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Author: Mark Benjamin Godfrey Publisher: ISBN: Category : Art Languages : en Pages : 270
Book Description
Photography played a critical role in conceptual art of the 1960s and 1970s, as artists turned to photography as both medium and subject matter. Light Years offers the first major survey of the key artists of this period who used photography to new and inventive ends. Whereas some employed photographic images to create slide projections, photographic canvases, and artists' books, others integrated them into sculptural assemblages and multimedia installations. This book highlights the work of acclaimed international artists such as Vito Acconci, John Baldessari, Mel Bochner, Sol LeWitt, Bruce Nauman, Giuseppe Penone, and Ed Ruscha. Matthew Witkovsky's essay provides the larger context for photography within conceptual art, a theme that is further elaborated in texts by Mark Godfrey, Anne Rorimer, and Joshua Shannon. An essay by Robin Kelsey focuses on the pioneering work of John Baldessari in which he explored the element of chance, and an essay by Giuliano Sergio illuminates the lesser-known work of Arte Povera, an Italian movement that sought to dismantle established conventions in both the making and presentation of art.
Author: Mark Benjamin Godfrey Publisher: ISBN: Category : Art Languages : en Pages : 270
Book Description
Photography played a critical role in conceptual art of the 1960s and 1970s, as artists turned to photography as both medium and subject matter. Light Years offers the first major survey of the key artists of this period who used photography to new and inventive ends. Whereas some employed photographic images to create slide projections, photographic canvases, and artists' books, others integrated them into sculptural assemblages and multimedia installations. This book highlights the work of acclaimed international artists such as Vito Acconci, John Baldessari, Mel Bochner, Sol LeWitt, Bruce Nauman, Giuseppe Penone, and Ed Ruscha. Matthew Witkovsky's essay provides the larger context for photography within conceptual art, a theme that is further elaborated in texts by Mark Godfrey, Anne Rorimer, and Joshua Shannon. An essay by Robin Kelsey focuses on the pioneering work of John Baldessari in which he explored the element of chance, and an essay by Giuliano Sergio illuminates the lesser-known work of Arte Povera, an Italian movement that sought to dismantle established conventions in both the making and presentation of art.
Author: Daniel Palmer Publisher: Routledge ISBN: 1000211428 Category : Art Languages : en Pages : 232
Book Description
Photography and Collaboration offers a fresh perspective on existing debates in art photography and on the act of photography in general. Unlike conventional accounts that celebrate individual photographers and their personal visions, this book investigates the idea that authorship in photography is often more complex and multiple than we imagine – involving not only various forms of partnership between photographers, but also an astonishing array of relationships with photographed subjects and viewers. Thematic chapters explore the increasing prevalence of collaborative approaches to photography among a broad range of international artists – from conceptual practices in the 1960s to the most recent digital manifestations. Positioning contemporary work in a broader historical and theoretical context, the book reveals that collaboration is an overlooked but essential dimension of the medium’s development and potential.
Author: Alexander Alberro Publisher: MIT Press ISBN: Category : Art Languages : en Pages : 248
Book Description
Well-known art historians from Europe and the Americas discuss the influence of conceptualism on art since the 1970s. Art After Conceptual Art tracks the various legacies of conceptualist practice over the past three decades. This collection of essays by art historians from Europe and the Americas introduces and develops the idea that conceptual art generated several different, and even contradictory, forms of art practice. Some of these contested commonplace assumptions of what art is; others served to buttress those assumptions. The bulk of the volume features newly written and highly innovative essays challenging standard interpretations of the legacy of conceptualism and discussing the influence of conceptualism's varied practices on art since the 1970s. The essays explore topics as diverse as the interrelationships between conceptualism and institutional critique, neoexpressionist painting and conceptualist paradigms, conceptual art's often-ignored complicity with design and commodity culture, the specific forms of identity politics taken up by the reception of conceptual art, and conceptualism's North/South and East/West dynamics. A few texts that continue to be crucial for critical debates within the fields of conceptual and postconceptual art practice, history, and theory have been reprinted in order to convey the vibrant and ongoing discussion on the status of art after conceptual art. Taken together, the essays will inspire an exploration of the relationship between postconceptualist practices and the beginnings of contemporary art. Distributed for the Generali Foundation, Vienna.
Author: Andy Grundberg Publisher: Yale University Press ISBN: 0300259891 Category : Photography Languages : en Pages : 554
Book Description
A leading critic’s inside story of “the photo boom” during the crucial decades of the 1970s and 80s When Andy Grundberg landed in New York in the early 1970s as a budding writer, photography was at the margins of the contemporary art world. By 1991, when he left his post as critic for the New York Times, photography was at the vital center of artistic debate. Grundberg writes eloquently and authoritatively about photography’s “boom years,” chronicling the medium’s increasing role within the most important art movements of the time, from Earth Art and Conceptual Art to performance and video. He also traces photography’s embrace by museums and galleries, as well as its politicization in the culture wars of the 80s and 90s. Grundberg reflects on the landmark exhibitions that defined the moment and his encounters with the work of leading photographers—many of whom he knew personally—including Gordon Matta-Clark, Cindy Sherman, and Robert Mapplethorpe. He navigates crucial themes such as photography’s relationship to theory as well as feminism and artists of color. Part memoir and part history, this perspective by one of the period’s leading critics ultimately tells a larger story about the crucial decades of the 70s and 80s through the medium of photography.
Author: Joyce Tsai Publisher: Univ of California Press ISBN: 0520290674 Category : Art Languages : en Pages : 242
Book Description
"Laszlo Moholy-Nagy is the first monograph on Moholy to attend to the fraught but central role painting played in shaping his aesthetic project. His reputation has been that of an artist far more interested in exploring the possibilities offered by photography, film, and other new media than in working with what he once called the 'anachronistic' medium of painting. And yet, with the exception of the period between 1928 and 1930, Moholy painted throughout his career. Joyce Tsai argues that his investment in painting, especially after 1930, emerged not only out of pragmatic and aesthetic considerations, but also out of a growing recognition of the economic, political, and ethical compromises required by his large-scale, technologically mediated projects aimed at reforming human vision. Without abandoning his commitment to fostering what he called New Vision, Moholy came to understand painting as a particularly plastic field in which the progressive possibilities of photography, film and other emergent media could find provisional expression."--Provided by publisher.
Author: John Roberts Publisher: ISBN: Category : Art and photography Languages : en Pages : 182
Book Description
The Impossible Document Conceptual Art is currently under widespread re-evaluation. Since 1990 there have a number of major exhibitions and publications dealing with its legacy. However what distinguishes this publications is its primary focus on photography. Although photography went largely untheorises in the late sixties and early seventies its impact on coneptualism's development and crisis was central .
Author: Christine Sloan Stoddard Publisher: ISBN: 9781944866372 Category : Photography Languages : en Pages : 50
Book Description
This girl is hungry for the weight of a camera in her hands, but that desire feels wicked. Is it because her father is a war photographer and photography has always been his domain? Or is it because she's yet to become a woman who chases what she wants? And who's to say photography can't be her domain, too? At least she knows this: Salvation lies in pixels. Heaven is a photograph. This collection of narrative poems and photographs tells the story of an art student and her journey of doubt, longing, and questioning. Join her as she finds her power behind the lens. "With Heaven is a Photograph, Christine Sloan Stoddard presents you with a poetic meditation on the fear and desire of making images (and claiming one's power). Intellectually and spiritually rich, her words and images imprint on your mind and heart with beauty, honesty and recognition." -Art Jones, artist and filmmaker "Heaven is a Photograph is a living hagiography of a girl who cannot decide whether or not pursuing photography is a sin. Conflicted by gender expectations and the uncertainty of a career in the arts, the one thing that the protagonist knows is that photography is a deeply spiritual practice, enveloping her life. It is truly an autobiography of many women in the arts." -Gretchen Gales, executive editor of Quail Bell Magazine, as seen in Ms. Magazine, The Mighty, and Roar Feminist Magazine "Heaven is a Photograph is a unique exploration of poetry and photography you'll only experience through Christine Sloan Stoddard's magic. The power of her words will shake the core of your being. She doesn't just take pictures-she gives them." -Ghia Vitale, senior editor of Quail Bell Magazine, as seen in Everyday Feminism, xoJane, and BUST "Heaven is a Photograph puts the reader behind, in front of, and inside the camera through Christine Sloan Stoddard's evocative poetry and photography. Through the lens of her viewpoint character, the collection demonstrates the personal and universal appeal of photography in a vivid and impactful manner. Stoddard describes the art of photography as it relates to memory, creation, and legacy in a way that makes the act of clicking the shutter button both an artistic and a spiritual act." -Alex Carrigan, senior critic at Quail Bell Magazine "The narrator of Christine Stoddard's Heaven is a Photograph is hungry. For art. For success. For salvation. For the weight of a camera in her hands. She laments that photography is slow to love her back, which is perhaps what makes this collection so intoxicating. The unchecked, sometimes fearful and unabashedly female desire of a woman who cannot contain her passion-who would let it consume her-explodes in words and images." -Mari Pack, author of Description of a New World (dancing girl press)
Author: Patrick Urwyler Publisher: Verlag Fur Moderne Kunst ISBN: 9783903796010 Category : Languages : en Pages : 180
Book Description
Géza Perneczky is a protagonist of Hungarian conceptual art and part of the Hungarian Neo-Avant-Garde. In 1970 the artist, art historian, art critic and author emigrated to Cologne, where he lives and works until today. Edited by Patrick Urwyler, this publication is the first comprehensive presentation of Géza Perneczky's conceptual photography, the artist realized between 1970-75 as a dissident in Germany. The experiences of this period and Perneczky's self-conception as an artist and art historian characterize these early works. In his introductory essay the art historian Dávid Fehér aptly describes Perneczky as a "critic of art" and "artist of critique," his conceptual practice correspondingly as "The Art of Reflection". Géza Perneczky's works can be found in collections such as The Metropolitan Museum of Art (New York), The Museum of Modern Art (New York), San Francisco Museum of Modern Art, Centre Pompidou (Paris) and Ludwig Museum (Budapest).
Author: Carol Squiers Publisher: Prestel Publishing ISBN: Category : Art Languages : en Pages : 264
Book Description
Organized by ICP Curator Carol Squiers, 'What Is a Photograph?' will explore the intense creative experimentation in photography that has occurred since the 1970s. Conceptual art introduced photography into contemporary art making, using the medium in ways that challenged it artistically, intellectually, and technically and broadened the notion of what a photograph could be in art. A new generation of artists began an equally rigorous but more aesthetically adventurous analysis, which probed photography itself - from the role of light, color, composition, to materiality and the subject. 'What Is a Photograph?' brings together these artists, who reinvented photography.
Author: Mark Benjamin Godfrey
Author: Mark Benjamin Godfrey
Author: Daniel Palmer
Author: Alexander Alberro
Author: Andy Grundberg
Author: Joyce Tsai
Author: David Campany
Author: John Roberts
Author: Christine Sloan Stoddard
Author: Patrick Urwyler
Author: Carol Squiers