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Author: Seven Star Hand Publisher: Seven Star Hand ISBN: 1257934198 Category : Religion Languages : en Pages : 271
Book Description
Here is comprehensive proof that the symbolism of many ancient texts, canons, and concepts is an advanced and extremely ancient spiritual and philosophical technology that predates all extant religions and mystery schools. Consequently, here is proof, beyond disproof, that all three so-called “Faiths of Abraham” are purposeful deceptions. Accordingly, related esoterica, mystery schools, and the New Age are rife with error caused by undue reliance upon the assertions of these religions and their leaders. Throughout this book, I present verifiable proof that ancient sages and prophets opposed religion and wisely never trusted religious leaders. As comprehensive validation of this, they redundantly encoded stunning proof of why throughout pivotal symbolic narratives and related concepts. The ancient sages and prophets hid vital secrets from religious leaders throughout the previous several millennia. When these decoded details are compared to the history, words, and deeds of these religions and their leaders, they finally prove the truth about many long-hidden things. These religions have always purposely imposed ignorance based on the deceptive recasting of earlier symbolic concepts and narratives; that also expertly encoded the keys to ancient wisdom as redundant proofs of the truth. Arrogant religious leaders, while hypocritically lecturing others about morality, have long overlooked that the ancient sages and prophets were painfully aware of their then-current and future misdeeds and deceptions, and patiently and expertly prepared for them !!!
Author: Seven Star Hand Publisher: Seven Star Hand ISBN: 1257934198 Category : Religion Languages : en Pages : 271
Book Description
Here is comprehensive proof that the symbolism of many ancient texts, canons, and concepts is an advanced and extremely ancient spiritual and philosophical technology that predates all extant religions and mystery schools. Consequently, here is proof, beyond disproof, that all three so-called “Faiths of Abraham” are purposeful deceptions. Accordingly, related esoterica, mystery schools, and the New Age are rife with error caused by undue reliance upon the assertions of these religions and their leaders. Throughout this book, I present verifiable proof that ancient sages and prophets opposed religion and wisely never trusted religious leaders. As comprehensive validation of this, they redundantly encoded stunning proof of why throughout pivotal symbolic narratives and related concepts. The ancient sages and prophets hid vital secrets from religious leaders throughout the previous several millennia. When these decoded details are compared to the history, words, and deeds of these religions and their leaders, they finally prove the truth about many long-hidden things. These religions have always purposely imposed ignorance based on the deceptive recasting of earlier symbolic concepts and narratives; that also expertly encoded the keys to ancient wisdom as redundant proofs of the truth. Arrogant religious leaders, while hypocritically lecturing others about morality, have long overlooked that the ancient sages and prophets were painfully aware of their then-current and future misdeeds and deceptions, and patiently and expertly prepared for them !!!
Author: Judith Herrin Publisher: Routledge ISBN: 1351911775 Category : History Languages : en Pages : 369
Book Description
Personification, the anthropomorphic representation of any non-human thing, is a ubiquitous feature of ancient Greek literature and art. Natural phenomena (earth, sky, rivers), places (cities, countries), divisions of time (seasons, months, a lifetime), states of the body (health, sleep, death), emotions (love, envy, fear), and political concepts (victory, democracy, war) all appear in human, usually female, form. Some have only fleeting incarnations, others become widely-recognised figures, and others again became so firmly established as deities in the imagination of the community that they received elements of cult associated with the Olympian gods. Though often seen as a feature of the Hellenistic period, personifications can be found in literature, art and cult from the Archaic period onwards; with the development of the art of allegory in the Hellenistic period, they came to acquire more 'intellectual' overtones; the use of allegory as an interpretative tool then enabled personifications to survive the advent of Christianity, to remain familiar figures in the art and literature of Late Antiquity and beyond. The twenty-one papers presented here cover personification in Greek literature, art and religion from its pre-Homeric origins to the Byzantine period. Classical Athens features prominently, but other areas of both mainland Greece and the Greek East are well represented. Issues which come under discussion include: problems of identification and definition; the question of gender; the status of personifications in relation to the gods; the significance of personification as a literary device; the uses and meanings of personification in different visual media; personification as a means of articulating place, time and worldly power. The papers reflect the enormous range of contexts in which personification occurs, indicating the ubiquity of the phenomenon in the ancient Greek world.
Author: Amy C. Smith Publisher: BRILL ISBN: 9004214526 Category : History Languages : en Pages : 280
Book Description
In this study Dr Smith investigates the use of political personifications in the visual arts of Athens in the Classical period (480-323 BCE). Whether on objects that served primarily private roles (e.g. decorated vases) or public roles (e.g. cult statues and document stelai), these personifications represented aspects of the state of Athens—its people, government, and events—as well as the virtues (e.g. Nemesis, Peitho or Persuasion, and Eirene or Peace) that underpinned it. Athenians used the same figural language to represent other places and their peoples. This is the only study that uses personifications as a lens through which to view the intellectual and political climate of Athens in the Classical period.
Author: Adrian W. B. Randolph Publisher: Yale University Press ISBN: 9780300092127 Category : Art Languages : en Pages : 404
Book Description
Randolph shows how "engaging" political symbols were grounded in a revolutionary way in amorous discourses that drew on metaphors of affection, desire, courtship, betrothal, marriage, homo- and hetero-eroticism, and procreation."--BOOK JACKET.
Author: Joseph R. Dodson Publisher: Walter de Gruyter ISBN: 3110209772 Category : Religion Languages : en Pages : 275
Book Description
While scholars have often found value in comparing Wisdom and Romans, a comparison of the use of personification in these works has not yet been made, despite the striking parallels between them. Furthermore, while scholars have studied many of these personifications in detail, no one has investigated an individual personification with respect to the general use of the trope in the work. Instead, most of this research focuses on a personification in relation to its nature as either a rhetorical device or a supernatural power. The “Powers” of Personification seeks to push beyond this debate by evaluating the evidence in a different light – that of its purpose within the overall use of personification in the respective work and in comparison with another piece of contemporaneous theological literature. This book proposes that the authors of Wisdom and Romans employ personification to distance God from the origin of evil, to deflect attention away from the problem of righteous suffering to the positive sides of the experience, or to defer the solution for the suffering of the righteous to the future.
Author: Roelof van Straten Publisher: Routledge ISBN: 1136614028 Category : Art Languages : en Pages : 174
Book Description
Available for the first time in English, An Introduction to Iconography explains the ways that artists use references and allusions to create meaning. The book presents the historical, theoretical, and practical aspects of iconography and ICONCLASS, the comprehensive iconographical indexing system developed by Henri van de Waal. It gives particular emphasis to the history of iconography, personification, allegory, and symbols, and the literary sources that inform iconographic readings, and includes annotated bibliographies of books and journal articles from around the world that are associated with iconographic research. The author of numerous articles and a four-volume reference work on Italian prints, Roelof van Straten is currently working on an iconographic index covering the prints of Goltzius and his school.
Author: Robert Cummings Neville Publisher: State University of New York Press ISBN: 079148825X Category : Religion Languages : en Pages : 307
Book Description
Religion in Late Modernity runs against the grain of common suppositions of contemporary theology and philosophy of religion. Against the common supposition that basic religious terms have no real reference but are mere functions of human need, the book presents a pragmatic theory of religious symbolism in terms of which the cognitive engagement of the Ultimate is of a piece with the cognitive engagement of nature and persons. Throughout this discussion, Neville develops a late-modern conception of God that is defensible in a global theological public. Against the common supposition that religion is on the retreat in late modernity except in fundamentalist forms, the author argues that religion in our time is a stimulus to religiously oriented scholarship, a civilizing force among world societies, a foundation for obligation in politics, a source for healthy social experimentation, and the most important mover of soul. Against the common supposition that religious thinking or theology is confessional and inevitably biased in favor of the thinker's community, Neville argues for the public character of theology, the need for history and phenomenology of religion in philosophy of religion, and the possibility of objectivity through the contextualization of philosophy, contrary to the fashionable claims of neo-pragmatism. This vigorous analysis and program for religious thinking is straightforwardly pro-late-modern and anti-postmodern, a rousing gallop along the high road around modernism.
Author: James Hall Publisher: Routledge ISBN: 0429968485 Category : Art Languages : en Pages : 257
Book Description
"A Companion volume to James Hall’s perennial seller Dictionary of Subjects & Symbols in Art. which deals with the subject matter of Christian and Western art, the present volume includes the art of Egypt, the ancient Near East, Christian and classical Europe, India and the Far East. Flail explores the language of symbols in art showing how paintings, drawings and sculpture express man shades of meaning from simple, everyday hopes and fears to the profoundest philosophical and religious aspirations. The book explains and interprets symbols from many cultures, and over 600 illustrations clarify and complement the text. There are numbered references throughout the text to the sacred Iitcra-1 ture, myths and legends in which the symbols had their origins. Details of English translations of the works are in the bibliography. The book includes an appendix of the transcription of Chinese, notes and references, bibliography, chronological tables and index."
Author: Seven Star Hand
Author: Seven Star Hand
Author: Judith Herrin
Author: Amy C. Smith
Author: Adrian W. B. Randolph
Author: Joseph R. Dodson
Author: Roelof van Straten
Author: Robert Cummings Neville
Author: Kapila Vatsyayan
Author: Ernest Flagg Henderson
Author: James Hall