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Author: Mano Daniel Publisher: Springer Science & Business Media ISBN: 058528556X Category : Philosophy Languages : en Pages : 345
Book Description
Phenomenology of the Cultural Disciplines is an interdisciplinary study, reflecting the recent emergence of various particular forms of `phenomenological philosophy of ...'. Included are such fields as psychology, social sciences and history, as well as environmental philosophy, ethnic studies, religion and even more practical disciplines, such as medicine, psychiatry, politics, and technology. The Introduction provides a way of understanding how these various developments are integrated. On the basis of a Husserlian notion of culture, it proposes a generic concept of `cultural disciplines' (which is broader than but inclusive of `human sciences') which subsumes the more specific concepts of `cultural sciences', `axiotic disciplines' (e.g. architecture), and `practical disciplines'.
Author: Mano Daniel Publisher: Springer Science & Business Media ISBN: 058528556X Category : Philosophy Languages : en Pages : 345
Book Description
Phenomenology of the Cultural Disciplines is an interdisciplinary study, reflecting the recent emergence of various particular forms of `phenomenological philosophy of ...'. Included are such fields as psychology, social sciences and history, as well as environmental philosophy, ethnic studies, religion and even more practical disciplines, such as medicine, psychiatry, politics, and technology. The Introduction provides a way of understanding how these various developments are integrated. On the basis of a Husserlian notion of culture, it proposes a generic concept of `cultural disciplines' (which is broader than but inclusive of `human sciences') which subsumes the more specific concepts of `cultural sciences', `axiotic disciplines' (e.g. architecture), and `practical disciplines'.
Author: Farah Godrej Publisher: Taylor & Francis ISBN: 1317353757 Category : Political Science Languages : en Pages : 277
Book Description
Fred Dallmayr’s work is innovative in its rethinking of some of the central concepts of modern political philosophy, challenging the hegemony of a modern “subjectivity” at the heart of Western liberalism, individualism and rationalism, and articulating alternative voices, claims and ideas. His writings productively confound the logocentrism of Western modernity, while providing alternative conceptions of political community that are post-individualist, post-anthropocentric and relational. The editor has focused on work in three key areas: Critical phenomenology and the study of politics The first selections focus on the philosophical roots of Dallmayr’s work in two of the most innovative intellectual trends of the twentieth century: phenomenology and critical theory. These chapters outline some of the main arguments advanced by practitioners of phenomenology, particularly “existential phenomenology,” as well the guiding ideas of critical theory and critical Marxism, while tracing Dallmayr’s debt to thinkers such as Heidegger, Gadamer, Habermas, Adorno and Merleau-Ponty. Cross-cultural theory These readings illustrate Dallmayr’s explorations beyond the confines of Western culture, as this phase of his thinking turns toward what is now called cross-cultural or “comparative” political theory. In an approach that maintains its linkage with critical phenomenology, Dallmayr asserts that Western (or European-American) political theory can no longer claim undisputed hegemony; rather it must allow itself to be contested, amplified and corrected through a comparison with non-Western theoretical traditions and initiatives. Cosmopolitanism These selections explore the final phase of Dallmayr’s work, in which he applies his insights on cross-cultural studies to the context of global politics, rebutting Samuel Huntington’s “clash of civilizations” thesis, and instead arguing for a cosmopolitanism that takes a middle path between both global universalism and restrictive particularism, advocating sustained dialogue and respectful mutual learning between countries and civilizations.
Author: Harris M. Berger Publisher: Oxford University Press ISBN: 0190693908 Category : Music Languages : en Pages : 753
Book Description
A source of profound insights into human existence and the nature of lived experience, phenomenology is among the most influential intellectual movements of the last hundred years. The Oxford Handbook of the Phenomenology of Music Cultures brings ideas from the phenomenological tradition of Continental European philosophy into conversation with theoretical, ethnographic, and historical work from ethnomusicology, anthropology, sound studies, folklore studies, and allied disciplines to develop new perspectives on musical practices and auditory cultures. With sustained theoretical meditations and evocative ethnography, the book's twenty-two chapters advance scholarship on topics at the heart of the study of music and culture today--from embodiment, atmosphere, and Indigenous ontologies, to music's capacity to reveal new possibilities of the person, the nature of virtuosity, issues in research methods, the role of memory, imagination, and states of consciousness in musical experience, and beyond. Thoroughly up-to-date, the handbook engages with both classical and contemporary phenomenology, as well as theoretical traditions that have drawn from it, such as affect theory or the German-language literature on cultural techniques. Together, these essays make major contributions to fundamental theory in the study of music and culture.
Author: Thomas J. Csordas Publisher: Univ of California Press ISBN: 0520919068 Category : Social Science Languages : en Pages : 356
Book Description
How does religious healing work, if indeed it does? In this study of the contemporary North American movement known as the Catholic Charismatic Renewal, Thomas Csordas investigates the healing practices of a modern religious movement to provide a rich cultural analysis of the healing experience. This is not only a book about healing, however, but also one about the nature of self and self- transformation. Blending ethnographic data and detailed case studies, Csordas examines processes of sensory imagery, performative utterance, orientation, and embodiment. His book forms the basis for a rapprochement between phenomenology and semiotics in culture theory that will interest anthropologists, philosophers, psychologists, physicians, and students of comparative religion and healing.
Author: Thomas J. Csordas Publisher: Cambridge University Press ISBN: 9780521458900 Category : Philosophy Languages : en Pages : 312
Book Description
Students of culture have been increasingly concerned with the ways in which cultural values are 'inscribed' on the body. These essays go beyond this passive construal of the body to a position in which embodiment is understood as the existential condition of cultural life. From this standpoint embodiment is reducible neither to representations of the body, to the body as an objectification of power, to the body as a physical entity or biological organism, nor to the body as an inalienable centre of individual consciousness. This more sensate and dynamic view is applied by the contributors to a variety of topics, including the expression of emotion, the experience of pain, ritual healing, dietary customs, and political violence. Their purpose is to contribute to a phenomenological theory of culture and self - an anthropology that is not merely about the body, but from the body.
Author: Publisher: BRILL ISBN: 9004515798 Category : Philosophy Languages : en Pages : 429
Book Description
The authors of this collection argue that all philosophy is really philosophy of culture and that through it we can live more meaningful, flourishing, and wisely guided lives.
Author: Lester Embree Publisher: Springer Science & Business Media ISBN: 9401588813 Category : Philosophy Languages : en Pages : 778
Book Description
This encyclopedia presents phenomenological thought and the phenomenological movement within philosophy and within more than a score of other disciplines on a level accessible to professional colleagues of other orientations as well as to advanced undergraduate and graduate students. Entries average 3,000 words. In practically all cases, they include lists of works "For Further Study." The Introduction briefly chronicles the changing phenomenological agenda and compares phenomenology with other 20th Century movements. The 166 entries are a baut matters of seven sorts: ( 1) the faur broad tendencies and periods within the phenomenological movement; (2) twenty-three national traditions ofphenomenology; (3) twenty-two philosophical sub-disciplines, including those referred to with the formula "the philosophy of x"; (4) phenomenological tendencies within twenty-one non-philosophical dis ciplines; (5) forty major phenomenological topics; (6) twenty-eight leading phenomenological figures; and (7) twenty-seven non-phenomenological figures and movements ofinteresting sim ilarities and differences with phenomenology. Conventions Concern ing persons, years ofbirth and death are given upon first mention in an entry ofthe names of deceased non-phenomenologists. The names of persons believed tobe phenomenologists and also, for cross-referencing purposes, the titles of other entries are printed entirely in SMALL CAPITAL letters, also upon first mention. In addition, all words thus occurring in all small capital letters are listed in the index with the numbers of all pages on which they occur. To facilitate indexing, Chinese, Hungarian, and Japanese names have been re-arranged so that the personal name precedes the family name.
Author: Renato Barilli Publisher: McGill-Queen's Press - MQUP ISBN: 0773587993 Category : Philosophy Languages : en Pages : 191
Book Description
In The Science of Culture and the Phenomenology of Styles, Renato Barilli examines the history of artistic style in relation to scientific discovery. Applying an innovative analysis, he illustrates the subtle, yet intrinsic, connection between paradigm shifts in the sciences and in the arts. Barilli argues that there are "homologies," or equivalences, between specific discoveries or inventions and revolutionary advances in artistic techniques. He draws upon the pioneering work of Lucien Goldman, who provides the fundamental definition of "homology," as well as the theories of Luciano Anceschi and Marshall McLuhan in order to reassess conventional modes of dividing art history into such periods as modern, contemporary, and postmodern. By correlating moments like the invention of the printing press and the internal combustion engine with canonical periods in the evolution of art, Barilli unearths conceptual links across domains and disciplines. An insightful reflection on the historic perspectives of cultural production, The Science of Culture and the Phenomenology of Styles sheds new light on the relationship between visual culture, art, and language.
Author: Mano Daniel
Author: Mano Daniel
Author: Farah Godrej
Author: Harris M. Berger
Author: PEACE--Phenomenology for East-Asian CirclE. Conference
Author: Thomas J. Csordas
Author: Thomas J. Csordas
Author: 
Author: Renato Barilli
Author: Lester Embree
Author: Renato Barilli