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Author: Patricia Balton Stratton Publisher: Ampersand, Incorporated ISBN: 9780997449396 Category : Art Languages : en Pages :
Book Description
The Chicago Picasso made its debut in downtown Chicago in August 1967 and was immediately recognized as a supreme achievement in monumental sculpture and civic art. The capstone to Picasso's long and fabled career as a sculptor and modernist, the sculpture has defined the city of Chicago for generations and stands as a peerless example of the union of modern art and civic architecture. Art historian Patricia Stratton tells the inside story of the sculpture for the first time in The Chicago Picasso: A Point of Departure, published to coincide with the 50th anniversary celebration of the famous unveiling. Relying on exclusive archival interviews and extensive research, all the controversial possibilities of the sculpture's inspiration are explored. The Chicago Picasso: A Point of Departure tells the full story of monumental achievement in all of its historical and artistic glory.
Author: Patricia Balton Stratton Publisher: Ampersand, Incorporated ISBN: 9780997449396 Category : Art Languages : en Pages :
Book Description
The Chicago Picasso made its debut in downtown Chicago in August 1967 and was immediately recognized as a supreme achievement in monumental sculpture and civic art. The capstone to Picasso's long and fabled career as a sculptor and modernist, the sculpture has defined the city of Chicago for generations and stands as a peerless example of the union of modern art and civic architecture. Art historian Patricia Stratton tells the inside story of the sculpture for the first time in The Chicago Picasso: A Point of Departure, published to coincide with the 50th anniversary celebration of the famous unveiling. Relying on exclusive archival interviews and extensive research, all the controversial possibilities of the sculpture's inspiration are explored. The Chicago Picasso: A Point of Departure tells the full story of monumental achievement in all of its historical and artistic glory.
Author: Leo Steinberg Publisher: University of Chicago Press ISBN: 022648257X Category : Art Languages : en Pages : 241
Book Description
Leo Steinberg was one of the most original and daring art historians of the twentieth century, known for taking interpretative risks that challenged the profession by overturning reigning orthodoxies. In essays and lectures that ranged from old masters to contemporary art, he combined scholarly erudition with an eloquent prose that illuminated his subject and a credo that privileged the visual evidence of the image over the literature written about it. His works, sometimes provocative and controversial, remain vital and influential reading. For half a century, Steinberg delved into Michelangelo’s work, revealing the symbolic structures underlying the artist’s highly charged idiom. This volume of essays and unpublished lectures explicates many of Michelangelo’s most celebrated sculptures, applying principles gleaned from long, hard looking. Almost everything Steinberg wrote included passages of old-fashioned formal analysis, but here put to the service of interpretation. He understood that Michelangelo’s rendering of figures as well as their gestures and interrelations conveys an emblematic significance masquerading under the guise of naturalism. Michelangelo pushed Renaissance naturalism into the furthest reaches of metaphor, using the language of the body and its actions to express fundamental Christian tenets once expressible only by poets and preachers—or, as Steinberg put it, in Michelangelo’s art, “anatomy becomes theology.” Michelangelo’s Sculpture is the first in a series of volumes of Steinberg’s selected writings and unpublished lectures, edited by his longtime associate Sheila Schwartz. The volume also includes a book review debunking psychoanalytic interpretation of the master’s work, a light-hearted look at Michelangelo and the medical profession and, finally, the shortest piece Steinberg ever published.
Author: Karen L. Kleinfelder Publisher: University of Chicago Press ISBN: 9780226439839 Category : Art Languages : en Pages : 294
Book Description
Although Pablo Picasso's name is virtually synonymous with modernity, his late graphics repeatedly turn back to the traditional theme of the artist and model. Had the aging artist turned reactionary, or is Picasso's treatment of the theme more subversive than anyone has suspected? In this innovative study, Karen L. Kleinfelder rejects the claim that Picasso's later work was a failure. The failing, she claims, lies more in the way we typically have read the images, treating them merely as reflections of an "old-age" style or of the artist's private life. Focusing on graphics dating from 1954 to 1970, Kleinfelder shows how Picasso plays with the artist-model theme to extend, subvert, and parody both the possibilities and limits of representation. For Kleinfelder, Picasso's graphic work both mystifies and demystifies the creative process, venerates and mocks the effects of aging and the artist's self-image as a living "old master," and acknowledges and denies his own fear of death. Using recent interpretive and literary theory, Kleinfelder probes the three-way relationship between artist, model, and canvas. The dynamics of this relationship provided Picasso with an open-ended textual framework for exploring the dichotomies of man/woman, self/other, and vitality/mortality. What unfolds is the artist's struggle not only with the impossibility of representing the model on canvas, but also with the inevitability of his own death. Kleinfelder explores how Picasso's means of pursuing these issues allows him to defer closure on a long, productive career. By focusing on the graphics rather than the paintings, Kleinfelder contradicts the primacy of the painted "masterpiece"; she steers the reader away from the assumption that the artist must work toward creating a final body of work that signifies the culmination of his search for a coherent identify. Picasso's search, she argues, realizes itself in the creative process. She interprets the late graphics not as a biographical statement but as a tool for investigating the possibilities of representation within the limits of Picasso's medium and his lifetime. Richly illustrated, Kleinfelder's book will open up new approaches to the late work of this complex artist.
Author: Mary Lackritz Gray Publisher: University of Chicago Press ISBN: 9780226305967 Category : Architecture Languages : en Pages : 534
Book Description
The first definitive handbook to the treasures that can be found all over the city. Full-color illustrations of nearly two hundred Chicago murals and accompanying entries that describe their history, who commissioned them and why, how artists collaborated with architects, the subjects of the murals and their context.
Author: Brassaï Publisher: University of Chicago Press ISBN: 9780226071497 Category : Art Languages : en Pages : 416
Book Description
"Read this book if you want to understand me."—Pablo Picasso Conversations with Picasso offers a remarkable vision of both Picasso and the entire artistic and intellectual milieu of wartime Paris, a vision provided by the gifted photographer and prolific author who spent the early portion of the 1940s photographing Picasso's work. Brassaï carefully and affectionately records each of his meetings and appointments with the great artist, building along the way a work of remarkable depth, intimate perspective, and great importance to anyone who truly wishes to understand Picasso and his world.
Author: Stephanie D'Alessandro Publisher: ISBN: 9780300208788 Category : Art Languages : en Pages : 0
Book Description
"This book is a revised and expanded edition of The Age of Picasso and Matisse: Modern Masters from the Art Institute of Chicago, published in 2013 by the Art Institute of Chicago"--Verso of title page.
Author: Mike Royko Publisher: University of Chicago Press ISBN: 9780226730721 Category : Biography & Autobiography Languages : en Pages : 310
Book Description
Culled from 7,500 columns and spanning four decades, the writings in this collection reflect a radically changing America as seen by a man whose keen sense of justice and humor never faltered. 11 halftones.
Author: James Rondeau Publisher: Yale University Press ISBN: 0300225725 Category : Art Languages : en Pages : 177
Book Description
An updated selection of key paintings at the Art Institute of Chicago, featuring works from around the globe and dating from ancient Egypt to the present day The Art Institute of Chicago, one of the most beloved and important museums in the world, houses an extraordinary collection of objects from diverse places, cultures, and time periods. This beautiful catalogue opens the doors of the museum to readers, presenting an expansive selection of painted works from around the globe, introduced insightfully by James Rondeau, president and director of the Art Institute. New color photography accompanies entries written by a team of curators, art historians, and educators, which put the works into context. The book showcases a dazzling range of paintings, including an Egyptian funeral portrait, an ancient Mexican wall mural, Chinese scroll paintings, Japanese painted screens, and works by artists such as Caillebotte, Cassatt, El Greco, Gauguin, Homer, Hopper, Johns, Lichtenstein, Matisse, Mitsuoki, Monet, Morisot, Motley, O'Keeffe, Picasso, Pollock, Rembrandt, Richter, Rubens, Sargent, Seurat, Tiepolo, Turner, Van Gogh, Warhol, Whistler, and Wood; contemporary artists featured include Kerry James Marshall, Wanda Pimentel, and Kazuo Shiraga.