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Author: Ulrich Wicks Publisher: Greenwood ISBN: Category : Literary Criticism Languages : en Pages : 392
Book Description
Wicks has made a number of important contributions to the study of the picaresque. . . . Wicks's book does not attempt to answer all questions posed by the term, but it provides the most comprehensive view to date on the issues in the picaresque debate. The first third of the book deals with a consideration of the picaresque as a genre, the role of the picaresque in literary scholarship, the value of a modal approach, and the nature of picaresque narrative. The difficulties raised in the chapter on the picaresque mode, for example, indicate how this approach, despite its flaws, can illuminate texts and contribute to the critical process. The remainder of the book includes brief but perceptive analyses of more than 60 picaresque works, from Alonso, mozo de muchos amos to the Woody Allen film, Zelig. The metacritical thrust and the extensive bibliography make this a true `theory and research guide.' A must for public and academic libraries. Choice Picaresque fiction, according to Wicks, is neither a historical episode in the development of the novel nor merely a phenomenon in the social and literary history of Spain, although both are important manifestations of this essential narrative form. It is, he contends, universal narrative structure and theme. His book describes and defines picaresque narrative with careful attention paid to its historical development as a genre and its persistent appeal as an archetypal narrative structure. Beginning with a definition and discussion of the basic picaresque narrative structure and theme, Part I considers the origins and development of a specific type of picaresque narrative in sixteenth and seventeenth century Spain--the picaresque novel. This is followed by a history of the term and its various interpretations by critics over the years. He then proposes a genre-construct of picaresque narrative, followed by an extensive bibliography of critical works. Part II explores the usefulness of generic awareness in the act of reading by describing sixty specific works of fiction which collectively illustrate the full narrative spectrum of the picaresque mode.
Author: Ulrich Wicks Publisher: Greenwood ISBN: Category : Literary Criticism Languages : en Pages : 392
Book Description
Wicks has made a number of important contributions to the study of the picaresque. . . . Wicks's book does not attempt to answer all questions posed by the term, but it provides the most comprehensive view to date on the issues in the picaresque debate. The first third of the book deals with a consideration of the picaresque as a genre, the role of the picaresque in literary scholarship, the value of a modal approach, and the nature of picaresque narrative. The difficulties raised in the chapter on the picaresque mode, for example, indicate how this approach, despite its flaws, can illuminate texts and contribute to the critical process. The remainder of the book includes brief but perceptive analyses of more than 60 picaresque works, from Alonso, mozo de muchos amos to the Woody Allen film, Zelig. The metacritical thrust and the extensive bibliography make this a true `theory and research guide.' A must for public and academic libraries. Choice Picaresque fiction, according to Wicks, is neither a historical episode in the development of the novel nor merely a phenomenon in the social and literary history of Spain, although both are important manifestations of this essential narrative form. It is, he contends, universal narrative structure and theme. His book describes and defines picaresque narrative with careful attention paid to its historical development as a genre and its persistent appeal as an archetypal narrative structure. Beginning with a definition and discussion of the basic picaresque narrative structure and theme, Part I considers the origins and development of a specific type of picaresque narrative in sixteenth and seventeenth century Spain--the picaresque novel. This is followed by a history of the term and its various interpretations by critics over the years. He then proposes a genre-construct of picaresque narrative, followed by an extensive bibliography of critical works. Part II explores the usefulness of generic awareness in the act of reading by describing sixty specific works of fiction which collectively illustrate the full narrative spectrum of the picaresque mode.
Author: J. A. Garrido Ardila Publisher: Cambridge University Press ISBN: 131629854X Category : Literary Criticism Languages : en Pages : 289
Book Description
Since the sixteenth century, Western literature has produced picaresque novels penned by authors across Europe, from Alemán, Cervantes, Lesage and Defoe to Cela and Mann. Contemporary authors of neopicaresque are renewing this traditional form to express twenty-first-century concerns. Notwithstanding its major contribution to literary history, as one of the founding forms of the modern novel, the picaresque remains a controversial literary category, and its definition is still much contested. The Picaresque Novel in Western Literature examines the development of the picaresque, chronologically and geographically, from its origins in sixteenth-century Spain to the neopicaresque in Europe and the United States.
Author: Peter N. Dunn Publisher: Cornell University Press ISBN: 9780801428005 Category : Literary Criticism Languages : en Pages : 364
Book Description
Exiled to the margins of society and surviving by his wits in the course of his wanderings, the picaro marks a sharp contrast to the high-born characters on whom previous Spanish literature had focused. In this illuminating book, Peter N. Dunn offers a fresh view of the gamut of sixteenth- and seventeenth-century Spanish picaresque fiction.
Author: Giancarlo Maiorino Publisher: U of Minnesota Press ISBN: 9780816627233 Category : Literary Criticism Languages : en Pages : 356
Book Description
"Picaresque Tales" - parodic narratives relating the adventures of a rogue - have been central to the development of Spanish literature since the time of Cervantes. This text incorporates poststructuralist theory into a comprehensive treatment of such tales written during the Spainish Golden Age. The essays in this volume examine such works as "Lazarillo de Tormes", "Guzman de Alfarache" and "El buscon". The contributors address the connection between literary representation and everyday life, examining the context in which the Picaresque mode developed.
Author: Alexander Blackburn Publisher: UNC Press Books ISBN: 1469619873 Category : Literary Criticism Languages : en Pages : 280
Book Description
This critical interpretation of the origins of modern fiction follows the transformation of the picaresque novel over four centuries through the literature of Spain, France, England, Germany, Russia, and the United States. Blackburn uses for the first time the resources of myth criticism to demonstrate how the picaresque masterpieces of the Spanish Golden Age founded a narrative structure that was continued by Defoe, Smollett, Melville, Twain, and Mann. Originally published in 1979. A UNC Press Enduring Edition -- UNC Press Enduring Editions use the latest in digital technology to make available again books from our distinguished backlist that were previously out of print. These editions are published unaltered from the original, and are presented in affordable paperback formats, bringing readers both historical and cultural value.
Author: Binne de Haan Publisher: Cambridge Scholars Publishing ISBN: 1443869589 Category : Literary Criticism Languages : en Pages : 145
Book Description
In the sixteenth century, the picaresque novel introduced marginal figures (wanderers, beggars and thieves) as the protagonists of elaborate prose narratives, thus appearing to give a voice to hitherto unrepresented social types. This raises several questions as to the referentiality of the picaresque text, pertinent both to historians and literary scholars alike. Microhistory can help investigate this referentiality of the picaresque text, by revealing how particular historical agents perceived marginals and marginality, and juxtaposing these agent perspectives to the literary representation. Microhistory and the Picaresque Novel is the first publication to combine scholarship on the picaresque novel and the practice of microhistory. This innovative volume argues that the approach of microhistorical studies, such as The Cheese and the Worms by Carlo Ginzburg, Inheriting Power: The Story of an Exorcist by Giovanni Levi and The Return of Martin Guerre by Natalie Zemon Davis, can be used to shed new light on classic picaresque novels such as Guzmán de Alfarache, Gil Blas, Grimmelshausen, and their many epigones. The volume brings together expert scholars on the picaresque novel such as Professor Robert Folger, on the one hand, and established microhistorians such as Professor Giovanni Levi, on the other. This exploration is further enriched with contributions by Professor Matti Peltonen, an expert on history theory, and Professor Hans Renders, an expert on biography studies, as well as providing case studies from recent research by the editors Binne de Haan and Dr Konstantin Mierau.
Author: Joe Lines Publisher: Syracuse University Press ISBN: 0815655193 Category : Literary Criticism Languages : en Pages : 267
Book Description
With characteristic lawlessness and connection to the common man, the figure of the rogue commanded the world of Irish fiction from 1660 to 1790. During this period of development for the Irish novel, this archetypal figure appears over and over again. Early Irish fiction combined the picaresque genre, focusing on a cunning, witty trickster or pícaro, with the escapades of real and notorious criminals. On the one hand, such rogue tales exemplified the English stereotypes of an unruly Ireland, but on the other, they also personified Irish patriotism. Existing between the dual publishing spheres of London and Dublin, the rogue narrative explored the complexities of Anglo-Irish relations. In this volume, Lines investigates why writers during the long eighteenth-century so often turned to the rogue narrative to discuss Ireland. Alongside recognized works of Irish fiction, such as those by William Chaigneau, Richard Head, and Charles Johnston, Lines presents lesser-known and even anonymous popular texts. With consideration for themes of conflict, migration, religion, and gender, Lines offers up a compelling connection between the rogues themselves, marked by persistence and adaptability, and the ever-popular rogue narrative in this early period of Irish writing.
Author: Jorge Téllez Publisher: ISBN: 9780268200176 Category : Languages : en Pages : 292
Book Description
This book studies picaresque narratives from 1690 to 2013, examining how this literary form serves as a reflection on the material conditions necessary for writing literature in Mexico. In The Picaresque and the Writing Life in Mexico, Jorge Téllez argues that Mexican writers have drawn on the picaresque as a device for pondering what they regard as the perils of intellectual and creative labor. Surveying ten narratives from 1690 to 2013, Téllez shows how, by and large, all of them are iterations of the same basic structure: pícaro meets writer; picaro tells life story; writer eagerly writes it down. This written mediation (sometimes fictional but other times completely factual) is presented as part of a transaction in which it is rarely clear who is exploiting whom. Highlighting this ambiguity, Téllez's study brings into focus the role that the picaresque has played in the presentation of writers as disenfranchised and vulnerable subjects. But as Téllez demonstrates, these narratives embody a discourse of precarity that goes beyond pícaros, and applies to all subjects who engage in the production and circulation of literature. In this way, Téllez shows that the literary form of the picaresque is, above all, a reflection on the value of literature, as well as on the place and role of writing in Mexican society more broadly. The Picaresque and the Writing Life in Mexico is a unique work that suggests new paths for studying the reiteration of literary forms across centuries. Looking at the picaresque in particular, Téllez offers a new interpretation of this genre within its national context and suggests ways in which this genre remains relevant for reflecting on literature in contemporary society. It will be of interest to students and scholars of Latin American studies, Mexican cultures and literatures, and comparative literature.
Author: Gordana Yovanovich Publisher: University of Toronto Press ISBN: 9780802047045 Category : Literary Criticism Languages : en Pages : 182
Book Description
Analyses three important Latin American novels in an attempt to redefine the nature of the picaresque, especially in regard to the roles of spontaneous play and carnivalesque laughter.
Author: Alberto Álvaro Ríos Publisher: University of Arizona Press ISBN: 0816541035 Category : Fiction Languages : en Pages : 249
Book Description
In Alberto Álvaro Ríos’s new picaresque novel, momentous adventure and quiet connection brings twenty people to life in a small town in northern Mexico. A Good Map of All Things is home to characters whose lives are interwoven but whose stories are their own, adding warmth and humor to this continually surprising communal narrative. The stories take place in the mid-twentieth century, in the high desert near the border—a stretch of land generally referred to as the Pimería Alta—an ancient passage through the desert that connected the territory of Tucson in the north and Guaymas and Hermosillo in the south. The United States is off in the distance, a little difficult to see, and, in the middle of the century, not the only thing to think about. Mexico City is somewhere to the south, but nobody can say where and nobody has ever seen it. Ríos has created a whimsical yet familiar town, where brightly unique characters love fiercely and nurture those around them. The people in A Good Map of All Things have secrets and fears, successes and happiness, winters and summers. They are people who do not make the news, but who are living their lives for the long haul, without lotteries or easy answers or particular luck. Theirs is the everyday, with its small but meaningful joy. Whether your heart belongs to a small town in Mexico or a bustling metropolis, Alberto Álvaro Ríos has crafted a book that is overflowing with comfort, warmth, and the familiar embrace of a tightly woven community.