Author: Len Bernstein
Publisher: Delia Press LLC
ISBN: 9780984676538
Category : Photography
Languages : en
Pages : 0
Book Description
Photography, Life, and the Opposites is about what makes for beauty not only in the author's chosen art, but in all the arts. And it is about life, and how art can teach us to live it. It is based on this extraordinary principle of Aesthetic Realism stated by its founder, Eli Siegel: "All beauty is a making one of opposites, and the making one of opposites is what we are going after in ourselves." To illustrate this Len Bernstein has chosen over 70 of his photographs, many of which are in museum collections in the US and abroad, as well as photographs by others. Together with the text, they are a means of asking: What does it mean to have a beautiful way of seeing, a way of seeing that will make us proud? And what stops us from having it?
Photography, Life, and the Opposites
Author: Len Bernstein
Publisher: Delia Press LLC
ISBN: 9780984676538
Category : Photography
Languages : en
Pages : 0
Book Description
Photography, Life, and the Opposites is about what makes for beauty not only in the author's chosen art, but in all the arts. And it is about life, and how art can teach us to live it. It is based on this extraordinary principle of Aesthetic Realism stated by its founder, Eli Siegel: "All beauty is a making one of opposites, and the making one of opposites is what we are going after in ourselves." To illustrate this Len Bernstein has chosen over 70 of his photographs, many of which are in museum collections in the US and abroad, as well as photographs by others. Together with the text, they are a means of asking: What does it mean to have a beautiful way of seeing, a way of seeing that will make us proud? And what stops us from having it?
Publisher: Delia Press LLC
ISBN: 9780984676538
Category : Photography
Languages : en
Pages : 0
Book Description
Photography, Life, and the Opposites is about what makes for beauty not only in the author's chosen art, but in all the arts. And it is about life, and how art can teach us to live it. It is based on this extraordinary principle of Aesthetic Realism stated by its founder, Eli Siegel: "All beauty is a making one of opposites, and the making one of opposites is what we are going after in ourselves." To illustrate this Len Bernstein has chosen over 70 of his photographs, many of which are in museum collections in the US and abroad, as well as photographs by others. Together with the text, they are a means of asking: What does it mean to have a beautiful way of seeing, a way of seeing that will make us proud? And what stops us from having it?
The Marriage of Opposites
Author: Alice Hoffman
Publisher: Simon and Schuster
ISBN: 1451693613
Category : Fiction
Languages : en
Pages : 400
Book Description
“A luminous, Marquez-esque tale” (O, The Oprah Magazine) from the New York Times bestselling author of The Museum of Extraordinary Things: a forbidden love story set on a tropical island about the extraordinary woman who gave birth to painter Camille Pissarro—the Father of Impressionism. Growing up on idyllic St. Thomas in the early 1800s, Rachel dreams of life in faraway Paris. Rachel’s mother, a pillar of their small refugee community of Jews who escaped the Inquisition, has never forgiven her daughter for being a difficult girl who refuses to live by the rules. Growing up, Rachel’s salvation is their maid Adelle’s belief in her strengths, and her deep, life-long friendship with Jestine, Adelle’s daughter. But Rachel’s life is not her own. She is married off to a widower with three children to save her father’s business. When her older husband dies suddenly and his handsome, much younger nephew, Frédérick, arrives from France to settle the estate, Rachel seizes her own life story, beginning a defiant, passionate love affair that sparks a scandal that affects all of her family, including her favorite son, who will become one of the greatest artists of France. “A work of art” (Dallas Morning News), The Marriage of Opposites showcases the beloved, bestselling Alice Hoffman at the height of her considerable powers. “Her lush, seductive prose, and heart-pounding subject…make this latest skinny-dip in enchanted realism…the Platonic ideal of the beach read” (Slate.com). Once forgotten to history, the marriage of Rachel and Frédérick “will only renew your commitment to Hoffman’s astonishing storytelling” (USA TODAY).
Publisher: Simon and Schuster
ISBN: 1451693613
Category : Fiction
Languages : en
Pages : 400
Book Description
“A luminous, Marquez-esque tale” (O, The Oprah Magazine) from the New York Times bestselling author of The Museum of Extraordinary Things: a forbidden love story set on a tropical island about the extraordinary woman who gave birth to painter Camille Pissarro—the Father of Impressionism. Growing up on idyllic St. Thomas in the early 1800s, Rachel dreams of life in faraway Paris. Rachel’s mother, a pillar of their small refugee community of Jews who escaped the Inquisition, has never forgiven her daughter for being a difficult girl who refuses to live by the rules. Growing up, Rachel’s salvation is their maid Adelle’s belief in her strengths, and her deep, life-long friendship with Jestine, Adelle’s daughter. But Rachel’s life is not her own. She is married off to a widower with three children to save her father’s business. When her older husband dies suddenly and his handsome, much younger nephew, Frédérick, arrives from France to settle the estate, Rachel seizes her own life story, beginning a defiant, passionate love affair that sparks a scandal that affects all of her family, including her favorite son, who will become one of the greatest artists of France. “A work of art” (Dallas Morning News), The Marriage of Opposites showcases the beloved, bestselling Alice Hoffman at the height of her considerable powers. “Her lush, seductive prose, and heart-pounding subject…make this latest skinny-dip in enchanted realism…the Platonic ideal of the beach read” (Slate.com). Once forgotten to history, the marriage of Rachel and Frédérick “will only renew your commitment to Hoffman’s astonishing storytelling” (USA TODAY).
What Do Pictures Want?
Author: W. J. T. Mitchell
Publisher: University of Chicago Press
ISBN: 022624590X
Category : Art
Languages : en
Pages : 419
Book Description
Why do we have such extraordinarily powerful responses toward the images and pictures we see in everyday life? Why do we behave as if pictures were alive, possessing the power to influence us, to demand things from us, to persuade us, seduce us, or even lead us astray? According to W. J. T. Mitchell, we need to reckon with images not just as inert objects that convey meaning but as animated beings with desires, needs, appetites, demands, and drives of their own. What Do Pictures Want? explores this idea and highlights Mitchell's innovative and profoundly influential thinking on picture theory and the lives and loves of images. Ranging across the visual arts, literature, and mass media, Mitchell applies characteristically brilliant and wry analyses to Byzantine icons and cyberpunk films, racial stereotypes and public monuments, ancient idols and modern clones, offensive images and found objects, American photography and aboriginal painting. Opening new vistas in iconology and the emergent field of visual culture, he also considers the importance of Dolly the Sheep—who, as a clone, fulfills the ancient dream of creating a living image—and the destruction of the World Trade Center on 9/11, which, among other things, signifies a new and virulent form of iconoclasm. What Do Pictures Want? offers an immensely rich and suggestive account of the interplay between the visible and the readable. A work by one of our leading theorists of visual representation, it will be a touchstone for art historians, literary critics, anthropologists, and philosophers alike. “A treasury of episodes—generally overlooked by art history and visual studies—that turn on images that ‘walk by themselves’ and exert their own power over the living.”—Norman Bryson, Artforum
Publisher: University of Chicago Press
ISBN: 022624590X
Category : Art
Languages : en
Pages : 419
Book Description
Why do we have such extraordinarily powerful responses toward the images and pictures we see in everyday life? Why do we behave as if pictures were alive, possessing the power to influence us, to demand things from us, to persuade us, seduce us, or even lead us astray? According to W. J. T. Mitchell, we need to reckon with images not just as inert objects that convey meaning but as animated beings with desires, needs, appetites, demands, and drives of their own. What Do Pictures Want? explores this idea and highlights Mitchell's innovative and profoundly influential thinking on picture theory and the lives and loves of images. Ranging across the visual arts, literature, and mass media, Mitchell applies characteristically brilliant and wry analyses to Byzantine icons and cyberpunk films, racial stereotypes and public monuments, ancient idols and modern clones, offensive images and found objects, American photography and aboriginal painting. Opening new vistas in iconology and the emergent field of visual culture, he also considers the importance of Dolly the Sheep—who, as a clone, fulfills the ancient dream of creating a living image—and the destruction of the World Trade Center on 9/11, which, among other things, signifies a new and virulent form of iconoclasm. What Do Pictures Want? offers an immensely rich and suggestive account of the interplay between the visible and the readable. A work by one of our leading theorists of visual representation, it will be a touchstone for art historians, literary critics, anthropologists, and philosophers alike. “A treasury of episodes—generally overlooked by art history and visual studies—that turn on images that ‘walk by themselves’ and exert their own power over the living.”—Norman Bryson, Artforum
Photography
Author: Chuck Groot
Publisher: Xlibris Corporation
ISBN: 1436343275
Category : Business & Economics
Languages : en
Pages : 316
Book Description
Publisher: Xlibris Corporation
ISBN: 1436343275
Category : Business & Economics
Languages : en
Pages : 316
Book Description
Popular Photography
Boys' Life
Author:
Publisher:
ISBN:
Category :
Languages : en
Pages : 92
Book Description
Boys' Life is the official youth magazine for the Boy Scouts of America. Published since 1911, it contains a proven mix of news, nature, sports, history, fiction, science, comics, and Scouting.
Publisher:
ISBN:
Category :
Languages : en
Pages : 92
Book Description
Boys' Life is the official youth magazine for the Boy Scouts of America. Published since 1911, it contains a proven mix of news, nature, sports, history, fiction, science, comics, and Scouting.
Wynn Bullock
Author: Wynn Bullock
Publisher:
ISBN:
Category : Photography, Artistic
Languages : en
Pages : 22
Book Description
Publisher:
ISBN:
Category : Photography, Artistic
Languages : en
Pages : 22
Book Description
Fins and Feathers (Activity Book) KG2
Author: Samar Darazi
Publisher: World Heritage Publishers Ltd
ISBN: 6144133127
Category : Juvenile Nonfiction
Languages : en
Pages : 110
Book Description
Fins and Feathers is a three-level series addressing three- to five-year-olds in Nursery, Kindergarten 1, and Kindergarten 2. Fins and Feathers,KG2, enriches five-year-olds’ experience through a variety of engagements that focus on different concepts and skills learners need to develop and demonstrate prior to joining Grade One.
Publisher: World Heritage Publishers Ltd
ISBN: 6144133127
Category : Juvenile Nonfiction
Languages : en
Pages : 110
Book Description
Fins and Feathers is a three-level series addressing three- to five-year-olds in Nursery, Kindergarten 1, and Kindergarten 2. Fins and Feathers,KG2, enriches five-year-olds’ experience through a variety of engagements that focus on different concepts and skills learners need to develop and demonstrate prior to joining Grade One.
Popular Photography
The Civil Contract of Photography
Author: Ariella Azoulay
Publisher: Princeton University Press
ISBN: 1935408372
Category : Photography
Languages : en
Pages : 586
Book Description
In this groundbreaking work, Ariella Azoulay thoroughly revises our understanding of the ethical status of photography. It must, she insists, be understood in its inseparability from the many catastrophes of recent history. She argues that photography is a particular set of relations between individuals and the powers that govern them and, at the same time, a form of relations among equals that constrains that power. Anyone, even a stateless person, who addresses others through photographs or occupies the position of a photograph’s addressee, is or can become a member of the citizenry of photography. The crucial arguments of the book concern two groups that have been rendered invisible by their state of exception: the Palestinian noncitizens of Israel and women in Western societies. Azoulay’s leading question is: Under what legal, political, or cultural conditions does it become possible to see and show disaster that befalls those with flawed citizenship in a state of exception? The Civil Contract of Photography is an essential work for anyone seeking to understand the disasters of recent history and the consequences of how they and their victims are represented.
Publisher: Princeton University Press
ISBN: 1935408372
Category : Photography
Languages : en
Pages : 586
Book Description
In this groundbreaking work, Ariella Azoulay thoroughly revises our understanding of the ethical status of photography. It must, she insists, be understood in its inseparability from the many catastrophes of recent history. She argues that photography is a particular set of relations between individuals and the powers that govern them and, at the same time, a form of relations among equals that constrains that power. Anyone, even a stateless person, who addresses others through photographs or occupies the position of a photograph’s addressee, is or can become a member of the citizenry of photography. The crucial arguments of the book concern two groups that have been rendered invisible by their state of exception: the Palestinian noncitizens of Israel and women in Western societies. Azoulay’s leading question is: Under what legal, political, or cultural conditions does it become possible to see and show disaster that befalls those with flawed citizenship in a state of exception? The Civil Contract of Photography is an essential work for anyone seeking to understand the disasters of recent history and the consequences of how they and their victims are represented.