Author: Wolfgang Amadeus MozartPublisher: Alfred Music
ISBN: 9781457475825
Category : Music
Languages : en
Pages : 60
Book Description
A duet, for Piano, composed by Wolfgang Amadeus Mozart for two pianos and four hands.
Piano Concerto No. 23 in A, K. 488
Author: Wolfgang Amadeus MozartPublisher: Alfred Music
ISBN: 9781457475825
Category : Music
Languages : en
Pages : 60
Book Description
A duet, for Piano, composed by Wolfgang Amadeus Mozart for two pianos and four hands.
Piano Concerto No. 23 in A, K. 488
Author: Publisher: Alfred Music Publishing
ISBN: 9780769240329
Category : Music
Languages : en
Pages : 0
Book Description
A duet, for Piano, composed by Wolfgang Amadeus Mozart for two pianos and four hands.
Concerto for Piano No. 23 in A, K488, by Mozart
Author: Wolfgang Amadeus MozartConcerto for Piano No. 23 in A, K.488, Mozart (m.sc) Edited by F. Blume
Author: Wolfgang Amadeus MozartPiano Concerto No. 23, in A Major. K. 488
Author: Wolfgang Amadeus MozartPublisher:
ISBN:
Category : Concertos (Piano)
Languages : en
Pages : 68
Book Description
Sonata in D Major, K. 311
Author: Wolfgang Amadeus MozartPublisher: Alfred Music
ISBN: 1457422530
Category : Music
Languages : en
Pages : 30
Book Description
Mozart's orchestral-inspired Sonata in D Major, K. 311 contains elaborate pianistic treatment and an exciting sonata-rondo finale with a cadenza worthy of one of Mozart's concertos. The flashy third movement is full of many contrasts involving dynamics, mood and texture. Throughout the sonata, the left hand becomes a true partner in all aspects of the composition, and thematic material is spread over different registers of the keyboard.
Adagio and rondo in C minor, K. 617, for piano, flute, oboe, viola and cello
Author: Wolfgang Amadeus MozartPublisher: Alfred Music Publishing
ISBN: 9780769281889
Category : Music
Languages : en
Pages : 36
Book Description
Mozart's Adagio and Rondo (K. 617) was written for the armonica, or musical glasses (a set of tuned glass bowls) and a quartet consisting of flute, oboe, viola, and cello. The music is effective played as an organ solo. The Adagio may be registered "forte," in the style of Mozart's Fantasia (K. 608). The Rondo should be played on the flute stops. Arranged for organ by E. Power Briggs.
Musicophilia
Author: Oliver SacksPublisher: Vintage Canada
ISBN: 0307373495
Category : Psychology
Languages : en
Pages : 448
Book Description
What goes on in human beings when they make or listen to music? What is it about music, what gives it such peculiar power over us, power delectable and beneficent for the most part, but also capable of uncontrollable and sometimes destructive force? Music has no concepts, it lacks images; it has no power of representation, it has no relation to the world. And yet it is evident in all of us–we tap our feet, we keep time, hum, sing, conduct music, mirror the melodic contours and feelings of what we hear in our movements and expressions. In this book, Oliver Sacks explores the power music wields over us–a power that sometimes we control and at other times don’t. He explores, in his inimitable fashion, how it can provide access to otherwise unreachable emotional states, how it can revivify neurological avenues that have been frozen, evoke memories of earlier, lost events or states or bring those with neurological disorders back to a time when the world was much richer. This is a book that explores, like no other, the myriad dimensions of our experience of and with music.
Mozart in Context
Author: Simon P. KeefePublisher: Cambridge University Press
ISBN: 1316850838
Category : Music
Languages : en
Pages : 427
Book Description
The vibrant intellectual, social and political climate of mid eighteenth-century Europe presented opportunities and challenges for artists and musicians alike. This book focuses on Mozart the man and musician as he responds to different aspects of that world. It reveals his views on music, aesthetics and other matters; on places in Austria and across Europe that shaped his life; on career contexts and environments, including patronage, activities as an impresario, publishing, theatrical culture and financial matters; on engagement with performers and performance, focusing on Mozart's experiences as a practicing musician; and on reception and legacy from his own time through to the present day. Probing diverse Mozartian contexts in a variety of ways, the contributors reflect the vitality of existing scholarship and point towards areas primed for further study. This volume is essential reading for students and scholars of late eighteenth-century music and for Mozart aficionados and music lovers in general.
Author: Carlo Maria Giulini