Physionomie du Théâtre de l'Odéon PDF Download

Author: John Raymond Williams
Publisher: Summa Publications
ISBN:
Category : Caricature
Languages : en
Pages : 44

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Author:
Publisher:
ISBN:
Category : French literature
Languages : en
Pages : 988

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Author: Boston Athenaeum
Publisher:
ISBN:
Category : History
Languages : en
Pages : 738

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Author: Boston Mass, Athenaeum, libr
Publisher:
ISBN:
Category :
Languages : en
Pages : 852

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Author: Boston Athenaeum
Publisher:
ISBN:
Category : American literature
Languages : en
Pages : 732

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Author: Mark Everist
Publisher: Taylor & Francis
ISBN: 100093912X
Category : History
Languages : en
Pages : 464

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Nineteenth-century Paris attracted foreign musicians like a magnet. The city boasted a range of theatres and of genres represented there, a wealth of libretti and source material for them, vocal, orchestral and choral resources, to say nothing of the set designs, scenery and costumes. All this contributed to an artistic environment that had musicians from Italian- and German-speaking states beating a path to the doors of the Académie Royale de Musique, Opéra-Comique, Théâtre Italien, Théâtre Royal de l'Odéon and Théâtre de la Renaissance. This book both tracks specific aspects of this culture, and examines stage music in Paris through the lens of one of its most important figures: Giacomo Meyerbeer. The early part of the book, which is organised chronologically, examines the institutional background to music drama in Paris in the nineteenth century, and introduces two of Meyerbeer's Italian operas that were of importance for his career in Paris. Meyerbeer's acculturation to Parisian theatrical mores is then examined, especially his moves from the Odéon and Opéra-Comique to the opera house where he eventually made his greatest impact - the Académie Royale de Musique; the shift from Opéra-Comique is then counterpointed by an examination of how an indigenous Parisian composer, Fromental Halévy, made exactly the same leap at more or less the same time. The book continues with the fates of other composers in Paris: Weber, Donizetti, Bellini and Wagner, but concludes with the final Parisian successes that Meyerbeer lived to see - his two opéras comiques.

Author:
Publisher:
ISBN:
Category :
Languages : en
Pages : 970

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Author: Charles Guillaume Etienne
Publisher:
ISBN:
Category :
Languages : en
Pages : 484

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Author: Clare A. Simmons
Publisher: Routledge
ISBN: 1135782725
Category : History
Languages : en
Pages : 176

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Medievalism, the later reception of the Middle Ages, has been used by many writers, not just during the Victorian period but from the Renaissance to the present, as a means of commenting on their own societies and systems of values. Until recently, this self-interest was used to distinguish between Medievalism, a selective, often romanticised, view of the past, and medieval studies, with its quest for an authentic Middle Ages. The essays in this collection suggest that the search for knowledge of a "real" Middle Ages has always been a problematic one, and that the vitality of the vision of Medievalism is demonstrated by its constant adaption to current concerns.

Author: New York Public Library. Research Libraries
Publisher:
ISBN:
Category : Drama
Languages : en
Pages : 1136

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