Author: Howard T. DimickPublisher:
ISBN:
Category : Motion picture plays
Languages : en
Pages : 112
Book Description
Photoplay Making
Author: Howard T. DimickPublisher:
ISBN:
Category : Motion picture plays
Languages : en
Pages : 112
Book Description
The Art of Photoplay Making
Author: Victor Oscar FreeburgPublisher:
ISBN:
Category : Motion pictures
Languages : en
Pages : 332
Book Description
Met ind. - Ook aanwezig als facsimile-herdr.: New York : Arno [etc.], 1970. - 283, [18] p. : ill. ; 22 cm . - (Literature of cinema, The). ISBN 0-405-01612-3. - ISBN 0-404-1600-X (complete set).
Photoplay
Author: The Fox Plan of Photoplay Writing
Author: Charles Donald FoxPublisher:
ISBN:
Category : Motion picture authorship
Languages : en
Pages : 270
Book Description
Modern Photoplay Writing, Its Craftsmanship
Author: Howard T. DimickPublisher:
ISBN:
Category : Motion picture authorship
Languages : en
Pages : 400
Book Description
Photoplay Plot Encyclopedia
Author: Frederick PalmerPublisher:
ISBN:
Category : Motion picture plays
Languages : en
Pages : 174
Book Description
Dramatic Suspense in the Photoplay
Author: Denison CliftPublisher:
ISBN:
Category : Motion picture authorship
Languages : en
Pages : 24
Book Description
Photoplay
Author: The Business of Writing
Author: Robert Cortes HollidayPublisher:
ISBN:
Category : Authorship
Languages : en
Pages : 312
Book Description
Inventing Film Studies
Author: Lee GrievesonPublisher: Duke University Press
ISBN: 0822388677
Category : Performing Arts
Languages : en
Pages : 481
Book Description
Inventing Film Studies offers original and provocative insights into the institutional and intellectual foundations of cinema studies. Many scholars have linked the origins of the discipline to late-1960s developments in the academy such as structuralist theory and student protest. Yet this collection reveals the broader material and institutional forces—both inside and outside of the university—that have long shaped the field. Beginning with the first investigations of cinema in the early twentieth century, this volume provides detailed examinations of the varied social, political, and intellectual milieus in which knowledge of cinema has been generated. The contributors explain how multiple instantiations of film study have had a tremendous influence on the methodologies, curricula, modes of publication, and professional organizations that now constitute the university-based discipline. Extending the historical insights into the present, contributors also consider the directions film study might take in changing technological and cultural environments. Inventing Film Studies shows how the study of cinema has developed in relation to a constellation of institutions, technologies, practices, individuals, films, books, government agencies, pedagogies, and theories. Contributors illuminate the connections between early cinema and the social sciences, between film programs and nation-building efforts, and between universities and U.S. avant-garde filmmakers. They analyze the evolution of film studies in relation to the Museum of Modern Art, the American Film Council movement of the 1940s and 1950s, the British Film Institute, influential journals, cinephilia, and technological innovations past and present. Taken together, the essays in this collection reveal the rich history and contemporary vitality of film studies. Contributors: Charles R. Acland, Mark Lynn Anderson, Mark Betz, Zoë Druick, Lee Grieveson, Stephen Groening, Haden Guest, Amelie Hastie, Lynne Joyrich, Laura Mulvey, Dana Polan, D. N. Rodowick, Philip Rosen, Alison Trope, Haidee Wasson, Patricia White, Sharon Willis, Peter Wollen, Michael Zryd