Author: Harvey Stein
Publisher: Kehrer Verlag
ISBN: 9783868288483
Category : Mexico
Languages : en
Pages : 176
Book Description
In his masterful photo series Harvey Stein explores a country of incredible contrasts and contradictions.
Mexico
Author: Harvey Stein
Publisher: Kehrer Verlag
ISBN: 9783868288483
Category : Mexico
Languages : en
Pages : 176
Book Description
In his masterful photo series Harvey Stein explores a country of incredible contrasts and contradictions.
Publisher: Kehrer Verlag
ISBN: 9783868288483
Category : Mexico
Languages : en
Pages : 176
Book Description
In his masterful photo series Harvey Stein explores a country of incredible contrasts and contradictions.
Geo-Mexico
Author: Richard Rhoda
Publisher:
ISBN: 9780973519136
Category : Human geography
Languages : en
Pages : 274
Book Description
Geo-Mexico provides a lively, up-to-date and comprehensive exploration of Mexico, from climates to culture, population to politics, ecosystems to economy, transport to tourism, and globalization to gated communities. Key features: - assesses Mexico's success in meeting its demographic, economic and environmental challenges - traces the historical processes behind Mexico s modern landscapes - utilizes a variety of concepts, models and theories - engages the reader in contemporary issues, such as development, international migration, sustainability and global warming - explains Mexico s spatial patterns and its growing north-south divide * More than 100 original maps, graphs and diagrams * Over 50 text boxes highlight illustrative examples and case studies * Complete reference notes, bibliography and index. Geo-Mexico is an indispensable resource for anyone interested in Mexico.
Publisher:
ISBN: 9780973519136
Category : Human geography
Languages : en
Pages : 274
Book Description
Geo-Mexico provides a lively, up-to-date and comprehensive exploration of Mexico, from climates to culture, population to politics, ecosystems to economy, transport to tourism, and globalization to gated communities. Key features: - assesses Mexico's success in meeting its demographic, economic and environmental challenges - traces the historical processes behind Mexico s modern landscapes - utilizes a variety of concepts, models and theories - engages the reader in contemporary issues, such as development, international migration, sustainability and global warming - explains Mexico s spatial patterns and its growing north-south divide * More than 100 original maps, graphs and diagrams * Over 50 text boxes highlight illustrative examples and case studies * Complete reference notes, bibliography and index. Geo-Mexico is an indispensable resource for anyone interested in Mexico.
Photography in Latin America
Author: Gisela Cánepa Koch
Publisher: transcript Verlag
ISBN: 3839433177
Category : Social Science
Languages : en
Pages : 243
Book Description
Historical photographs taken in Latin America have now become key sites for memory politics, ethnographic imagination, and the negotiation of identity. This volume opens up a set of questions relating to the contemporaneous agency of images as well as their current appropriation via new technologies. Case studies of pictures taken in Mexico, Colombia, Peru and Brazil analyze these processes by tracing how the images have been resignified over time and space. The contributions examine photographs that have been recently rediscovered by such diverse actors as European museums, human rights organizations, anthropologists, shamans, local historians, and communities of internet users.
Publisher: transcript Verlag
ISBN: 3839433177
Category : Social Science
Languages : en
Pages : 243
Book Description
Historical photographs taken in Latin America have now become key sites for memory politics, ethnographic imagination, and the negotiation of identity. This volume opens up a set of questions relating to the contemporaneous agency of images as well as their current appropriation via new technologies. Case studies of pictures taken in Mexico, Colombia, Peru and Brazil analyze these processes by tracing how the images have been resignified over time and space. The contributions examine photographs that have been recently rediscovered by such diverse actors as European museums, human rights organizations, anthropologists, shamans, local historians, and communities of internet users.
Photography and Writing in Latin America
Author: Marcy E. Schwartz
Publisher: UNM Press
ISBN: 9780826338082
Category : Literary Criticism
Languages : en
Pages : 300
Book Description
This is the first book to document the extensive collaboration between writers and photographers in Latin America from the Mexican Revolution through the twentieth century.
Publisher: UNM Press
ISBN: 9780826338082
Category : Literary Criticism
Languages : en
Pages : 300
Book Description
This is the first book to document the extensive collaboration between writers and photographers in Latin America from the Mexican Revolution through the twentieth century.
Cinesonidos
Author: Jacqueline Avila
Publisher: Oxford University Press
ISBN: 0190671327
Category : Music
Languages : en
Pages : 289
Book Description
During Mexico's silent (1896-1930) and early sound (1931-52) periods, cinema saw the development of five significant genres: the prostitute melodrama (including the cabaretera subgenre), the indigenista film (on indigenous themes or topics), the cine de añoranza porfiriana (films of Porfirian nostalgia), the Revolution film, and the comedia ranchera (ranch comedy). In this book, author Jacqueline Avila looks at examples from all genres, exploring the ways that the popular, regional, and orchestral music in these films contributed to the creation of tropes and archetypes now central to Mexican cultural nationalism. Integrating primary source material--including newspaper articles, advertisements, films--with film music studies, sound studies, and Mexican film and cultural history, Avila examines how these tropes and archetypes mirrored changing perceptions of mexicanidad manufactured by the State and popular and transnational culture. As she shows, several social and political agencies were heavily invested in creating a unified national identity in an attempt to merge the previously fragmented populace as a result of the Revolution. The commercial medium of film became an important tool to acquaint a diverse urban audience with the nuances of Mexican national identity, and music played an essential and persuasive role in the process. In this heterogeneous environment, cinema and its music continuously reshaped the contested, fluctuating space of Mexican identity, functioning both as a sign and symptom of social and political change.
Publisher: Oxford University Press
ISBN: 0190671327
Category : Music
Languages : en
Pages : 289
Book Description
During Mexico's silent (1896-1930) and early sound (1931-52) periods, cinema saw the development of five significant genres: the prostitute melodrama (including the cabaretera subgenre), the indigenista film (on indigenous themes or topics), the cine de añoranza porfiriana (films of Porfirian nostalgia), the Revolution film, and the comedia ranchera (ranch comedy). In this book, author Jacqueline Avila looks at examples from all genres, exploring the ways that the popular, regional, and orchestral music in these films contributed to the creation of tropes and archetypes now central to Mexican cultural nationalism. Integrating primary source material--including newspaper articles, advertisements, films--with film music studies, sound studies, and Mexican film and cultural history, Avila examines how these tropes and archetypes mirrored changing perceptions of mexicanidad manufactured by the State and popular and transnational culture. As she shows, several social and political agencies were heavily invested in creating a unified national identity in an attempt to merge the previously fragmented populace as a result of the Revolution. The commercial medium of film became an important tool to acquaint a diverse urban audience with the nuances of Mexican national identity, and music played an essential and persuasive role in the process. In this heterogeneous environment, cinema and its music continuously reshaped the contested, fluctuating space of Mexican identity, functioning both as a sign and symptom of social and political change.
Orozco's American Epic
Author: Mary K. Coffey
Publisher: Duke University Press
ISBN: 1478003308
Category : Art
Languages : en
Pages : 360
Book Description
Between 1932 and 1934, José Clemente Orozco painted the twenty-four-panel mural cycle entitled The Epic of American Civilization in Dartmouth College's Baker-Berry Library. An artifact of Orozco's migration from Mexico to the United States, the Epic represents a turning point in his career, standing as the only fresco in which he explores both US-American and Mexican narratives of national history, progress, and identity. While his title invokes the heroic epic form, the mural indicts history as complicit in colonial violence. It questions the claims of Manifest Destiny in the United States and the Mexican desire to mend the wounds of conquest in pursuit of a postcolonial national project. In Orozco's American Epic Mary K. Coffey places Orozco in the context of his contemporaries, such as Diego Rivera and David Alfaro Siqueiros, and demonstrates the Epic's power as a melancholic critique of official indigenism, industrial progress, and Marxist messianism. In the process, Coffey finds within Orozco's work a call for justice that resonates with contemporary debates about race, immigration, borders, and nationality.
Publisher: Duke University Press
ISBN: 1478003308
Category : Art
Languages : en
Pages : 360
Book Description
Between 1932 and 1934, José Clemente Orozco painted the twenty-four-panel mural cycle entitled The Epic of American Civilization in Dartmouth College's Baker-Berry Library. An artifact of Orozco's migration from Mexico to the United States, the Epic represents a turning point in his career, standing as the only fresco in which he explores both US-American and Mexican narratives of national history, progress, and identity. While his title invokes the heroic epic form, the mural indicts history as complicit in colonial violence. It questions the claims of Manifest Destiny in the United States and the Mexican desire to mend the wounds of conquest in pursuit of a postcolonial national project. In Orozco's American Epic Mary K. Coffey places Orozco in the context of his contemporaries, such as Diego Rivera and David Alfaro Siqueiros, and demonstrates the Epic's power as a melancholic critique of official indigenism, industrial progress, and Marxist messianism. In the process, Coffey finds within Orozco's work a call for justice that resonates with contemporary debates about race, immigration, borders, and nationality.
Seeing Mexico Photographed
Author: Leonard Folgarait
Publisher:
ISBN:
Category : History
Languages : en
Pages : 270
Book Description
This engrossing book presents the photographs of four historically engaged artists and explains what they reveal about the highly dramatic revolutionary and post-revolutionary period in Mexico from 1910 to 1935. The works of these photographers--American Walter H. Horne, Italian Tina Modotti, and Mexicans Agust�n V�ctor Casasola and Manuel �lvarez Bravo--are discussed not just as windows onto events but as artworks that offer both objective reporting and stylized expression. The twenty-five years covered in the book encompass some of the most convulsive developments in Mexico, from the violence and cataclysmic changes wrought by the Mexican Revolution to the immense struggles to forge a new nation and a new government. During this period, the work of the four photographers--two primarily documentary, one propagandistic, and one artistic and personal--enabled Mexicans to understand the forces that had brought their nation to armed conflict and social transformation.
Publisher:
ISBN:
Category : History
Languages : en
Pages : 270
Book Description
This engrossing book presents the photographs of four historically engaged artists and explains what they reveal about the highly dramatic revolutionary and post-revolutionary period in Mexico from 1910 to 1935. The works of these photographers--American Walter H. Horne, Italian Tina Modotti, and Mexicans Agust�n V�ctor Casasola and Manuel �lvarez Bravo--are discussed not just as windows onto events but as artworks that offer both objective reporting and stylized expression. The twenty-five years covered in the book encompass some of the most convulsive developments in Mexico, from the violence and cataclysmic changes wrought by the Mexican Revolution to the immense struggles to forge a new nation and a new government. During this period, the work of the four photographers--two primarily documentary, one propagandistic, and one artistic and personal--enabled Mexicans to understand the forces that had brought their nation to armed conflict and social transformation.
La Calle
Author:
Publisher: Aperture Foundation
ISBN: 9781597113717
Category : History
Languages : en
Pages : 0
Book Description
Brings together nearly thirty years of photography by Alex Webb, created from 1978 to 2007 in Mexico City and the surrounding states, villages, and cities.
Publisher: Aperture Foundation
ISBN: 9781597113717
Category : History
Languages : en
Pages : 0
Book Description
Brings together nearly thirty years of photography by Alex Webb, created from 1978 to 2007 in Mexico City and the surrounding states, villages, and cities.
Legacies of the Past
Author: Niamh Thornton
Publisher:
ISBN: 9781474480550
Category :
Languages : en
Pages : 200
Book Description
Publisher:
ISBN: 9781474480550
Category :
Languages : en
Pages : 200
Book Description
Latinx Photography in the United States
Author: Elizabeth Ferrer
Publisher: University of Washington Press
ISBN: 0295747641
Category : Art
Languages : en
Pages : 279
Book Description
Whether at UFW picket lines in California’s Central Valley or capturing summertime street life in East Harlem Latinx photographers have documented fights for dignity and justice as well as the daily lives of ordinary people. Their powerful, innovative photographic art touches on family, identity, protest, borders, and other themes, including the experiences of immigration and marginalization common to many of their communities. Yet the work of these artists has largely been excluded from the documented history of photography in the United States. Through individual profiles of more than eighty photographers from the early history of the photographic medium to the present, Elizabeth Ferrer introduces readers to Latinx portraitists, photojournalists, and documentarians and their legacies. She traces the rise of a Latinx consciousness in photography in the 1960s and '70s and the growth of identity-based approaches in the 1980s and '90s. Ferrer argues that in many cases a shared sense of struggle has motivated photographers to work purposefully, driven by a deep sense of resistance, social and political commitments, and cultural affirmation, and she highlights the significance of family photos to their approaches and outlooks. Works range from documentary and street photography to narrative series to conceptual projects. Latinx Photography in the United States is the first book to offer a parallel history of photography, one that no longer lies at the margins but rather plays a crucial role in imagining and creating a broader, more inclusive American visual history.
Publisher: University of Washington Press
ISBN: 0295747641
Category : Art
Languages : en
Pages : 279
Book Description
Whether at UFW picket lines in California’s Central Valley or capturing summertime street life in East Harlem Latinx photographers have documented fights for dignity and justice as well as the daily lives of ordinary people. Their powerful, innovative photographic art touches on family, identity, protest, borders, and other themes, including the experiences of immigration and marginalization common to many of their communities. Yet the work of these artists has largely been excluded from the documented history of photography in the United States. Through individual profiles of more than eighty photographers from the early history of the photographic medium to the present, Elizabeth Ferrer introduces readers to Latinx portraitists, photojournalists, and documentarians and their legacies. She traces the rise of a Latinx consciousness in photography in the 1960s and '70s and the growth of identity-based approaches in the 1980s and '90s. Ferrer argues that in many cases a shared sense of struggle has motivated photographers to work purposefully, driven by a deep sense of resistance, social and political commitments, and cultural affirmation, and she highlights the significance of family photos to their approaches and outlooks. Works range from documentary and street photography to narrative series to conceptual projects. Latinx Photography in the United States is the first book to offer a parallel history of photography, one that no longer lies at the margins but rather plays a crucial role in imagining and creating a broader, more inclusive American visual history.