Author: David Breitman
Publisher: Boydell & Brewer
ISBN: 1648250106
Category : MUSIC
Languages : en
Pages : 229
Book Description
A guide, linked to an online suite of video examples, to how historical instruments influenced the composers of keyboard music, and a way to look at their scores with fresh eyes and ears.
Piano-playing Revisited
Author: David Breitman
Publisher: Boydell & Brewer
ISBN: 1648250106
Category : MUSIC
Languages : en
Pages : 229
Book Description
A guide, linked to an online suite of video examples, to how historical instruments influenced the composers of keyboard music, and a way to look at their scores with fresh eyes and ears.
Publisher: Boydell & Brewer
ISBN: 1648250106
Category : MUSIC
Languages : en
Pages : 229
Book Description
A guide, linked to an online suite of video examples, to how historical instruments influenced the composers of keyboard music, and a way to look at their scores with fresh eyes and ears.
The Player Piano and Musical Labor
Author: Allison Rebecca Wente
Publisher: Taylor & Francis
ISBN: 1000553124
Category : Music
Languages : en
Pages : 165
Book Description
By the early 20th century the machine aesthetic was a well-established and dominant interest that fundamentally transformed musical performance and listening practices. While numerous scholars have examined this aesthetic in art and literature, musical compositions representing industrialized labor practices and the role of the machine in music remain largely unexplored. Moreover, in recounting the history of machines in musical recording and reproduction, scholars often tend to emphasize the phonograph, rather than player piano, despite the latter’s prominence within the newly established musical marketplace. Machines and their music influenced multiple areas of early 20th-century musical culture, from film scores to popular music and even the concert hall. But the opposite was also true: industrialized labor practices changed the musical marketplace and musical culture as a whole. As consumers accepted mechanical replacements for what previously required an active human laborer, ghostly, mechanical performers labored tirelessly in parlors, businesses, and even concert halls. Although the player piano failed to maintain a stronghold in the recorded music marketplace after 1930, the widespread acceptance of recording technologies as media for storing and enjoying music indicates a much more fundamental societal shift. This book explores that shift, examining the rise and fall of the player piano in early 20th-century society and connecting it to the digital technologies of today.
Publisher: Taylor & Francis
ISBN: 1000553124
Category : Music
Languages : en
Pages : 165
Book Description
By the early 20th century the machine aesthetic was a well-established and dominant interest that fundamentally transformed musical performance and listening practices. While numerous scholars have examined this aesthetic in art and literature, musical compositions representing industrialized labor practices and the role of the machine in music remain largely unexplored. Moreover, in recounting the history of machines in musical recording and reproduction, scholars often tend to emphasize the phonograph, rather than player piano, despite the latter’s prominence within the newly established musical marketplace. Machines and their music influenced multiple areas of early 20th-century musical culture, from film scores to popular music and even the concert hall. But the opposite was also true: industrialized labor practices changed the musical marketplace and musical culture as a whole. As consumers accepted mechanical replacements for what previously required an active human laborer, ghostly, mechanical performers labored tirelessly in parlors, businesses, and even concert halls. Although the player piano failed to maintain a stronghold in the recorded music marketplace after 1930, the widespread acceptance of recording technologies as media for storing and enjoying music indicates a much more fundamental societal shift. This book explores that shift, examining the rise and fall of the player piano in early 20th-century society and connecting it to the digital technologies of today.
Off the Record
Author: Neal Peres da Costa
Publisher: Oxford University Press
ISBN: 0199977208
Category : Music
Languages : en
Pages : 396
Book Description
Off the Record is a revealing exploration of piano performing practices of the high Romantic era. Author and well-known keyboard player Neal Peres Da Costa bases his investigation on a range of early sound recordings (acoustic, piano roll and electric) that capture a generation of highly-esteemed pianists trained as far back as the mid-nineteenth-century. Placing general practices of late nineteenth-century piano performance alongside evidence of the stylistic idiosyncrasies of legendary pianists such as Carl Reinecke (1824-1910), Theodor Leschetizky (1830-1915), Camille Saint-Sa?ns (1838-1921) and Johannes Brahms (1833-1897), he examines prevalent techniques of the time--dislocation, unnotated arpeggiation, rhythmic alteration, tempo fluctuation--and unfolds the background and lineage of significant performer/pedagogues. Throughout, Peres Da Costa demonstrates that these early recordings do not simply capture the idiosyncrasies of aging musicians as has been commonly asserted, but in fact represent a range of established expressive practices of a lost age. An extensive collection of these fascinating and sometimes rare professional recordings of the Romantic age masters are available on a companion web site, and in addition, Peres Da Costa, himself a renowned period keyboardist, illustrates points made throughout the book with his own playing. Of essential value to student and professional pianists, historical musicologists of 19th and early 20th century performance practice, and also to the general music aficionado audience, Off the Record is an indispensable resource for scholarly research, performance inspiration, and listening enjoyment.
Publisher: Oxford University Press
ISBN: 0199977208
Category : Music
Languages : en
Pages : 396
Book Description
Off the Record is a revealing exploration of piano performing practices of the high Romantic era. Author and well-known keyboard player Neal Peres Da Costa bases his investigation on a range of early sound recordings (acoustic, piano roll and electric) that capture a generation of highly-esteemed pianists trained as far back as the mid-nineteenth-century. Placing general practices of late nineteenth-century piano performance alongside evidence of the stylistic idiosyncrasies of legendary pianists such as Carl Reinecke (1824-1910), Theodor Leschetizky (1830-1915), Camille Saint-Sa?ns (1838-1921) and Johannes Brahms (1833-1897), he examines prevalent techniques of the time--dislocation, unnotated arpeggiation, rhythmic alteration, tempo fluctuation--and unfolds the background and lineage of significant performer/pedagogues. Throughout, Peres Da Costa demonstrates that these early recordings do not simply capture the idiosyncrasies of aging musicians as has been commonly asserted, but in fact represent a range of established expressive practices of a lost age. An extensive collection of these fascinating and sometimes rare professional recordings of the Romantic age masters are available on a companion web site, and in addition, Peres Da Costa, himself a renowned period keyboardist, illustrates points made throughout the book with his own playing. Of essential value to student and professional pianists, historical musicologists of 19th and early 20th century performance practice, and also to the general music aficionado audience, Off the Record is an indispensable resource for scholarly research, performance inspiration, and listening enjoyment.
The Technique of Piano Playing
Practicing the Piano
Author: Marguerite Abatelli
Publisher:
ISBN: 9781981517909
Category :
Languages : en
Pages : 46
Book Description
This text is a representation of the piano practice techniques utilized by the late 19th and early 20th Century pianists. Two examples of this tradition are the late Serge Rachmaninoff (1873-1943) and Sviatoslav Richter (1915-1997). Today, many excellent books for piano deal with what to practice; however, they do not address how to practice. This text fills in some of those gaps. Although there are other great pianistic traditions, this text only deals with the Russian school. These pages offer modifications which enable teachers to adapt these techniques for the beginner as well as for the more advanced piano student.
Publisher:
ISBN: 9781981517909
Category :
Languages : en
Pages : 46
Book Description
This text is a representation of the piano practice techniques utilized by the late 19th and early 20th Century pianists. Two examples of this tradition are the late Serge Rachmaninoff (1873-1943) and Sviatoslav Richter (1915-1997). Today, many excellent books for piano deal with what to practice; however, they do not address how to practice. This text fills in some of those gaps. Although there are other great pianistic traditions, this text only deals with the Russian school. These pages offer modifications which enable teachers to adapt these techniques for the beginner as well as for the more advanced piano student.
Hanon Revisited: Contemporary Piano Exercises
Author:
Publisher: G. Schirmer, Incorporated
ISBN: 9781480344228
Category : Music
Languages : en
Pages : 0
Book Description
Piano Method
Publisher: G. Schirmer, Incorporated
ISBN: 9781480344228
Category : Music
Languages : en
Pages : 0
Book Description
Piano Method
Sacred Silhouettes Revisited
Author: Dennis Alexander
Publisher: Alfred Music
ISBN: 1457407493
Category : Music
Languages : en
Pages : 26
Book Description
Dennis Alexander presents nine musically rewarding arrangements of well-known sacred pieces. Titles: * Abide with Me * God Will Take Care of You * In the Garden * Just As I Am * A Mighty Fortress Is Our God * The Old Rugged Cross * Savior, Like a Shepherd Lead Us
Publisher: Alfred Music
ISBN: 1457407493
Category : Music
Languages : en
Pages : 26
Book Description
Dennis Alexander presents nine musically rewarding arrangements of well-known sacred pieces. Titles: * Abide with Me * God Will Take Care of You * In the Garden * Just As I Am * A Mighty Fortress Is Our God * The Old Rugged Cross * Savior, Like a Shepherd Lead Us
The Perfect Wrong Note
Author: William Westney
Publisher: Amadeus Press
ISBN: 1574673890
Category : Music
Languages : en
Pages : 193
Book Description
(Amadeus). In this groundbreaking book, prize-winning pianist and noted educator William Westney helps readers discover their own path to the natural, transcendent fulfillment of making music. Drawing on experience, psychological insight, and wisdom ancient and modern, Westney shows how to trust yourself and set your own musicality free. He offers healthy alternatives for lifelong learning and suggests significant change in the way music is taught. For example, playing a wrong note can be constructive, useful, even enlightening. The creator of the acclaimed Un-Master Class workshop also explores the special potential of group work, outlining the basics of his revelatory workshop that has transformed the music experience for participants the world over. Practicing, in Westney's view, is a lively, honest, adventurous, and spiritually rewarding enterprise, and it can (and should) meet with daily success, which empowers us to grow even more. Teachers, professionals, and students of any instrument will benefit from this unique guide, which brings artistic vitality, freedom, and confidence within everyone's reach.
Publisher: Amadeus Press
ISBN: 1574673890
Category : Music
Languages : en
Pages : 193
Book Description
(Amadeus). In this groundbreaking book, prize-winning pianist and noted educator William Westney helps readers discover their own path to the natural, transcendent fulfillment of making music. Drawing on experience, psychological insight, and wisdom ancient and modern, Westney shows how to trust yourself and set your own musicality free. He offers healthy alternatives for lifelong learning and suggests significant change in the way music is taught. For example, playing a wrong note can be constructive, useful, even enlightening. The creator of the acclaimed Un-Master Class workshop also explores the special potential of group work, outlining the basics of his revelatory workshop that has transformed the music experience for participants the world over. Practicing, in Westney's view, is a lively, honest, adventurous, and spiritually rewarding enterprise, and it can (and should) meet with daily success, which empowers us to grow even more. Teachers, professionals, and students of any instrument will benefit from this unique guide, which brings artistic vitality, freedom, and confidence within everyone's reach.
Ignaz Friedman
Author: Allan Evans
Publisher: Indiana University Press
ISBN: 0253003385
Category : Music
Languages : en
Pages : 416
Book Description
Allan Evans's groundbreaking biography of Ignaz Friedman gives the reader the behind and the between of the life and career of this extraordinary pianist. Friedman's repertory emphasized the major works of Beethoven, Schumann, Liszt, and Brahms, but he was perhaps best known for his interpretation of the Chopin mazurkas, which by all accounts he played with the same rhythmic nuance as their composer. Evans examines Friedman's life as a cultured Jewish musician from Poland; his studies in Leipzig and Vienna; his marriage to Manya Schidlowsky -- a Russian countess and relative of Tolstoy; and his performing career, teaching, and retirement in Australia.
Publisher: Indiana University Press
ISBN: 0253003385
Category : Music
Languages : en
Pages : 416
Book Description
Allan Evans's groundbreaking biography of Ignaz Friedman gives the reader the behind and the between of the life and career of this extraordinary pianist. Friedman's repertory emphasized the major works of Beethoven, Schumann, Liszt, and Brahms, but he was perhaps best known for his interpretation of the Chopin mazurkas, which by all accounts he played with the same rhythmic nuance as their composer. Evans examines Friedman's life as a cultured Jewish musician from Poland; his studies in Leipzig and Vienna; his marriage to Manya Schidlowsky -- a Russian countess and relative of Tolstoy; and his performing career, teaching, and retirement in Australia.
Transformations of Musical Modernism
Author: Erling E. Guldbrandsen
Publisher: Cambridge University Press
ISBN: 1107127211
Category : Art
Languages : en
Pages : 369
Book Description
This collection brings fresh perspectives to bear upon key questions surrounding the composition, performance and reception of musical modernism.
Publisher: Cambridge University Press
ISBN: 1107127211
Category : Art
Languages : en
Pages : 369
Book Description
This collection brings fresh perspectives to bear upon key questions surrounding the composition, performance and reception of musical modernism.