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Author: Greg Battye Publisher: Intellect (UK) ISBN: 9781783201778 Category : Fotokonst Languages : en Pages : 0
Book Description
Providing a wide-ranging account of the narrative properties of photographs, Greg Battye focuses on the storytelling power of a single image, rather than the sequence. Drawing on ideas from painting, drawing, film, video, and multimedia, he applies contemporary research and theories drawn from cognitive science and psychology to the analysis of photographs. Using genuine forensic photographs of crime scenes and accidents, the book mines human drama and historical and sociological authenticity to argue for the centrality of the perception and representation of time in photographic narrativity.
Author: Greg Battye Publisher: Intellect (UK) ISBN: 9781783201778 Category : Fotokonst Languages : en Pages : 0
Book Description
Providing a wide-ranging account of the narrative properties of photographs, Greg Battye focuses on the storytelling power of a single image, rather than the sequence. Drawing on ideas from painting, drawing, film, video, and multimedia, he applies contemporary research and theories drawn from cognitive science and psychology to the analysis of photographs. Using genuine forensic photographs of crime scenes and accidents, the book mines human drama and historical and sociological authenticity to argue for the centrality of the perception and representation of time in photographic narrativity.
Author: Michael Freeman Publisher: Ilex Press ISBN: 1781570469 Category : Photography Languages : en Pages : 540
Book Description
Having already taught you how to compose and interpret great photos, Michael Freeman now continues his best-selling series by exploring the most successful methods for presenting photography meaningfully and in an engaging format. This is the critical "next step" that separates adequate image galleries from captivating collections - and disinterested viewers from enthralled audiences. Tapping into his decades of experience shooting for such publications as Smithsonian, GEO, and Condé Nast Traveller (among many others), Michael Freeman studies the photo-essay phenomenon that took the world by storm and gave storytellers a completely new set of tools to construct their narratives. Having established how rhythm, pacing, and careful organisation build tension and cultivate interest, Freeman goes on to explain what this means for presenting your own photos, particularly in the new digital formats of online galleries, slideshows, and tablets. The Photographer's Story will enliven your images, refresh your perspective, and elevate your understanding of how photographs work together to tell a story. Your audiences will thank you for it.
Author: Alex Hughes Publisher: UNM Press ISBN: 9780826328250 Category : History Languages : en Pages : 308
Book Description
How are photographs understood as narratives? In this book twenty-two original critical essays tackle this overarching question in a series of case studies moving chronologically across the history of photography from the 1840s to the twenty-first century. The contributors explore the intersections of photography with history, memory, autobiography, time, death, mapping, the discourse of Orientalism, digital technology, and representations of race and gender. The essays range in focus from the role of photographic images in the memorialization of the Holocaust, the Argentine "Dirty Warm," and Japanese American internment camps through Man Ray's classic image "Noire et blanche" and Nan Goldin's "The Ballad of Sexual Dependency" to the function of family albums in nineteenth-century England and America.
Author: Erica Wickerson Publisher: Oxford University Press ISBN: 0192511718 Category : Literary Collections Languages : en Pages : 229
Book Description
Time matters to all of us. It dominates everyday discourse: diaries, schedules, clocks, working hours, opening times, appointments, weekdays and weekends, national holidays, religious festivals, birthdays, and anniversaries. But how do we, as unique individuals, subjectively experience time? The slowness of an hour in a boring talk, the swiftness of a summer holiday, the fleetingness of childhood, the endless wait for pivotal news: these are experiences to which we all can relate and of which we commonly speak. How can a writer not only report such experiences but also conjure them up in words so that readers share the frustration, the excitement, the anticipation, are on tenterhooks with a narrator or character, or in melancholic mourning for a time long-since passed, which we never experienced ourselves? Erica Wickerson suggests that the evocation of subjective temporal experience occurs in every sentence, on every page, at every plot turn, in any narrative. The Architecture of Narrative Time offers a new template for understanding narrative time that combines close readings with analysis of the structural overview. It enables new ways of reading Thomas Mann; but also new ways of conceptualising narrative time in any literary work, not only in Mann's fiction and not only in texts that foreground the narration of time. The range of Mann's novels, novellas, and short stories is compared with other nineteenth- and twentieth-century works in German and in English to suggest a comprehensive approach to considering time in narrative.
Author: Kris Belden-Adams Publisher: Routledge ISBN: 1351004247 Category : Art Languages : en Pages : 344
Book Description
This book examines the photography’s unique capacity to represent time with a degree of elasticity and abstraction. Part object-study, part cultural/philosophical history, it examines the medium’s ability to capture and sometimes "defy" time, while also traveling as objects across time-and-space nexuses. The book features studies of understudied, widespread, practices: studio portraiture, motion studies, panoramas, racing photo finishes, composite college class pictures, planetary photography, digital montages, and extended-exposure images. A closer look at these images and their unique cultural/historical contexts reveals photography to be a unique medium for expressing changing perceptions of time, and the anxiety its passage provokes.
Author: Publisher: ISBN: 9781912339310 Category : Photography of interiors Languages : en Pages :
Book Description
"Taking its name from a line in the Wallace Stevens' poem "The Gray Room," Alec Soth's latest book is a lyrical exploration of the limitations of photographic representation. While these large-format color photographs are made all over the world, they aren't about any particular place or population. By a process of intimate and often extended engagement, Soth's portraits and images of his subject's surroundings involve an enquiry into the extent to which a photographic likeness can depict more than the outer surface of an individual, and perhaps even plumb the depths of something unknowable about both the sitter and the photographer"--The publisher.
Author: Maria Short Publisher: Bloomsbury Publishing ISBN: 2940447128 Category : Photography Languages : en Pages : 186
Book Description
Throughout this book, Maria Short guides you through the ideas and methods behind creating meaningful, communicative images. With case studies and dozens of examples from some of the world's most engaging photographers, this is a beautiful introduction to a fascinating aspect of photography. Featured topics: The function of photographs; What is narrative?; Choosing your subject; Concept; Intention and interpretation; The single image; Series of photographs; Signs and symbols; Using text; The response of the audience. Featured photographers: Berenice Abbott; Eve Arnold; Tina Barney; Robert Capa; Henri Cartier-Bresson; Jill Cole; Gregory Crewdson; Paul Fusco; Stuart Griffiths; Britta Jaschinski; Seba Kurtis; Jem Southam; Tom Stoddart; Newsha Tavakolian and Weegee.
Author: Jan Baetens Publisher: Universitaire Pers Leuven ISBN: 9058677931 Category : Photography Languages : en Pages : 189
Book Description
Despite our stereotypical ideas on photographic images as a snapshots (slices of time), photography is fundamentally a time-based medium. The relationships between photography and time are manifold: time can be directly represented within the image, it can be its theme and philosophical horizon, but it can also represent the global framework in which photographic practices develop and change through time. It is the ambition of this book to bring together the various aspect of time in photography as well as of photography in time, and to illustrate them in a series of case studies that focus on seminal authors (e.g. Fox Talbot, Victor Burgin, Robert Morris) and genres (e.g. spirit photography, montage photobooks and tableau photography), with examples ranging from the very first photographic pictures to the most recent cross-medial uses of photography in and outside art.
Author: Michael Freeman Publisher: Ilex Press ISBN: 1781570469 Category : Photography Languages : en Pages : 540
Book Description
Having already taught you how to compose and interpret great photos, Michael Freeman now continues his best-selling series by exploring the most successful methods for presenting photography meaningfully and in an engaging format. This is the critical "next step" that separates adequate image galleries from captivating collections - and disinterested viewers from enthralled audiences. Tapping into his decades of experience shooting for such publications as Smithsonian, GEO, and Condé Nast Traveller (among many others), Michael Freeman studies the photo-essay phenomenon that took the world by storm and gave storytellers a completely new set of tools to construct their narratives. Having established how rhythm, pacing, and careful organisation build tension and cultivate interest, Freeman goes on to explain what this means for presenting your own photos, particularly in the new digital formats of online galleries, slideshows, and tablets. The Photographer's Story will enliven your images, refresh your perspective, and elevate your understanding of how photographs work together to tell a story. Your audiences will thank you for it.
Author: Marina Grishakova Publisher: Walter de Gruyter ISBN: 3110237733 Category : Computers Languages : en Pages : 360
Book Description
The 'narrative turn' in the humanities, which expanded the study of narrative to various disciplines, has found a correlate in the 'medial turn' in narratology. Long restricted to language-based literary fiction, narratology has found new life in the recognition that storytelling can take place in a variety of media, and often combines signs belonging to different semiotic categories: visual, auditory, linguistic and perhaps even tactile. The essays gathered in this volume apply the newly gained awareness of the expressive power of media to particular texts, demonstrating the productivity of a medium-aware analysis. Through the examination of a wide variety of different media, ranging from widely studied, such as literature and film, to new, neglected, or non-standard ones, such as graphic novels, photography, television, musicals, computer games and advertising, they address some of the most fundamental questions raised by the medial turn in narratology: how can narrative meaning be created in media other than language; how do different types of signs collaborate with each other in so-called 'multi-modal works', and what new forms of narrativity are made possible by the emergence of digital media.
Author: Greg Battye
Author: Greg Battye
Author: Michael Freeman
Author: Alex Hughes
Author: Erica Wickerson
Author: Kris Belden-Adams
Author: 
Author: Maria Short
Author: Jan Baetens
Author: Marina Grishakova