Author: Robert F. Baksa
Publisher:
ISBN:
Category : Trios (Piano, clarinet, cello)
Languages : en
Pages : 54
Book Description
Piano trio no. 1 with clarinet and cello, [opus 25]
Author: Robert F. Baksa
Publisher:
ISBN:
Category : Trios (Piano, clarinet, cello)
Languages : en
Pages : 54
Book Description
Publisher:
ISBN:
Category : Trios (Piano, clarinet, cello)
Languages : en
Pages : 54
Book Description
Piano trio no. 1
Piano Trio No. 1
Serenade in D Major Opus 25
Author: Ludwig van Beethoven
Publisher:
ISBN:
Category : Trios (Flute, violin, viola)
Languages : en
Pages : 36
Book Description
Publisher:
ISBN:
Category : Trios (Flute, violin, viola)
Languages : en
Pages : 36
Book Description
Con Brio
Author: Nat Brandt
Publisher: iUniverse
ISBN: 0595010113
Category :
Languages : en
Pages : 310
Book Description
none given by author
Publisher: iUniverse
ISBN: 0595010113
Category :
Languages : en
Pages : 310
Book Description
none given by author
The Strad
Author:
Publisher:
ISBN:
Category : Bowed stringed instruments
Languages : en
Pages : 826
Book Description
Publisher:
ISBN:
Category : Bowed stringed instruments
Languages : en
Pages : 826
Book Description
Serenade in D major, opus 25, for flute, violin and viola
Author: Ludwig van Beethoven
Publisher:
ISBN:
Category : Suites (Flute, violin, viola)
Languages : en
Pages : 36
Book Description
Publisher:
ISBN:
Category : Suites (Flute, violin, viola)
Languages : en
Pages : 36
Book Description
Chamber Music
Author: Mark A. Radice
Publisher: University of Michigan Press
ISBN: 0472051652
Category : Music
Languages : en
Pages : 384
Book Description
A thorough overview and history of chamber music
Publisher: University of Michigan Press
ISBN: 0472051652
Category : Music
Languages : en
Pages : 384
Book Description
A thorough overview and history of chamber music
New York Magazine
Author:
Publisher:
ISBN:
Category :
Languages : en
Pages : 120
Book Description
New York magazine was born in 1968 after a run as an insert of the New York Herald Tribune and quickly made a place for itself as the trusted resource for readers across the country. With award-winning writing and photography covering everything from politics and food to theater and fashion, the magazine's consistent mission has been to reflect back to its audience the energy and excitement of the city itself, while celebrating New York as both a place and an idea.
Publisher:
ISBN:
Category :
Languages : en
Pages : 120
Book Description
New York magazine was born in 1968 after a run as an insert of the New York Herald Tribune and quickly made a place for itself as the trusted resource for readers across the country. With award-winning writing and photography covering everything from politics and food to theater and fashion, the magazine's consistent mission has been to reflect back to its audience the energy and excitement of the city itself, while celebrating New York as both a place and an idea.
Mendelssohn, Time and Memory
Author: Benedict Taylor
Publisher: Cambridge University Press
ISBN: 1139501364
Category : Music
Languages : en
Pages :
Book Description
Felix Mendelssohn has long been viewed as one of the most historically minded composers in western music. This book explores the conceptions of time, memory and history found in his instrumental compositions, presenting an intriguing new perspective on his ever-popular music. Focusing on Mendelssohn's innovative development of cyclic form, Taylor investigates how the composer was influenced by the aesthetic and philosophical movements of the period. This is of key importance not only for reconsideration of Mendelssohn's work and its position in nineteenth-century culture, but also more generally concerning the relationship between music, time and subjectivity. One of very few detailed accounts of Mendelssohn's music, the study presents a new and provocative reading of the meaning of the composer's work by connecting it to wider cultural and philosophical ideas.
Publisher: Cambridge University Press
ISBN: 1139501364
Category : Music
Languages : en
Pages :
Book Description
Felix Mendelssohn has long been viewed as one of the most historically minded composers in western music. This book explores the conceptions of time, memory and history found in his instrumental compositions, presenting an intriguing new perspective on his ever-popular music. Focusing on Mendelssohn's innovative development of cyclic form, Taylor investigates how the composer was influenced by the aesthetic and philosophical movements of the period. This is of key importance not only for reconsideration of Mendelssohn's work and its position in nineteenth-century culture, but also more generally concerning the relationship between music, time and subjectivity. One of very few detailed accounts of Mendelssohn's music, the study presents a new and provocative reading of the meaning of the composer's work by connecting it to wider cultural and philosophical ideas.