Author: Graham A. MacDonald Publisher: Springer ISBN: 3319722816 Category : Science Languages : en Pages : 293
Book Description
This book offers new perspectives on the origins and development of John Ruskin’s political thought. Graham A. MacDonald traces the influence of late medieval and pre-Enlightenment thought in Ruskin’s writing, reintroducing readers to Ruskin’s politics as shaped through his engagement with concepts of natural law, legal rights, labour and welfare organization. From Ruskin’s youthful studies of geology and chemistry to his back-to-the-land project, the Guild of St. George, he emerges as a complex political thinker, a reformer—and what we would recognize today as an environmentalist. John Ruskin’s Politics and Natural Law is a nuanced reappraisal of neglected areas of Ruskin’s thought.
Author: Gill Chitty Publisher: Taylor & Francis ISBN: 1000872319 Category : Art Languages : en Pages : 133
Book Description
John Ruskin's critical commentary on culture and society, transformative in his own time, established him as a leading critic of the 19th century. His prescient thinking resonates powerfully with today’s issues in cultural heritage conservation. This volume presents his ideas in context, key extracts from his works and future directions for his foundational ideas. Ruskin’s passionate responses to the environmental and social changes of his day chime with contemporary ideas on themes like sustainability, ethical production and environmentalism. Though widely recognised as a key figure in preservation history, his heritage work is rarely appreciated in full context and breadth. This volume presents six stimulating essays on Ruskin’s readership and reception, his transformative perceptions of heritage futures and provocative writing on cultural landscapes and the arts and crafts. Extracts from both well-known and lesser-known works accompany each chapter to reflect the distinctive vocality of his texts, from his writing on architecture and buildings, to landscape and cultural heritage. The volume offers a richer description of cultural context and meaning than usually afforded to Ruskin’s work in conservation and critical heritage studies finding its resonance and relevance. Written for an academic and professional audience in heritage studies and historic building conservation and particularly relevant for cultural heritage management, this is a core text and reference work for undergraduate and postgraduate students in history of art and architecture, heritage studies and architectural/building conservation, also central to interests of cultural historians and scholars of nineteenth-century/Victorian history and literature.
Author: Petra Schultheiss Publisher: Georg Olms Verlag ISBN: 3487155400 Category : Architecture Languages : en Pages : 360
Book Description
When Prince Albert died in 1861 at the age of forty-two, his wife Queen Victoria followed this tragic event by an elaborate mourning period in which she surrounded herself as well as her people with memorials of the Prince Consort. Of these, the three most elaborate, the Albert Memorial Chapel, the Royal Mausoleum and the National Memorial to the Prince Consort, all included mosaic decoration. In close connection to current architectural theories such as polychromy or the ideal of the complete decoration as well as the research and experimentation that was carried out with and about the medium mosaic, the memorial mosaics were planned and designed. The medium Queen Victoria chose for these monuments served to underline and strengthen the image of Prince Albert that she created and through this also helped to secure her own claim to power as female sovereign. This book presents an overview of the history of mosaic in England up to the 1860s and a detailed description of the processes of planning and creating the mosaics. Queen Victoria’s memorial program as a whole will be described and compared to contemporary mourning rituals as well as British precedents for initiating similar cults.
Author: Lawrence Goldman Publisher: A&C Black ISBN: 1780936125 Category : Biography & Autobiography Languages : en Pages : 224
Book Description
R. H. Tawney was the most influential theorist and exponent of socialism in Britain in the 20th century and also a leading historian. Based on papers deposited at the London School of Economics including a collection of personal material previously held by his family, this book provides the first detailed biography. Lawrence Goldman shows that to understand Tawney's work it is necessary to understand his life. This biography takes a broadly chronological approach, and uses this framework to examine major themes, including Tawney's political thought and historical writings. Tawney was the most representative of Labour's intellectuals as well as the most influential, and the contradictions he embodied are evident in the general history of British socialism.
Author: Anuradha Chatterjee Publisher: Cambridge Scholars Publishing ISBN: 1443862967 Category : Architecture Languages : en Pages : 245
Book Description
Surface in architecture has had a deeper and a more pervasive presence in the practice and theory of the discipline than is commonly supposed. Orientations to the surface emerge, collapse, and reappear, sustaining it as a legitimate theoretical and artefactual entity, despite the (twentieth-century) disciplinary definition of architecture as space, structure, and function. Even though surface is defended for its pervasiveness (Kurt Forster), its function as a theoretical motif with generative power (Andrew Benjamin), and in constituting the operative principles of modern architecture as a visual phenomenon (Mark Wigley), it occupies the interstice, or the space of the unconscious within architectural discourse, from where it defends its legitimacy as architecturally valuable or ‘functional,’ as opposed to merely visually pleasurable. Surface and Deep Histories positions surface within the scholarship of critical theory and design-based approaches, and invites academics and designers, and art and architectural historians based in Australia to consider the uses, figurations, scales, and typologies of surfaces. The collection choreographs contributions that focus on a variety of topics, such as montage and construction of colonial modernity and visual culture (Molly Duggins); wallpaper, rational space, and femininity (Anna Daly); the inter-constituted nature of bodies, clothes, and cities (Stella North); the reconstruction of the urban surface through a true integration of information and topology (M Hank Haeusler); James Fergusson’s theory of ornament (Peter Kohane); traditional and new verandahs in Australia (Chris Brisbin); contradictory effects of surface in Green architecture debates (Flavia Marcello and Ian Woodcock); and the thickness of thin curtain walls in contemporary Australian architecture (Anuradha Chatterjee). Surface and Deep Histories shows that surface is not thin — spatially or conceptually. It demonstrates that the practice of surface is simultaneously superficial and pervasive, symbol and space, meaningful and functional, static and transitory, and object and envelope.
Author: Lucy Hartley Publisher: Cambridge University Press ISBN: 1316878600 Category : Literary Criticism Languages : en Pages : 317
Book Description
Could the self-interested pursuit of beauty actually help to establish the moral and political norms that enable democratic society to flourish? In this book, Lucy Hartley identifies a new language for speaking about beauty, which begins to be articulated from the 1830s in a climate of political reform and becomes linked to emerging ideals of equality, liberty, and individuality. Examining British art and art writing by Charles Lock Eastlake, John Ruskin, Walter Pater, Edward Poynter, William Morris, and John Addington Symonds, Hartley traces a debate about what it means to be interested in beauty and whether this preoccupation is necessary to public political life. Drawing together political history, art history, and theories of society, and supplemented by numerous illustrations, Democratising Beauty in Nineteenth-Century Britain offers a fresh interdisciplinary understanding of the relation of art to its publics.
Author: Graham A. MacDonald
Author: Gill Chitty
Author: Petra Schultheiss
Author: Lawrence Goldman
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Author: Anuradha Chatterjee
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Author: Lucy Hartley
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Author: John Gage