Author: Matthew C. Hunter
Publisher: University of Chicago Press
ISBN: 022639039X
Category : Photography
Languages : en
Pages : 298
Book Description
Painting with Fire shows how experiments with chemicals known to change visibly over the course of time transformed British pictorial arts of the long eighteenth century—and how they can alter our conceptions of photography today. As early as the 1670s, experimental philosophers at the Royal Society of London had studied the visual effects of dynamic combustibles. By the 1770s, chemical volatility became central to the ambitious paintings of Sir Joshua Reynolds, premier portraitist and first president of Britain’s Royal Academy of Arts. Valued by some critics for changing in time (and thus, for prompting intellectual reflection on the nature of time), Reynolds’s unstable chemistry also prompted new techniques of chemical replication among Matthew Boulton, James Watt, and other leading industrialists. In turn, those replicas of chemically decaying academic paintings were rediscovered in the mid-nineteenth century and claimed as origin points in the history of photography. Tracing the long arc of chemically produced and reproduced art from the 1670s through the 1860s, the book reconsiders early photography by situating it in relationship to Reynolds’s replicated paintings and the literal engines of British industry. By following the chemicals, Painting with Fire remaps familiar stories about academic painting and pictorial experiment amid the industrialization of chemical knowledge.
Painting with Fire
Author: Matthew C. Hunter
Publisher: University of Chicago Press
ISBN: 022639039X
Category : Photography
Languages : en
Pages : 298
Book Description
Painting with Fire shows how experiments with chemicals known to change visibly over the course of time transformed British pictorial arts of the long eighteenth century—and how they can alter our conceptions of photography today. As early as the 1670s, experimental philosophers at the Royal Society of London had studied the visual effects of dynamic combustibles. By the 1770s, chemical volatility became central to the ambitious paintings of Sir Joshua Reynolds, premier portraitist and first president of Britain’s Royal Academy of Arts. Valued by some critics for changing in time (and thus, for prompting intellectual reflection on the nature of time), Reynolds’s unstable chemistry also prompted new techniques of chemical replication among Matthew Boulton, James Watt, and other leading industrialists. In turn, those replicas of chemically decaying academic paintings were rediscovered in the mid-nineteenth century and claimed as origin points in the history of photography. Tracing the long arc of chemically produced and reproduced art from the 1670s through the 1860s, the book reconsiders early photography by situating it in relationship to Reynolds’s replicated paintings and the literal engines of British industry. By following the chemicals, Painting with Fire remaps familiar stories about academic painting and pictorial experiment amid the industrialization of chemical knowledge.
Publisher: University of Chicago Press
ISBN: 022639039X
Category : Photography
Languages : en
Pages : 298
Book Description
Painting with Fire shows how experiments with chemicals known to change visibly over the course of time transformed British pictorial arts of the long eighteenth century—and how they can alter our conceptions of photography today. As early as the 1670s, experimental philosophers at the Royal Society of London had studied the visual effects of dynamic combustibles. By the 1770s, chemical volatility became central to the ambitious paintings of Sir Joshua Reynolds, premier portraitist and first president of Britain’s Royal Academy of Arts. Valued by some critics for changing in time (and thus, for prompting intellectual reflection on the nature of time), Reynolds’s unstable chemistry also prompted new techniques of chemical replication among Matthew Boulton, James Watt, and other leading industrialists. In turn, those replicas of chemically decaying academic paintings were rediscovered in the mid-nineteenth century and claimed as origin points in the history of photography. Tracing the long arc of chemically produced and reproduced art from the 1670s through the 1860s, the book reconsiders early photography by situating it in relationship to Reynolds’s replicated paintings and the literal engines of British industry. By following the chemicals, Painting with Fire remaps familiar stories about academic painting and pictorial experiment amid the industrialization of chemical knowledge.
Coatings on Photographs
Author: Constance McCabe
Publisher: American Institute for Conservation of Historic & Artistic W
ISBN:
Category : Photography
Languages : en
Pages : 392
Book Description
Publisher: American Institute for Conservation of Historic & Artistic W
ISBN:
Category : Photography
Languages : en
Pages : 392
Book Description
A Dictionary of Photography ... By T. S. ... The chemical articles of A, B, C, by J. Worden. Illustrated with diagrams
Chemical Pictures the Wet Plate Collodion Book
Author: Quinn Jacobson
Publisher:
ISBN: 9781482659948
Category : Ambrotype
Languages : en
Pages : 118
Book Description
This book covers everything you need to know about wet-plate collodion photography. Quinn teaches you how to make direct positive images on glass and metal plates; Ambrotypes, Tintypes, and Alumitypes.
Publisher:
ISBN: 9781482659948
Category : Ambrotype
Languages : en
Pages : 118
Book Description
This book covers everything you need to know about wet-plate collodion photography. Quinn teaches you how to make direct positive images on glass and metal plates; Ambrotypes, Tintypes, and Alumitypes.
A Manual of Photographic Chemistry, Including the Practice of the Collodion Process
Author: T. Frederick Hardwich
Publisher:
ISBN:
Category : Photographic chemistry
Languages : en
Pages : 416
Book Description
Publisher:
ISBN:
Category : Photographic chemistry
Languages : en
Pages : 416
Book Description
A Manual of Photographic Chemistry, Including the Practice of the Collodion Process
Author: T. Frederick Hardwich
Publisher: DigiCat
ISBN:
Category : Photography
Languages : en
Pages : 229
Book Description
The chapters to follow are written by Reverend Thomas Frederick Hardwich, a photographic chemist, writer on photographic chemistry, demonstrator, and lecturer in photography at King's College London. The author is indeed an expert in his field, and he shares his knowledge throughout this publication.
Publisher: DigiCat
ISBN:
Category : Photography
Languages : en
Pages : 229
Book Description
The chapters to follow are written by Reverend Thomas Frederick Hardwich, a photographic chemist, writer on photographic chemistry, demonstrator, and lecturer in photography at King's College London. The author is indeed an expert in his field, and he shares his knowledge throughout this publication.
Photo-chemical Studies
Author: Vicente Gregorio Lava
Publisher:
ISBN:
Category : Photochemistry
Languages : en
Pages : 48
Book Description
Publisher:
ISBN:
Category : Photochemistry
Languages : en
Pages : 48
Book Description
Monsanto
Author: Jim Gerritsen
Publisher: Kettler Verlag
ISBN: 9783862066575
Category : Agent Orange
Languages : en
Pages : 147
Book Description
As a manufacturer of food and animal feed, seeds and chemical products, Monsanto is relentlessly developing and marketing new technologies. The monopoly it has arguably secured by dubious means bears no relation to its negligence with regard to potential risks. Particularly in light of the devastating consequences that are still causing suffering to people and the environment in many places, the company's self-portrayal as a forward-looking, omnipotent force for good seems cynical. The photographer Mathieu Asselin, who lives in France and Venezuela, has tried his hand at the daunting task of exploring the issues surrounding Monsanto. His investigative photographic study manages to capture the complexity of this topic, creating links between past, present and future and illuminating many different aspects from a variety of perspectives.
Publisher: Kettler Verlag
ISBN: 9783862066575
Category : Agent Orange
Languages : en
Pages : 147
Book Description
As a manufacturer of food and animal feed, seeds and chemical products, Monsanto is relentlessly developing and marketing new technologies. The monopoly it has arguably secured by dubious means bears no relation to its negligence with regard to potential risks. Particularly in light of the devastating consequences that are still causing suffering to people and the environment in many places, the company's self-portrayal as a forward-looking, omnipotent force for good seems cynical. The photographer Mathieu Asselin, who lives in France and Venezuela, has tried his hand at the daunting task of exploring the issues surrounding Monsanto. His investigative photographic study manages to capture the complexity of this topic, creating links between past, present and future and illuminating many different aspects from a variety of perspectives.
Library of Congress Subject Headings
Author: Library of Congress
Publisher:
ISBN:
Category : Subject headings, Library of Congress
Languages : en
Pages : 1624
Book Description
Publisher:
ISBN:
Category : Subject headings, Library of Congress
Languages : en
Pages : 1624
Book Description
Library of Congress Subject Headings
Author: Library of Congress. Cataloging Policy and Support Office
Publisher:
ISBN:
Category : Subject headings, Library of Congress
Languages : en
Pages : 1324
Book Description
Publisher:
ISBN:
Category : Subject headings, Library of Congress
Languages : en
Pages : 1324
Book Description