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Author: Jin Siyan Publisher: The Chinese University of Hong Kong Press ISBN: 9629967871 Category : Literary Criticism Languages : en Pages : 465
Book Description
Translated from the original French publication, this book provides a comprehensive analysis of 20th century Chinese literature and examines the relationship between Chinese literary theory and modernity. The author surveys the work of leading writers including Zhang Ailing, Beidao, and Mu Dan. The author seeks to answer some fundamental questions in the study of Chinese literary history, such as: How does contemporary Chinese literature go from historical narrative to the narrative of the I, where rhythm and epic merge into writing, and where the instinctive load of the rhythm substantiates the epic? What are the steps and the forms of mediation that allow such a transition? Is the subject the only agent of the transition? What is its status? What is the role of poetic language that led to the birth of the subject and which separates it from empiricism? What are the difficulties faced by Chinese writers today? Young Chinese writers set off in search of a totally new writing to rediscover subjectivity, which is in no way limited to literature; it also covers areas such as the law, and the expression of the I confronted to an overpowering we.
Author: Jin Siyan Publisher: The Chinese University of Hong Kong Press ISBN: 9629967871 Category : Literary Criticism Languages : en Pages : 465
Book Description
Translated from the original French publication, this book provides a comprehensive analysis of 20th century Chinese literature and examines the relationship between Chinese literary theory and modernity. The author surveys the work of leading writers including Zhang Ailing, Beidao, and Mu Dan. The author seeks to answer some fundamental questions in the study of Chinese literary history, such as: How does contemporary Chinese literature go from historical narrative to the narrative of the I, where rhythm and epic merge into writing, and where the instinctive load of the rhythm substantiates the epic? What are the steps and the forms of mediation that allow such a transition? Is the subject the only agent of the transition? What is its status? What is the role of poetic language that led to the birth of the subject and which separates it from empiricism? What are the difficulties faced by Chinese writers today? Young Chinese writers set off in search of a totally new writing to rediscover subjectivity, which is in no way limited to literature; it also covers areas such as the law, and the expression of the I confronted to an overpowering we.
Author: Gilles Guiheux Publisher: John Wiley & Sons ISBN: 1509552510 Category : History Languages : en Pages : 317
Book Description
With a population of nearly 1.5 billion and the world’s second largest economy, China is a major player in the world today, and yet many in the West know very little about contemporary China. This book provides a clear, authoritative and up-to-date history of China since 1949, drawing on extensive research to describe and explain the key developments and to dispel the many myths and misconceptions surrounding this twenty-first-century superpower. In contrast to many commentators who overstate the novelty of the Communist regime, Guiheux emphasizes instead its complex political heritage, highlighting the many continuities it shares with the reformers and revolutionaries of the early twentieth century. At the same time, the ability of China’s authoritarian regime to transform the economy and society is key to understanding its breakneck trajectory of modernization – an ability that, as Guiheux explains, far outweighed the importance and effectiveness of Mao’s utopian vision. Guiheux also aims to ‘de-exoticize’ China. While not on the path of a Western-style modernity, China has experienced the same phenomena that have characterized every historical process of modernization: industrialization, urbanization, bureaucratization and globalization. This expertly researched history of the People’s Republic of China will be essential reading for all students and scholars of Chinese history and politics, and for anyone interested in contemporary China.
Author: Lucien Bianco Publisher: The Chinese University of Hong Kong Press ISBN: 9882370659 Category : History Languages : en Pages : 476
Book Description
China's ascent to the ranks of the world's second largest economic power has given its revolution a better image than that of its Russian counterpart. Yet the two have a great deal in common. Indeed, the Chinese revolution was a carbon copy of its predecessor, until Mao became aware, not so much of the failures of the Russian model, but of its inability to adapt to an overcrowded third-world country. Yet, instead of correcting that model, Mao decided to go further and faster in the same direction. The aftershock of an earthquake may be weaker, but the Great Leap Forward of 1958 in China was far more destructive than the Great Turn of 1929 in the Soviet Union. It was conceived with an idealistic end but failed to take all the possibilities into account. China's development only took off after--and thanks to--Mao's death, once the country turned its back on the revolution. Lucien Bianco's original comparative study highlights the similarities: the all-powerful bureaucracy; the over-exploitation of the peasantry, which triggered two of the worst famines of the 20th century; control over writers and artists; repression and labor camps. The comparison of Stalin and Mao that completes the picture, leads the author straight back to Lenin and he quotes the observation by a Chinese historian that, "If at all possible, it is best to avoid revolutions altogether."
Author: Can Xue Publisher: Yale University Press ISBN: 0300206887 Category : Fiction Languages : en Pages : 330
Book Description
divIn Can Xue’s extraordinary book, we encounter a full assemblage of husbands, wives, and lovers. Entwined in complicated, often tortuous relationships, these characters step into each other’s fantasies, carrying on conversations that are “forever guessing games.” Their journeys reveal the deepest realms of human desire, figured in Can Xue’s vision of snakes and wasps, crows, cats, mice, earthquakes, and landslides. In dive bars and twisted city streets, on deserts and snowcapped mountains, the author creates an extreme world where every character “is driving death away with a singular performance.” Who is the last lover? The novel is bursting with vividly drawn characters. Among them are Joe, sales manager of a clothing company in an unnamed Western country, and his wife, Maria, who conducts mystical experiments with the household’s cats and rosebushes. Joe’s customer Reagan is having an affair with Ida, a worker at his rubber plantation, while clothing-store owner Vincent runs away from his wife in pursuit of a woman in black who disappears over and over again. By the novel’s end, we have accompanied these characters on a long march, a naive, helpless, and forsaken search for love, because there are just some things that can’t be stopped—or helped./DIV
Author: Victor H. Mair Publisher: Columbia University Press ISBN: 0231528515 Category : Literary Criticism Languages : en Pages : 1369
Book Description
The Columbia History of Chinese Literature is a comprehensive yet portable guide to China's vast literary traditions. Stretching from earliest times to the present, the text features original contributions by leading specialists working in all genres and periods. Chapters cover poetry, prose, fiction, and drama, and consider such contextual subjects as popular culture, the impact of religion, the role of women, and China's relationship with non-Sinitic languages and peoples. Opening with a major section on the linguistic and intellectual foundations of Chinese literature, the anthology traces the development of forms and movements over time, along with critical trends, and pays particular attention to the premodern canon.
Author: Stendhal Publisher: Read Books Ltd ISBN: 1528765311 Category : Biography & Autobiography Languages : en Pages : 128
Book Description
This book contains the memoirs of Stendahl or in his own words the 'chatter about his private life' between 1821 and 1830. It was between these dates that he moved to Paris and here looks back on his life as an eccentric bachelor. 'As well as Beyle the clairvoyant self-investigator, the sardonic analyst of Parisian salon society and deliberate cultivator of wit, here emerges Beyle the despairing lover, the shakespearean enthusiast, whose romantic sentiment run always parallel with his eighteenth-century logic'. Marie-Henri Beyle - better-known by his pen name, Stendhal - was born in Grenoble, France in 1783. He turned to writing after the final defeat of Napoleon in 1815, notable works include A Life of Rossini (1824), A Life of Napoleon (1929) and The Red and the Black published in 1830. A number of works were published posthumously, including Lamiel (1889), Memoirs of an Egotist (1892) and Lucien Leuwen (1894). Stendhal is now regarded as one of the earliest and foremost practitioners of literary realism.
Author: Kornelia Imesch Publisher: transcript Verlag ISBN: 3839429757 Category : Social Science Languages : en Pages : 231
Book Description
Newsreel cinema and television not only served as an important tool in the shaping of political spheres and the construction of national and cultural identities up to the 1960s. Today's potent televisual forms were furthermore developed in and strongly influenced by newsreels, and much of the archived newsreel footage is repeatedly used to both illustrate and re-stage past events and their significance. This book addresses newsreel cinema and television as a medium serving the formation of cultural identities in a variety of national contexts after 1945, its role in forming audiovisual narratives of a »biopic of the nation«, and the technical, aesthetical, and political challenges of archiving and restaging cinematic and televisual newsreel.
Author: Gao Xingjian Publisher: The Chinese University of Hong Kong Press ISBN: 9882378919 Category : Literary Collections Languages : en Pages : 108
Book Description
Snow in August is based on the life of Huineng (AD 633-713), the Sixth Patriarch of Zen Buddhism in Tang Dynasty China. Packed with the myriad sights and sounds of both the Eastern and Western theatrical traditions, the play exudes wonder and mysticism. The many koan cases and the story of Huineng's enlightenment afford the audience fascinating vignettes of Gao's vision of life and existence─an awareness of the Void and the need for a personal peace with onself. GAO Xingjian is the winner of the 2000 Nobel Prize in Literature, the first Chinese to receive the award. Best-known for his novels
Author: Jin Siyan
Author: Jin Siyan
Author: Gilles Guiheux
Author: Lucien Bianco
Author: 
Author: Can Xue
Author: Victor H. Mair
Author: Stendhal
Author: Kornelia Imesch
Author: Gao Xingjian
Author: Electre