli Publications ISBN: 0847839230 Category : Art Languages : en Pages : 0
Book Description
This publication explores Picasso’s portrayals of life with Gilot and their young family in the decade they spent together. Françoise Gilot was a young budding painter when she met Picasso by chance at a café in 1943. The subsequent ten years spent together was a time of transformation in Picasso’s paintings that coincided with revolutionary inventions in lithography, sculpture, and ceramics. Picasso: L’Epoque Françoise presents for the first time several of Gilot’s paintings and drawings from the period alongside Picasso’s when the young painter was maturing while the elder continued to change the face of modern art. The fully illustrated catalogue includes a historic dialogue between Richardson and Gilot celebrating Picasso’s innovation in every medium during the postwar years of renewal.
Author: John Richardson Publisher: Rizzoli Publications ISBN: 0847837130 Category : Art Languages : en Pages : 0
Book Description
Pablo Picasso’s endless fascination with his lover’s character and form led to radical shifts in his conception of portraiture and the mystical metamorphoses that the act of creation entails. Picasso’s secretive love affair with Marie-Therese Walter, which began in 1927, inspired a radical shift in his conception of portraiture. The exhibition and catalogue present Marie-Therese as a primary vehicle for his experimentation during the period, including several works never before seen in the United States as well as previously unpublished personal letters and photographs. Picasso and Marie-Therese sheds new light on the interpretation of one of the most creative relationships in Picasso’s rich and varied oeuvre.
Author: Publisher: Rizzoli Publications ISBN: 0847861104 Category : Art Languages : en Pages : 0
Book Description
Curated by noted Picasso biographer John Richardson, this exhibition catalogue examines the intersection of Picasso's bullfighting imagery with the mythological (and biographical) compositions of the 1930's. Including works dating from 1897 to 1972, this fully illustrated catalogue presents a career-long survey of Picasso's engagement with ancient bullfighting and mythological narratives and includes essays by noted Picasso scholars Michael FitzGerald and Gertje Utley.
Author: Pablo Picasso Publisher: Tate Publishing & Enterprises ISBN: Category : Art Languages : en Pages : 262
Book Description
This text presents an in-depth examination of Picasso as a politically and socially engaged artist, from the 1940s, when he defiantly remained in Paris during the Nazi occupation, throughout the subsequent Cold War period.
Author: Diana Widmaier-Picasso Publisher: Rizzoli Publications ISBN: 0847868265 Category : Art Languages : en Pages : 0
Book Description
A comprehensive exploration and chronicle of Picasso's depictions of his eldest daughter, Maya, and the relationship between father and child. In 2016 and 2017, Diana Widmaier-Picasso curated two exhibitions for Gagosian: the first gathered works from the collection of her mother, Maya Ruiz-Picasso, Pablo Picasso's beloved eldest daughter; and the second commemorated the relationship between Picasso and Maya. More than just a catalog of these two exhibitions, this book is a comprehensive reference publication that explores the figure of Maya throughout Picasso's work and chronicles the relationship between the artist and his daughter. The volume features an intimate interview between Ruiz-Picasso and Widmaier-Picasso, along with archival photographs by Edward Quinn and from the Picasso family, many of which have never been published before. New scholarly essays complete the publication, with contributions by distinguished Picasso scholars such as Elizabeth Cowling, Carmen Giménez, and Pepe Karmel. A section of the book is devoted to Picasso's plaster sculpture La Femme Enceinte (1959) and includes a discussion of Roe Ethridge's vivid, specially commissioned photographs of this work.
Author: Dr Enrique Mallen Publisher: Liverpool University Press ISBN: 1782847197 Category : Biography & Autobiography Languages : en Pages : 384
Book Description
Although Pablo Picasso spotted Dora Maar at a cafe in January 1936 it is highly likely that she had come to his attention prior. As Brassaï, a Hungarian-French photographer, recalled, 'It was at Les Deux-Magots that, one day in autumn 1935, [he] met Dora. On an earlier day, he had already noticed the grave, drawn face of the young woman at a nearby table, the attentive look in her light-colored eyes, sometimes disturbing in its fixity. When Picasso saw her in the same cafe in the company of the surrealist poet Paul Éluard, who knew her, the poet introduced her to Picasso' (Brassaï, a.k.a. Gyula Halász, Conversations with Picasso [University of Chicago Press, 1999]). Tinged with a seductive mix of violence and dark eroticism, this first meeting has attained mythical status in the story of the artist's life. It reads like an unreal fantasy. A mysterious and feline beauty, which Man Ray had captured in the pictures he took of her, a companion of Georges Bataille, Dora was an accomplished photographer, close to the Surrealists revolutionary aesthetics. Picasso addressed her in French, which he assumed to be her language; she replied in Spanish, which she knew to be his. For the next decade, the painter would translate not just his fascination with the woman who had seduced him on the spot, but also his desire to escape the grip of someone who, for the first time, could intellectually aspire to be his equal. Dora would appear in his works as a female Minotaur, a Sphinx, a lunar goddess and a muse. Because of her intense artistic sensibility, her poetic gifts and her ability to participate in suffering, she was especially qualified to resonate Picasso's own inner torments during these troubled years.
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Author: John Richardson
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Author: Andy Warhol
Author: Pablo Picasso
Author: Pablo Picasso
Author: Diana Widmaier-Picasso
Author: Dr Enrique Mallen