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Author: VARSHA ASWANI Publisher: BOOKSQUIRREL ISBN: Category : Fiction Languages : en Pages : 97
Book Description
Pictures are our frozen moments to remember all sweet bitter memories ever lived, we forget sometimes but these coloured pieces of paper or chip cards in our phones remind us, make us to relive past. In this book 30 master poets writen their soul out about what they feel for pictures, selfies and memories.
Author: VARSHA ASWANI Publisher: BOOKSQUIRREL ISBN: Category : Fiction Languages : en Pages : 97
Book Description
Pictures are our frozen moments to remember all sweet bitter memories ever lived, we forget sometimes but these coloured pieces of paper or chip cards in our phones remind us, make us to relive past. In this book 30 master poets writen their soul out about what they feel for pictures, selfies and memories.
Author: Elizabeth Edwards Publisher: Bloomsbury Publishing ISBN: 1350120677 Category : History Languages : en Pages : 185
Book Description
What is it to practice history in an age in which photographs exist? What is the impact of photographs on the core historiographical practices which define the discipline and shape its enquiry and methods? In Photographs and the Practice of History, Elizabeth Edwards proposes a new approach to historical thinking which explores these questions and redefines the practices at the heart of this discipline. Structured around key concepts in historical methodology which are recognisable to all undergraduates, the book shows that from the mid-19th century onward, photographs have influenced historical enquiry. Exposure to these mass-distributed cultural artefacts is enough to change our historical frameworks even when research is textually-based. Conceptualised as a series of 'sensibilities' rather than a methodology as such, it is intended as a companion to 'how to' approaches to visual research and visual sources. Photographs and the Practice of History not only builds on existing literature by leading scholars: it also offers a highly original approach to historiographical thinking that gives readers a foundation on which to build their own historical practices.
Author: Neil Crighton Publisher: Crowood ISBN: 1847978487 Category : Photography Languages : en Pages : 376
Book Description
Every continent, country and region in the world has magnificent landscapes to photograph. Every season, climate and time of day has its own unique quality. This practical book describes how best to look at a scene and work with the elements within it to produce images that really encapsulate those elements and describe in visual terms the expanse, depth and beauty of a place. Explains how a digital camera produces a good landscape photograph, advises on themes, composition, selection, lighting and the use of software in the digital darkroom, and is illustrated with stunning photographs that show how the elements within a landscape, the changing seasons and the light combine to give the scene its feel and emotive quality. Aimed at photographers, travellers and journalists, and superbly illustrated with 213 stunning colour photographs.
Author: Michelle Henning Publisher: Taylor & Francis ISBN: 1000887790 Category : Social Science Languages : en Pages : 165
Book Description
We live in a time in which photographs have become extraordinarily mobile. They can be exchanged and circulated at the swipe of a finger across a screen. The digital photographic image appears and disappears with a mere gesture of the hand. Yet, this book argues that this mobility of the image was merely accelerated by digital media and telecommunications. Photographs, from the moment of their invention, set images loose by making them portable, reproducible, projectable, reduced in size and multiplied. The fact that we do not associate analogue photography with such mobility has much to do with the limitations of existing histories and theories of photography, which have tended to view photographic mobility as either an incidental characteristic or a fault. Photography : The Unfettered Image traces the emergence of these ways of understanding photography, but also presents a differently nuanced and materialist history in which photography is understood as part of a larger development of media technologies. It is situated in much broader cultural contexts: caught up in the European colonial ambition to "grasp the world" and in the development of a new, artificial "second nature" dependent on the large-scale processing of animal and mineral materials. Focussing primarily on Victorian and 1920s–30s practices and theories, it demonstrates how photography was never simply a technology for fixing a fleeting reality.
Author: Maarten Vanvolsem Publisher: Universitaire Pers Leuven ISBN: 9058678407 Category : Photography Languages : en Pages : 215
Book Description
Maarten Vanvolsem explains how the strip technique can tell a different story of time and space in photographic images, a story that leads to new expressions and experiences of time and movement.
Author: Monica E. McTighe Publisher: UPNE ISBN: 1611682517 Category : Photography Languages : en Pages : 266
Book Description
While earlier theorists held up "experience" as the defining character of installation art, few people have had the opportunity to walk through celebrated installation pieces from the past. Instead, installation art of the past is known through archival photographs that limit, define, and frame the experience of the viewer. Monica E. McTighe argues that the rise of photographic-based theories of perception and experience, coupled with the inherent closeness of installation art to the field of photography, had a profound impact on the very nature of installation art, leading to a flood of photography- and film-based installations. With its close readings of specific works, Framed Spaces will appeal to art historians and theorists across a broad spectrum of the visual arts.
Author: Ozlem Koksal Publisher: Bloomsbury Publishing USA ISBN: 1501320181 Category : Performing Arts Languages : en Pages : 249
Book Description
Displacement does not only have an effect on groups' and individuals' ways of relating to their identity and their past but the knowledge and experience of it also has an impact on its representation. Looking at films that represent the experience of displacement in relation to Turkey's minorities, Aesthetics of Displacement argues that there is a particular aesthetic continuity among the otherwise unrelated films. Ozlem Koksal focuses on films that bring taboo issues concerning the repression of minorities into visibility, arguing that the changing political and social conditions determine not only the types of stories told but also the ways in which these stories are told. Focusing on aesthetic and narrative continuities, the films discussed include Ararat, Waiting for the Clouds and Once Upon a Time in Anatolia among others. Each film is examined in light of major historical event(s) and their context (political and social) as well as the impact these events had on the construction of both minority and Turkish identity.
Author: Hilde Van Gelder Publisher: John Wiley & Sons ISBN: 1405191619 Category : Photography Languages : en Pages : 283
Book Description
Photography Theory in Historical Perspective: Case Studies from Contemporary Art aims to contribute to the understanding of the multifaceted and complex character of the photographic medium by dealing with various case studies selected from photographic practices in contemporary art, discussed in the context of views and theories of photography from its inception. uses case studies to explain photographic practices in contemporary art and place them in the context of theory presents current debates on theory of photography through comparisons to research of other visual media applicable to vernacular and documentary photography as well as art photography
Author: Jan Roberts-Breslin Publisher: CRC Press ISBN: 113604258X Category : Computers Languages : en Pages : 318
Book Description
Making Media takes the media production process and deconstructs it into its most basic components. Students will learn the basic concepts of media production: frame, sound, light, time, motion, sequencing, etc., and be able to apply them to any medium they choose. They will also become well grounded in the digital work environment and the tools required to produce media in the digital age. The companion Web site provides interactive exercises for each chapter, allowing students to explore the process of media production. The text is heavily illustrated and complete with sidebar discussions of pertinent issues.
Author: Jan Roberts-Breslin Publisher: Taylor & Francis ISBN: 1136042571 Category : Performing Arts Languages : en Pages : 319
Book Description
Making Media takes the media production process and deconstructs it into its most basic components. Students will learn the basic concepts of media production: frame, sound, light, time, motion, sequencing, etc., and be able to apply them to any medium they choose. They will also become well grounded in the digital work environment and the tools required to produce media in the digital age. The companion Web site provides interactive exercises for each chapter, allowing students to explore the process of media production. The text is heavily illustrated and complete with sidebar discussions of pertinent issues.
Author: VARSHA ASWANI
Author: VARSHA ASWANI
Author: Elizabeth Edwards
Author: Neil Crighton
Author: Michelle Henning
Author: Maarten Vanvolsem
Author: Monica E. McTighe
Author: Ozlem Koksal
Author: Hilde Van Gelder
Author: Jan Roberts-Breslin
Author: Jan Roberts-Breslin