Author: Publisher: Edition Peters
ISBN:
Category : Music
Languages : en
Pages : 999
Book Description
Piano Concerto No. 24 in C Minor K491 (Edition for 2 Pianos): Urtext, Cadenzas by Christian Zacharias
Author: Publisher: Edition Peters
ISBN:
Category : Music
Languages : en
Pages : 999
Book Description
Piano Concerto No. 24 in C Minor, K. 491
Author: Publisher: Alfred Music Publishing
ISBN: 9780769292090
Category : Concertos (Piano)
Languages : en
Pages : 0
Book Description
Expertly arranged Piano Duet by Wolfgang Amadeus Mozart from the Kalmus Edition series. This Advanced Piano Duet (2 Pianos, 4 Hands) is from the Classical era. 2 copies are required for performance.
Music, Books on Music and Sound Recordings
Author: Bibliographic Guide to Music
Author: New York Public Library. Music DivisionPublisher:
ISBN:
Category : Music
Languages : en
Pages : 938
Book Description
A History of Pianoforte Pedalling
Author: David RowlandPublisher: Cambridge University Press
ISBN: 0521402662
Category : Music
Languages : en
Pages : 208
Book Description
A history of piano pedalling from its beginnings in the eighteenth century to its maturity in the nineteenth century.
The Cambridge Companion to the Piano
Author: David RowlandPublisher: Cambridge University Press
ISBN: 9780521479868
Category : Music
Languages : en
Pages : 268
Book Description
A Companion to the piano, one of the world's most popular instruments.
The Romantic Generation
Author: Charles RosenPublisher: Harvard University Press
ISBN: 9780674779341
Category : Family & Relationships
Languages : en
Pages : 748
Book Description
Accompanied by a sound disc (digital; 4 3/4 in.) by the same name which is available in Multimedia : CD 6.
Interpreting Mozart
Author: Eva Badura-SkodaPublisher: Routledge
ISBN: 1135868506
Category : Music
Languages : en
Pages : 579
Book Description
Originally published in German as Interpreting Mozart on the Keyboard in 1957, this definitive work on the performance of Mozart's works has greatly influenced students and scholars of keyboard literature and of Mozart. Now, in a completely updated and revised edition, this book includes the last half century of scholarship on Mozart's music, addressing the elements of performance and problems that may occur in performing Mozart's works on modern instruments.
Performance Practices in Classic Piano Music
Author: Sandra P. RosenblumPublisher: Indiana University Press
ISBN: 9780253206800
Category : Music
Languages : en
Pages : 0
Book Description
Performance today on either the pianoforte or the fortepiano can be at once joyful, musicianly, expressive, and historically informed. From this point of view, Sandra P. Rosenblum examines the principles of performing the music of Haydn, Mozart, Beethoven, and their contemporaries as revealed in a variety of historical sources: their autographs and letters, early editions of their music, original instruments, and contemporary tutors and journals. She applies these findings to such elements of performance as dynamics, accentuation, pedaling, articulation and touch, technique and fingering, ornaments and embellishments, choice of tempo, and tempo flexibility. Familiarity with the Classic conventions provides a framework for interpretation and an understanding of the choices available within the style, the amount of freedom a performer has, and which areas are ambiguous. Rosenblum's detailed study, copiously illustrated with musical examples, is invaluable for professional and amateur performers, serious piano students and their teachers and students of performance practices by Scarlatti and Clementi. " . . . is and will remain unsurpassed as the study dealing with performance practice as it pertains to keyboard music of the Classical period." —American Music Teacher "Rosenblum's monumental achievement is thorough, objective, balanced, and imaginative, a compelling blend of love and respect for the solo, chamber, and concerto literature she addresses." —Journal of Musicological Research "The extent and quality of her research, the depth of her perception, and her musicianship together break new ground in the study of historic performance practice." —Early Keyboard Journal "Her attention to details is absolutely scrupulous; no stone unturned, no argument unquestioned or unstated." —The Musical Times "Its importance to thoughtful musicians cannot be overstated." —Choice " . . . thoroughly musicological." —Performance Practice Review " . . . indispensable . . . " —New York Times
Claudio Monteverdi: Orfeo
Author: John WhenhamPublisher: Cambridge University Press
ISBN: 9780521284776
Category : Biography & Autobiography
Languages : en
Pages : 236
Book Description
A detailed study of the earliest opera to have gained a foothold in the modern repertoire, the book begins with a historical section in which all the known evidence about the creation and early performances of Orfeo is drawn together and evaluated. The second section of the book includes a detailed history of the rediscovery of the opera; an influential essay by Joseph Kerman is reprinted here, together with a review by Romain Rolland of the first modern performance of Orfeo. The final section includes essays by a conductor and a producer who have staged notable performances of the opera in recent years. They explain their approaches to the work, and offer solutions to some of the problems it poses in performance.