Piano Concerto No. 3 in C Minor, Opus 37 PDF Download

Author: Ludwig van Beethoven
Publisher: Alfred Music
ISBN: 9781457472435
Category : Music
Languages : en
Pages : 64

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Book Description
A Piano Duet for 2 pianos, 4 hands, composed by Ludwig van Beethoven.

Author: Johann Sebastian Bach
Publisher:
ISBN:
Category :
Languages : en
Pages :

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Book Description

Author: Ludwig van Beethoven
Publisher: Eulenburg
ISBN: 3795714109
Category : Music
Languages : de
Pages : 107

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Book Description
Over 200 works of the well-known Edition Eulenburg series of scores from orchestral and choral literature, chamber music and music theatre are now available in digital format. You can now enjoy the yellow study scores digitally with one click in excellent reproduction quality. Über 200 Werke der berühmten Edition Eulenburg Partiturreihe für Orchester- und Chorliteratur, Kammermusik und Musiktheater sind nun auch in einer digitalen Aufbereitung erhältlich. In optisch hervorragender Darstellung kann man die gelben Studienpartituren mit einem Klick jetzt auch digital genießen.

Author: Edward Elgar
Publisher:
ISBN:
Category : Piano music (4 hands), Arranged
Languages : en
Pages : 88

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Book Description

Author: Beethoven
Publisher: Createspace Independent Publishing Platform
ISBN: 9781986949293
Category :
Languages : en
Pages : 34

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Book Description
Sonata no. 3 in C major is one of the first three Beethoven's sonatas (opus 2) written in 1795 and dedicated to Joseph Haydn. This UTEXT edition is based on early original editions, which Beethoven personally supervised. The fingerings are provided by the editor.

Author: Wolfgang Amadeus Mozart
Publisher: Alfred Music
ISBN: 9781457475825
Category : Music
Languages : en
Pages : 60

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Book Description
A duet, for Piano, composed by Wolfgang Amadeus Mozart for two pianos and four hands.

Author: Ludwig van Beethoven
Publisher: Warner Bros. Publications
ISBN: 9780769239514
Category : Piano music
Languages : en
Pages : 0

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Book Description
Re-engraved, corrected editions by Artur Schnabel, with Schnabel's notes and comments in five languages. Volume One contains Sonatas One through Seventeen and Volume Two contains Sonatas Eighteen through Thirty-Two.

Author: Rosemary Williamson
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 616

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Book Description
Sir William Sterndale Bennett (1816-75) was the leading English composer of the mid-nineteenth century. His music was highly regarded by Mendelssohn and Schumann, and was at one time widely played in Germany. The book presents a record of Bennett's total achievement for the first time and is aimed at both the general reader and the scholar. Each entry in the catalogue begins with a summary of the work's history, followed by detailed descriptions of all the authentic manuscript and printed sources with their locations, a list of important performances, references to the work in the composer's mostly unpublished diaries and correspondence, and a bibliography. An introduction sets the sources in their historical context, and there are appendices on Bennett's notebooks, the paper used in the autographs, the plate numbers in the printed music, and chronological and generic lists of all the works.

Author: Hal Leonard Corp.
Publisher: Hal Leonard Corporation
ISBN: 1458491986
Category : Music
Languages : en
Pages : 1004

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Book Description
(Fake Book). This fabulous fake book includes nearly every famous classical theme ever written! It's a virtual encyclopedia of classical music, in one complete volume. Features: over 165 classical composers; over 500 classical themes in their original keys; lyrics in their original language; a timeline of major classical composers; categorical listings; more.

Author: Robert S. Hatten
Publisher: Indiana University Press
ISBN: 0253030277
Category : Literary Criticism
Languages : en
Pages : 372

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Book Description
"Robert Hatten's new book is a worthy successor to his Musical Meaning in Beethoven, which established him as a front-rank scholar . . . in questions of musical meaning. . . . [B]oth how he approaches musical works and what he says about them are timely and to the point. Musical scholars in both musicology and theory will find much of value here, and will find their notions of musical meaning challenged and expanded." —Patrick McCreless This book continues to develop the semiotic theory of musical meaning presented in Robert S. Hatten's first book, Musical Meaning in Beethoven (IUP, 1994). In addition to expanding theories of markedness, topics, and tropes, Hatten offers a fresh contribution to the understanding of musical gestures, as grounded in biological, psychological, cultural, and music-stylistic competencies. By focusing on gestures, topics, tropes, and their interaction in the music of Mozart, Beethoven, and Schubert, Hatten demonstrates the power and elegance of synthetic structures and emergent meanings within a changing Viennese Classical style. Musical Meaning and Interpretation—Robert S. Hatten, editor