Author:
Publisher:
ISBN:
Category :
Languages : en
Pages : 389
Book Description
Phoebe Apperson Hearst Memorial Volume on the Twentieth Anniversary of the Organization of the Department and Museum of Anthropology of the University of California, Sept. 10, 1901
PHOEBE APPERSON HEARST MEMORIAL VOLUME
Phoebe Apperson Hearst Memorial Volume
Author:
Publisher:
ISBN:
Category : Indians of North America
Languages : en
Pages : 0
Book Description
Publisher:
ISBN:
Category : Indians of North America
Languages : en
Pages : 0
Book Description
Phoebe Apperson Hearst Memorial Volume
Author: Phoebe Apperson Hearst
Publisher: Berkeley, Calif. : University of California Press
ISBN:
Category : California
Languages : en
Pages : 426
Book Description
Publisher: Berkeley, Calif. : University of California Press
ISBN:
Category : California
Languages : en
Pages : 426
Book Description
The Uhle Collections from Chincha
Author: Alfred Louis Kroeber
Publisher:
ISBN:
Category : Chincha Valley (Peru)
Languages : en
Pages : 94
Book Description
Publisher:
ISBN:
Category : Chincha Valley (Peru)
Languages : en
Pages : 94
Book Description
Phoebe Apperson Hearst Memorial Volume on the 20. Anniversary of the Organization of the Department and Museum of Anthropology and the University of California, September 10, 1901
The languages of the coast of California south of San Francisco
Author:
Publisher:
ISBN:
Category : Indians of North America
Languages : en
Pages : 80
Book Description
Publisher:
ISBN:
Category : Indians of North America
Languages : en
Pages : 80
Book Description
Author:
Publisher: Univ of California Press
ISBN:
Category :
Languages : en
Pages : 248
Book Description
Publisher: Univ of California Press
ISBN:
Category :
Languages : en
Pages : 248
Book Description
Destroy the Copy – Plaster Cast Collections in the 19th–20th Centuries
Author: Annetta Alexandridis
Publisher: Walter de Gruyter GmbH & Co KG
ISBN: 3110757990
Category : Social Science
Languages : en
Pages : 667
Book Description
Based on two international conferences held at Cornell University and the Freie Universität of Berlin in 2010 and 2015, this volume is the first ever to explicitly address the destruction of plaster cast collections of ancient Mediterranean and Western sculpture. Focusing on Europe, the Americas, and Japan, art historians, archaeologists and a literary scholar discuss how different museum and academic traditions – national as well as disciplinary –, notions of value and authenticity, or colonialism impacted the fate of collections. The texts offer detailed documentation of degrees of destruction by spectacular acts of defacement, demolition, discarding, or neglect. They also shed light on the accompanying discourses regarding aesthetic ideals, political ideologies, educational and scholarly practices, or race. With destruction being understood as a critical part of reception, the histories of cast collections defy the traditional, homogenous narrative of rise and decline. Their diverse histories provide critical evidence for rethinking the use and display of plaster cast collections in the contemporary moment.
Publisher: Walter de Gruyter GmbH & Co KG
ISBN: 3110757990
Category : Social Science
Languages : en
Pages : 667
Book Description
Based on two international conferences held at Cornell University and the Freie Universität of Berlin in 2010 and 2015, this volume is the first ever to explicitly address the destruction of plaster cast collections of ancient Mediterranean and Western sculpture. Focusing on Europe, the Americas, and Japan, art historians, archaeologists and a literary scholar discuss how different museum and academic traditions – national as well as disciplinary –, notions of value and authenticity, or colonialism impacted the fate of collections. The texts offer detailed documentation of degrees of destruction by spectacular acts of defacement, demolition, discarding, or neglect. They also shed light on the accompanying discourses regarding aesthetic ideals, political ideologies, educational and scholarly practices, or race. With destruction being understood as a critical part of reception, the histories of cast collections defy the traditional, homogenous narrative of rise and decline. Their diverse histories provide critical evidence for rethinking the use and display of plaster cast collections in the contemporary moment.