Piano Concerto No. 23 in A, K. 488 PDF Download

Author: Wolfgang Amadeus Mozart
Publisher: Alfred Music
ISBN: 9781457475825
Category : Music
Languages : en
Pages : 60

View

Book Description
A duet, for Piano, composed by Wolfgang Amadeus Mozart for two pianos and four hands.

Author:
Publisher:
ISBN:
Category :
Languages : en
Pages : 0

View

Book Description

Author: Stephan D. Lindeman
Publisher: Taylor & Francis
ISBN: 0415976197
Category : Music
Languages : en
Pages : 666

View

Book Description
Twelve-tone and serial music were dominant forms of composition following World War II and remained so at least through the mid-1970s. In 1961, Ann Phillips Basart published the pioneering bibliographic work in the field.

Author: Wolfgang Amadeus Mozart
Publisher: Alfred Music
ISBN: 9781457454356
Category : Music
Languages : en
Pages : 156

View

Book Description
Many of Mozart's own cadenzas are preserved, but many more that he improvised in performance were never written down. In that spirit, famed pianist Lili Kraus sensed an obligation and a challenge to follow the tradition of using her own cadenzas where no original was available. This collection, then contains Mozart's original cadenzas as well as editorial versions by Ms. Kraus for Concertos 1-27.

Author: Wolfgang Amadeus Mozart
Publisher: Courier Corporation
ISBN: 0486235998
Category : Music
Languages : en
Pages : 383

View

Book Description
This volume contains six complete piano concertos in full score: No. 17 in G Major, K.453; No. 18 in B-flat Major, K.456; No. 19 in F Major, K.459; No. 20 in D Minor, K.466; No. 21 in C Major, K. 467; No. 22 in E-flat Major, K. 482. Also included are Mozart's own cadenzas for Nos. 17, 18, and 19. All six concertos are photographically reprinted from the Breitkopf & Hartel printed text, still considered the standard, authoritative edition for the Mozart concertos. Noteheads in this edition are large enough to be read easily, and margins and spaces between staves permit written notes, harmonic analysis, fingerings, and running measure numbers. Since Mozart's piano concertos are frequently performed in concert and there are several recordings currently available for each of these pieces, this edition is extremely useful for study, reference, and enjoyment."

Author: Robert Harris
Publisher: Simon and Schuster
ISBN: 0743244044
Category : Music
Languages : en
Pages : 292

View

Book Description
From Simon & Schuster, What to Listen for in Mozart is Robert Harris' essential introduction to the world's most popular composer. An introduction to the music of Wolfgang Amadeus Mozart explores the essentials of his work, examining his place in the aristocratic society of the late eighteenth century, and discusses his life and death.

Author: James Hepokoski
Publisher: Oxford University Press
ISBN: 0199890234
Category : Music
Languages : en
Pages : 692

View

Book Description
Elements of Sonata Theory is a comprehensive, richly detailed rethinking of the basic principles of sonata form in the decades around 1800. This foundational study draws upon the joint strengths of current music history and music theory to outline a new, up-to-date paradigm for understanding the compositional choices found in the instrumental works of Haydn, Mozart, Beethoven, and their contemporaries: sonatas, chamber music, symphonies, overtures, and concertos. In so doing, it also lays out the indispensable groundwork for anyone wishing to confront the later adaptations and deformations of these basic structures in the nineteenth and earlier twentieth centuries. Combining insightful music analysis, contemporary genre theory, and provocative hermeneutic turns, the book brims over with original ideas, bold and fresh ways of awakening the potential meanings within a familiar musical repertory. Sonata Theory grasps individual compositions-and each of the individual moments within them-as creative dialogues with an implicit conceptual background of flexible, ever-changing historical norms and patterns. These norms may be recreated as constellations "compositional defaults," any of which, however, may be stretched, strained, or overridden altogether for individualized structural or expressive purposes. This book maps out the terrain of that conceptual background, against which what actually happens-or does not happen-in any given piece may be assessed and measured. The Elements guides the reader through the standard (and less-than-standard) formatting possibilities within each compositional space in sonata form, while also emphasizing the fundamental role played by processes of large-scale circularity, or "rotation," in the crucially important ordering of musical modules over an entire movement. The book also illuminates new ways of understanding codas and introductions, of confronting the generating processes of minor-mode sonatas, and of grasping the arcs of multimovement cycles as wholes. Its final chapters provide individual studies of alternative sonata types, including "binary" sonata structures, sonata-rondos, and the "first-movement form" of Mozart's concertos.

Author:
Publisher: UM Libraries
ISBN:
Category : American literature
Languages : en
Pages : 666

View

Book Description

Author: Delphi Classics
Publisher: Delphi Classics
ISBN: 1786561204
Category : Music
Languages : en
Pages : 2530

View

Book Description
www.delphiclassics.com

Author: Stephan D. Lindeman
Publisher: Pendragon Press
ISBN: 9781576470008
Category : Juvenile Nonfiction
Languages : en
Pages : 368

View

Book Description
Lindeman, a musicologist, traces and defines the historical development of the concerto form as it passed from Mozart to succeeding generations. He then assesses Beethoven's contributions, and examines the classical model of the form in the early 19th century by overviewing several early romantic composers' works. Subsequent chapters analyze and assess the responses of five precursers of Schumann, whose work offers a synthesis of radical experiments and traditional tenets. He concludes by suggesting that concertos of Lizst offer a road into further developments of the genre in the second half of the century. Illustrated with bandw portraits of composers and excerpts from musical scores. Annotation copyrighted by Book News, Inc., Portland, OR