Philosophical Approaches to Compositional Technique in Isang Yun's Works for Solo Flute PDF Download

Author: Mirim Lee
Publisher:
ISBN:
Category :
Languages : en
Pages : 81

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Author: Seon Hee Jang
Publisher:
ISBN:
Category :
Languages : en
Pages : 96

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Extended flute techniques include many different ways of producing non-traditional sonorities and effects on the flute and have been an important compositional staple of Avant-garde composers in the twentieth century. While many of these techniques developed exclusively within the Western tradition, many others derived from influence of non-Western flute traditions. Three East-Asian composers, Isang Yun (1917-1995), Toru Takemitsu (1930-1996), and Kazuo Fukushima (b.1930), contributed to this performance practice style by drawing from the flute traditions of their cultures. By focusing on the unaccompanied solo flute works of these three composers, this document will demonstrate many of the important applications of extended flute techniques in the twentieth century present their East-Asian influences and provide performance suggestions for this repertoire.

Author:
Publisher:
ISBN:
Category : Dissertations, Academic
Languages : en
Pages : 522

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Author: Mary I. Arlin
Publisher: Routledge
ISBN: 1351974041
Category : Music
Languages : en
Pages : 318

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The displacement of Chou Wen-chung from his native China in 1948 forced him into Western-European culture. Ultimately finding his vocation as a composer, he familiarized himself with classical and contemporary techniques but interpreted these through his traditionally oriented Chinese cultural perspective. The result has been the composition of a unique body of repertoire that synthesizes the most progressive Western compositional idioms with an astonishingly traditional heritage of Asian approaches, not only from music, but also from calligraphy, landscape painting, poetry, and more. Chou’s importance rests not only in his compositions, but also in his widespread influence through his extensive teaching career at Columbia University, where his many students included Bright Sheng, Zhou Long, Tan Dun, Chen Yi, Joan Tower, and many more. During his tenure at Columbia, he also founded the U.S.-China Arts Exchange, which continues to this day to be a vital stimulus for multicultural interaction. The volume will include an inventory of the Chou collection in the Paul Sacher Stiftung in Basel, Switzerland.

Author: Joanne Miyang Cho
Publisher: Springer Nature
ISBN: 3030782093
Category : History
Languages : en
Pages : 311

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This edited volume explores musical encounters and entanglements between Germany and East Asian nations from 1900 to the present. In so doing, it speaks to their dynamic and multi-faceted musical relations in multiple ways. Despite East Asia and Germany being located at opposite ends of the globe, German music has found remarkably fertile soil in East Asia. East Asians have enthusiastically adopted it, while at the same time adding their own musical interpretations. These musical encounters have produced compositions that reflect this mutual influence, stimulating and enriching each other through their entanglement. After more than a century of entanglement, Germany and East Asia have become kindred musical spirits.

Author: Luise Rinser
Publisher:
ISBN:
Category : Composers
Languages : en
Pages : 339

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Author: Yayoi Uno Everett
Publisher: Wesleyan University Press
ISBN: 0819501654
Category : Music
Languages : en
Pages : 349

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Author: Keith Howard
Publisher: Ashgate Publishing, Ltd.
ISBN: 9780754657293
Category : Music
Languages : en
Pages : 272

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This volume asks what Koreans consider makes music Korean, and how meaning is ascribed to musical creation. Keith Howard explores specific aspects of creativity that are designed to appeal to a new audience that is increasingly westernized yet proud of its indigenous heritage--updates of tradition, compositions, and collaborative fusions. He charts the development of the Korean music scene over the last 25 years and interprets the debates, claims and statistics by incorporating the voices of musicians, composers, scholars and critics.

Author: Tim Rutherford-Johnson
Publisher: Univ of California Press
ISBN: 0520959043
Category : Music
Languages : en
Pages : 363

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"...the best extant map of our sonic shadowlands, and it has changed how I listen."—Alex Ross, The New Yorker "...an essential survey of contemporary music."—New York Times "…sharp, provacative and always on the money. The listening list alone promises months of fresh discovery, the main text a fresh new way of navigating the world of sound."—The Wire 2017 Music Book of the Year—Alex Ross, The New Yorker Music after the Fall is the first book to survey contemporary Western art music within the transformed political, cultural, and technological environment of the post–Cold War era. In this book, Tim Rutherford-Johnson considers musical composition against this changed backdrop, placing it in the context of globalization, digitization, and new media. Drawing connections with the other arts, in particular visual art and architecture, he expands the definition of Western art music to include forms of composition, experimental music, sound art, and crossover work from across the spectrum, inside and beyond the concert hall. Each chapter is a critical consideration of a wide range of composers, performers, works, and institutions, and develops a broad and rich picture of the new music ecosystem, from North American string quartets to Lebanese improvisers, from electroacoustic music studios in South America to ruined pianos in the Australian outback. Rutherford-Johnson puts forth a new approach to the study of contemporary music that relies less on taxonomies of style and technique than on the comparison of different responses to common themes of permission, fluidity, excess, and loss.

Author: Francisco F. Feliciano
Publisher:
ISBN:
Category : Biography & Autobiography
Languages : en
Pages : 160

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