Author: Christina Lane
Publisher: Chicago Review Press
ISBN: 1613733879
Category : Biography & Autobiography
Languages : en
Pages : 303
Book Description
Winner of the Mystery Writers of America's 2021 Edgar Allan Poe Award for Best Critical/Biographical In 1933, Joan Harrison was a twenty-six-year-old former salesgirl with a dream of escaping both her stodgy London suburb and the dreadful prospect of settling down with one of the local boys. A few short years later, she was Alfred Hitchcock's confidante and one of the Oscar-nominated screenwriters of his first American film, Rebecca. Harrison had quickly grown from being the worst secretary Hitchcock ever had to one of his closest collaborators, critically shaping his brand as the "Master of Suspense." Harrison went on to produce numerous Hollywood features before becoming a television pioneer as the producer of Alfred Hitchcock Presents. A respected powerhouse, she acquired a singular reputation for running amazingly smooth productions— and defying anyone who posed an obstacle. She built most of her films and series from the ground up. She waged rough-and-tumble battles against executives and censors, and even helped to break the Hollywood blacklist. She teamed up with many of the most respected, well-known directors, writers, and actors of the twentieth century. And she did it all on her own terms. Author Christina Lane shows how this stylish, stunning woman became Hollywood's most powerful female writer-producer—one whom history has since overlooked.
Phantom Lady
Author: Christina Lane
Publisher: Chicago Review Press
ISBN: 1613733879
Category : Biography & Autobiography
Languages : en
Pages : 303
Book Description
Winner of the Mystery Writers of America's 2021 Edgar Allan Poe Award for Best Critical/Biographical In 1933, Joan Harrison was a twenty-six-year-old former salesgirl with a dream of escaping both her stodgy London suburb and the dreadful prospect of settling down with one of the local boys. A few short years later, she was Alfred Hitchcock's confidante and one of the Oscar-nominated screenwriters of his first American film, Rebecca. Harrison had quickly grown from being the worst secretary Hitchcock ever had to one of his closest collaborators, critically shaping his brand as the "Master of Suspense." Harrison went on to produce numerous Hollywood features before becoming a television pioneer as the producer of Alfred Hitchcock Presents. A respected powerhouse, she acquired a singular reputation for running amazingly smooth productions— and defying anyone who posed an obstacle. She built most of her films and series from the ground up. She waged rough-and-tumble battles against executives and censors, and even helped to break the Hollywood blacklist. She teamed up with many of the most respected, well-known directors, writers, and actors of the twentieth century. And she did it all on her own terms. Author Christina Lane shows how this stylish, stunning woman became Hollywood's most powerful female writer-producer—one whom history has since overlooked.
Publisher: Chicago Review Press
ISBN: 1613733879
Category : Biography & Autobiography
Languages : en
Pages : 303
Book Description
Winner of the Mystery Writers of America's 2021 Edgar Allan Poe Award for Best Critical/Biographical In 1933, Joan Harrison was a twenty-six-year-old former salesgirl with a dream of escaping both her stodgy London suburb and the dreadful prospect of settling down with one of the local boys. A few short years later, she was Alfred Hitchcock's confidante and one of the Oscar-nominated screenwriters of his first American film, Rebecca. Harrison had quickly grown from being the worst secretary Hitchcock ever had to one of his closest collaborators, critically shaping his brand as the "Master of Suspense." Harrison went on to produce numerous Hollywood features before becoming a television pioneer as the producer of Alfred Hitchcock Presents. A respected powerhouse, she acquired a singular reputation for running amazingly smooth productions— and defying anyone who posed an obstacle. She built most of her films and series from the ground up. She waged rough-and-tumble battles against executives and censors, and even helped to break the Hollywood blacklist. She teamed up with many of the most respected, well-known directors, writers, and actors of the twentieth century. And she did it all on her own terms. Author Christina Lane shows how this stylish, stunning woman became Hollywood's most powerful female writer-producer—one whom history has since overlooked.
Phantom Lady
Phantom Lady Archives vol 2 (1947 - 1949)
Author: Matt Baker
Publisher: John Davies
ISBN:
Category :
Languages : en
Pages : 367
Book Description
Phantom Lady featured the character of Sandra Knight, aka, the Phantom Lady, a character formerly published by Quality Comics. This series continus the numbering sequence from Wotalife Comics and continues as My Love Secret following issue #23. Phantom Lady appeared in Police Comics #1 to 23, and Feature Comics #69-71, where she teamed up with Spider-Widow. Phantom Lady's more modest (!) Quality Comics lookPhantom Lady then jumped ship from Quality, when the (now simply) Iger Studio recostumed her for use by Fox Features Syndicate, who gave the character her own title, Phantom Lady, which lasted from #1 (August, 1947) to #26 (April 1949). She also guested in All-Top Comics #8 to #15. Shortly afterwards, Fox went bust. Star Comics bought the rights to the Fox characters, and had Phantom lady turn up in a couple of their comics, then Farrell Publications got hold of her, and produced four issues of their own Phantom Lady series (unlike many of the characters they revived from other companies, they kept both costume and true identity unchanged). Eventually Charlton bought up most of the Fox characters, presumably including Phantom Lady. This Volume covers Phantom Lady adventures from 1947 - 1949 Approx 365 pages
Publisher: John Davies
ISBN:
Category :
Languages : en
Pages : 367
Book Description
Phantom Lady featured the character of Sandra Knight, aka, the Phantom Lady, a character formerly published by Quality Comics. This series continus the numbering sequence from Wotalife Comics and continues as My Love Secret following issue #23. Phantom Lady appeared in Police Comics #1 to 23, and Feature Comics #69-71, where she teamed up with Spider-Widow. Phantom Lady's more modest (!) Quality Comics lookPhantom Lady then jumped ship from Quality, when the (now simply) Iger Studio recostumed her for use by Fox Features Syndicate, who gave the character her own title, Phantom Lady, which lasted from #1 (August, 1947) to #26 (April 1949). She also guested in All-Top Comics #8 to #15. Shortly afterwards, Fox went bust. Star Comics bought the rights to the Fox characters, and had Phantom lady turn up in a couple of their comics, then Farrell Publications got hold of her, and produced four issues of their own Phantom Lady series (unlike many of the characters they revived from other companies, they kept both costume and true identity unchanged). Eventually Charlton bought up most of the Fox characters, presumably including Phantom Lady. This Volume covers Phantom Lady adventures from 1947 - 1949 Approx 365 pages
Phantom Ladies
Author: Tim Snelson
Publisher: Rutgers University Press
ISBN: 0813570441
Category : Performing Arts
Languages : en
Pages : 225
Book Description
Defying industry logic and gender expectations, women started flocking to see horror films in the early 1940s. The departure of the young male audience and the surprise success of the film Cat People convinced studios that there was an untapped female audience for horror movies, and they adjusted their production and marketing strategies accordingly. Phantom Ladies reveals the untold story of how the Hollywood horror film changed dramatically in the early 1940s, including both female heroines and female monsters while incorporating elements of “women’s genres” like the gothic mystery. Drawing from a wealth of newly unearthed archival material, from production records to audience surveys, Tim Snelson challenges long-held assumptions about gender and horror film viewership. Examining a wide range of classic horror movies, Snelson offers us a new appreciation of how dynamic this genre could be, as it underwent seismic shifts in a matter of months. Phantom Ladies, therefore, not only includes horror films made in the early 1940s, but also those produced immediately after the war ended, films in which the female monster was replaced by neurotic, psychotic, or hysterical women who could be cured and domesticated. Phantom Ladies is a spine-tingling, eye-opening read about gender and horror, and the complex relationship between industry and audiences in the classical Hollywood era.
Publisher: Rutgers University Press
ISBN: 0813570441
Category : Performing Arts
Languages : en
Pages : 225
Book Description
Defying industry logic and gender expectations, women started flocking to see horror films in the early 1940s. The departure of the young male audience and the surprise success of the film Cat People convinced studios that there was an untapped female audience for horror movies, and they adjusted their production and marketing strategies accordingly. Phantom Ladies reveals the untold story of how the Hollywood horror film changed dramatically in the early 1940s, including both female heroines and female monsters while incorporating elements of “women’s genres” like the gothic mystery. Drawing from a wealth of newly unearthed archival material, from production records to audience surveys, Tim Snelson challenges long-held assumptions about gender and horror film viewership. Examining a wide range of classic horror movies, Snelson offers us a new appreciation of how dynamic this genre could be, as it underwent seismic shifts in a matter of months. Phantom Ladies, therefore, not only includes horror films made in the early 1940s, but also those produced immediately after the war ended, films in which the female monster was replaced by neurotic, psychotic, or hysterical women who could be cured and domesticated. Phantom Ladies is a spine-tingling, eye-opening read about gender and horror, and the complex relationship between industry and audiences in the classical Hollywood era.
The Black Angel
Author: Cornell Woolrich
Publisher: Simon and Schuster
ISBN: 1639360875
Category : Fiction
Languages : en
Pages : 198
Book Description
This hypnotic thriller by the father of noir exposes its heroine to a waking nightmare. A panic-stricken young wife races against time to prove that her convicted husband did not murder his mistress. Writing in first person from her viewpoint, Woolrich makes us feel her love and anguish and desperation, as she becomes an avenging angel to rescue her husband from execution.
Publisher: Simon and Schuster
ISBN: 1639360875
Category : Fiction
Languages : en
Pages : 198
Book Description
This hypnotic thriller by the father of noir exposes its heroine to a waking nightmare. A panic-stricken young wife races against time to prove that her convicted husband did not murder his mistress. Writing in first person from her viewpoint, Woolrich makes us feel her love and anguish and desperation, as she becomes an avenging angel to rescue her husband from execution.
The Phantom of Pemberley
Author: Regina Jeffers
Publisher: Simon and Schuster
ISBN: 1569758875
Category : Fiction
Languages : en
Pages : 417
Book Description
HAPPILY MARRIED for over a year and more in love than ever, Darcy and Elizabeth can’t imagine anything interrupting their bliss-filled days. Then an intense snowstorm strands a group of travelers at Pemberley, and terrifying accidents and mysterious deaths begin to plague the manor. Everyone seems convinced that it is the work of a phan-tom—a Shadow Man who is haunting the Darcy family’s grand estate. Darcy and Elizabeth believe the truth is much more menacing and that someone is trying to murder them. But Pem-berley is filled with family guests as well as the unexpected travelers—any one of whom could be the culprit—so unraveling the mystery of the murderer’s identity forces the newlyweds to trust each other’s strengths and work together. Written in the style of the era and including Austen’s romantic playfulness and sardonic humor, this suspense-packed sequel to Pride and Prejudice recasts Darcy and Elizabeth as a husband-and-wife detective team who must solve the mystery at Pemberley and catch the murderer—before it’s too late.
Publisher: Simon and Schuster
ISBN: 1569758875
Category : Fiction
Languages : en
Pages : 417
Book Description
HAPPILY MARRIED for over a year and more in love than ever, Darcy and Elizabeth can’t imagine anything interrupting their bliss-filled days. Then an intense snowstorm strands a group of travelers at Pemberley, and terrifying accidents and mysterious deaths begin to plague the manor. Everyone seems convinced that it is the work of a phan-tom—a Shadow Man who is haunting the Darcy family’s grand estate. Darcy and Elizabeth believe the truth is much more menacing and that someone is trying to murder them. But Pem-berley is filled with family guests as well as the unexpected travelers—any one of whom could be the culprit—so unraveling the mystery of the murderer’s identity forces the newlyweds to trust each other’s strengths and work together. Written in the style of the era and including Austen’s romantic playfulness and sardonic humor, this suspense-packed sequel to Pride and Prejudice recasts Darcy and Elizabeth as a husband-and-wife detective team who must solve the mystery at Pemberley and catch the murderer—before it’s too late.
The Phantom Twin
Author: Lisa Brown
Publisher: First Second
ISBN: 1250780543
Category : Young Adult Fiction
Languages : en
Pages : 205
Book Description
A young woman is haunted by the ghost of her conjoined twin, in Lisa Brown's The Phantom Twin, a sweetly spooky graphic novel set in a turn-of-the-century sideshow. Isabel and Jane are the Extraordinary Peabody Sisters, conjoined twins in a traveling carnival freak show—until an ambitious surgeon tries to separate them and fails, causing Jane's death. Isabel has lost an arm and a leg but gained a ghostly companion: Her dead twin is now her phantom limb. Haunted, altered, and alone for the first time, can Isabel build a new life that's truly her own?
Publisher: First Second
ISBN: 1250780543
Category : Young Adult Fiction
Languages : en
Pages : 205
Book Description
A young woman is haunted by the ghost of her conjoined twin, in Lisa Brown's The Phantom Twin, a sweetly spooky graphic novel set in a turn-of-the-century sideshow. Isabel and Jane are the Extraordinary Peabody Sisters, conjoined twins in a traveling carnival freak show—until an ambitious surgeon tries to separate them and fails, causing Jane's death. Isabel has lost an arm and a leg but gained a ghostly companion: Her dead twin is now her phantom limb. Haunted, altered, and alone for the first time, can Isabel build a new life that's truly her own?
The Best of William Irish
Author: William Irish
Publisher:
ISBN:
Category : Detective and mystery stories
Languages : en
Pages : 490
Book Description
Publisher:
ISBN:
Category : Detective and mystery stories
Languages : en
Pages : 490
Book Description
Phantom Lady Archives V1 (1941 - 1943)
Author: The Eisner and Iger studio
Publisher: John Davies
ISBN:
Category :
Languages : en
Pages : 167
Book Description
Phantom Lady is a fictional superheroine, one of the first female superhero characters to debut in the 1940s Golden Age of Comic Books. Originally published by Quality Comics, the character was subsequently published by a series of now-defunct comic book companies, and a new version of the character currently appears in books published by DC Comics. As published by Fox Feature Syndicate in the late 1940s, the busty and scantily-clad Phantom Lady is a notable and controversial example of "good girl art," a style of comic art depicting voluptuous female characters in provocative situations and pin-up poses that contributed to widespread criticism of the medium's effect on children. Phantom Lady was created by the Eisner & Iger studio, one of the first to produce comics on demand for publishers. The character's early adventures were drawn by Arthur Peddy. The character was ranked 49th in Comics Buyer's Guide's "100 Sexiest Women in Comics" list. Phantom Lady first appeared in Quality's Police Comics #1 (Aug, 1941), an anthology title the first issue of which also included the debut of characters such as Plastic Man and the Human Bomb. That issue established her alter ego as Sandra Knight, the beautiful Washington, D.C. debutante daughter of U.S. Senator Henry Knight. The issue established that it was not her first appearance as the Phantom Lady, but it did not go into her origin. Stories published decades later by DC Comics would give her a proper origin, which was altered several times to give Sandra a more active role. Her skimpy costume was eventually explained as a deliberate tactic to distract her usually male foes. Sandra Knight assumed the identity of Phantom Lady in a costume consisting of a green cape and the equivalent of a one-piece yellow swimsuit. She used a "black light projector," a device which allowed her to blind her enemies and make herself invisible. She drove a car whose headlights also projected black light when necessary. She was sometimes assisted by her fiance, Donald Borden, an agent of the U.S. State Department. Phantom Lady ran as one of the features in Police Comics through #23. Arthur Peddy continued as the artist through #13, with Joe Kubert drawing her feature in Police Comics #14-16; Frank Borth on #17-21; Arthur Peddy returned for #22,; and Rudy Palais on #23. Phantom Lady also appeared in Feature Comics #69-71 as part of a crossover with Spider Widow and the Raven
Publisher: John Davies
ISBN:
Category :
Languages : en
Pages : 167
Book Description
Phantom Lady is a fictional superheroine, one of the first female superhero characters to debut in the 1940s Golden Age of Comic Books. Originally published by Quality Comics, the character was subsequently published by a series of now-defunct comic book companies, and a new version of the character currently appears in books published by DC Comics. As published by Fox Feature Syndicate in the late 1940s, the busty and scantily-clad Phantom Lady is a notable and controversial example of "good girl art," a style of comic art depicting voluptuous female characters in provocative situations and pin-up poses that contributed to widespread criticism of the medium's effect on children. Phantom Lady was created by the Eisner & Iger studio, one of the first to produce comics on demand for publishers. The character's early adventures were drawn by Arthur Peddy. The character was ranked 49th in Comics Buyer's Guide's "100 Sexiest Women in Comics" list. Phantom Lady first appeared in Quality's Police Comics #1 (Aug, 1941), an anthology title the first issue of which also included the debut of characters such as Plastic Man and the Human Bomb. That issue established her alter ego as Sandra Knight, the beautiful Washington, D.C. debutante daughter of U.S. Senator Henry Knight. The issue established that it was not her first appearance as the Phantom Lady, but it did not go into her origin. Stories published decades later by DC Comics would give her a proper origin, which was altered several times to give Sandra a more active role. Her skimpy costume was eventually explained as a deliberate tactic to distract her usually male foes. Sandra Knight assumed the identity of Phantom Lady in a costume consisting of a green cape and the equivalent of a one-piece yellow swimsuit. She used a "black light projector," a device which allowed her to blind her enemies and make herself invisible. She drove a car whose headlights also projected black light when necessary. She was sometimes assisted by her fiance, Donald Borden, an agent of the U.S. State Department. Phantom Lady ran as one of the features in Police Comics through #23. Arthur Peddy continued as the artist through #13, with Joe Kubert drawing her feature in Police Comics #14-16; Frank Borth on #17-21; Arthur Peddy returned for #22,; and Rudy Palais on #23. Phantom Lady also appeared in Feature Comics #69-71 as part of a crossover with Spider Widow and the Raven
The Supergirls
Author: Mike Madrid
Publisher: Exterminating Angel Press
ISBN: 1935259350
Category : Comics & Graphic Novels
Languages : en
Pages : 345
Book Description
"Mike Madrid is doing God's work. . . . mak[ing] accessible a lost, heady land of female adventure." —ComicsAlliance "Sharp and lively . . . [Madrid] clearly loves this stuff. And he's enough of a historian to be able to trace the ways in which the portrayal of sirens and supergirls has echoed society's ever-changing feelings about women and sex."—Entertainment Weekly "A long overdue tribute to [those] fabulous fighting females." —Stan Lee Mike Madrid has become known as a champion of women in comics and as the expert in Golden Age female characters. And now here is where it all began, as informative and entertaining as ever, in a revised and updated edition, including new illustrations and a new introduction, as well as an afterword bringing us up-to-date on what's happening with women in comics now. Mike Madrid is the author of Divas, Dames & Daredevils: Lost Heroines of Golden Age Comics; Vixens, Vamps & Vipers: Lost Villainesses of Golden Age Comics; and the original The Supergirls: Fashion, Feminism, Fantasy, and the History of Comic Book Heroines, an NPR "Best Book To Share With Your Friends" and American Library Association Amelia Bloomer Project Notable Book. A San Francisco native and lifelong fan of comic books and popular culture, Madrid also appears in the documentary Wonder Women! The Untold Story of American Superheroines and is the illustrator of two of The History of Arcadia books: Lily the Silent and The Lizard Princess.
Publisher: Exterminating Angel Press
ISBN: 1935259350
Category : Comics & Graphic Novels
Languages : en
Pages : 345
Book Description
"Mike Madrid is doing God's work. . . . mak[ing] accessible a lost, heady land of female adventure." —ComicsAlliance "Sharp and lively . . . [Madrid] clearly loves this stuff. And he's enough of a historian to be able to trace the ways in which the portrayal of sirens and supergirls has echoed society's ever-changing feelings about women and sex."—Entertainment Weekly "A long overdue tribute to [those] fabulous fighting females." —Stan Lee Mike Madrid has become known as a champion of women in comics and as the expert in Golden Age female characters. And now here is where it all began, as informative and entertaining as ever, in a revised and updated edition, including new illustrations and a new introduction, as well as an afterword bringing us up-to-date on what's happening with women in comics now. Mike Madrid is the author of Divas, Dames & Daredevils: Lost Heroines of Golden Age Comics; Vixens, Vamps & Vipers: Lost Villainesses of Golden Age Comics; and the original The Supergirls: Fashion, Feminism, Fantasy, and the History of Comic Book Heroines, an NPR "Best Book To Share With Your Friends" and American Library Association Amelia Bloomer Project Notable Book. A San Francisco native and lifelong fan of comic books and popular culture, Madrid also appears in the documentary Wonder Women! The Untold Story of American Superheroines and is the illustrator of two of The History of Arcadia books: Lily the Silent and The Lizard Princess.