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Author: Peter Croton Publisher: Createspace Independent Publishing Platform ISBN: 9781534672963 Category : Languages : en Pages : 280
Book Description
"A wealth of information and insight" Hopkinson Smith Today more and more instrumentalists wish to perform baroque music in an expressive manner reflecting stylistic practices of that era. The purpose of the present handbook is to help lute and theorbo players discover the most important tools for achieving this goal. We will never know precisely how baroque music was played, but can come closer to understanding the priorities of the time. A key to performing music of the baroque era is rhetorical expression. While striving to play in a stylistic manner we must keep in mind the purpose of rhetorical performance: to communicate passions and elevate the lives of our listeners. It is with this in mind that Performing Baroque Music on the Lute & Theorbo has been written. Author: Peter Croton, early music performer, and teacher at the world-renowned Schola Cantorum Basiliensis as well as at the Conservatories of Basel and Bern. Cover art and design: Johanna Croton
Author: Peter Croton Publisher: Createspace Independent Publishing Platform ISBN: 9781534672963 Category : Languages : en Pages : 280
Book Description
"A wealth of information and insight" Hopkinson Smith Today more and more instrumentalists wish to perform baroque music in an expressive manner reflecting stylistic practices of that era. The purpose of the present handbook is to help lute and theorbo players discover the most important tools for achieving this goal. We will never know precisely how baroque music was played, but can come closer to understanding the priorities of the time. A key to performing music of the baroque era is rhetorical expression. While striving to play in a stylistic manner we must keep in mind the purpose of rhetorical performance: to communicate passions and elevate the lives of our listeners. It is with this in mind that Performing Baroque Music on the Lute & Theorbo has been written. Author: Peter Croton, early music performer, and teacher at the world-renowned Schola Cantorum Basiliensis as well as at the Conservatories of Basel and Bern. Cover art and design: Johanna Croton
Author: Nigel North Publisher: Indiana University Press ISBN: 9780253314154 Category : Music Languages : en Pages : 326
Book Description
"... a valuable book. It is an important link between the unknown of the Renaissance and the present." --The Triangle of Mu Phi Epsilon "Straightforward practicality is the most outstanding characteristic of this book." --Continuo "... a fine and very welcome book that is likely to remain the high standard of lute continuo instruction for some time to come." --Sixteenth Century Journal In this extraordinarily broad survey, Nigel North discusses the history of the lute, the archlute, and the theorbo and gives practical advice on technique, the choice of instrument for particular music, and the preparation of scores.
Author: Mary Cyr Publisher: Routledge ISBN: 1351554646 Category : Music Languages : en Pages : 335
Book Description
Listeners, performers, students and teachers will find here the analytical tools they need to understand and interpret musical evidence from the baroque era. Scores for eleven works, many reproduced in facsimile to illustrate the conventions of 17th and 18th century notation, are included for close study. Readers will find new material on continuo playing, as well as extensive treatment of singing and French music. The book is also a concise guide to reference materials in the field of baroque performance practice with extensive annotated bibliographies of modern and baroque sources that guide the reader toward further study. First published by Ashgate (at that time known as Scolar Press) in 1992 and having been out of print for some years, this title is now available as a print on demand title.
Author: Peter Croton Publisher: CreateSpace ISBN: 9781516810246 Category : Languages : en Pages : 240
Book Description
As we go further into the 21st century, more and more classical guitarists wish to play baroque and galant music in a manner reflecting stylistic understanding of those eras. We will never know precisely how the music was played then, but can come closer to understanding the priorities of the time. The common denominator of music in our chosen period is rhetorical expression. Historical Performance Practice, by bringing us closer to the essence of the music, gives us not only more understanding but - above all - more possibilities for moving our listeners. While striving to play in a stylistic manner, we must never forget the goal of performance: to communicate passions and elevate the lives of our listeners. It is with this in mind that the present book has been written. Author: Peter Croton, early music performer, and teacher at the world-renowned Schola Cantorum Basiliensis as well as at the Conservatories of Basel and Bern. Cover art and design: Johanna Croton Paul Galbraith writes:"This handbook is a distinguished addition to the ever-expanding body of instructional literature for guitarists. In effect, we're treated here to a guided tour through a wealth of selected historical quotations and information, under the experienced supervision of Peter Croton, who offers his considered opinion at every step. A highly stimulating, provocative and educational read!" Pablo Márquez writes:"The great Hungarian pianist György Sebök used to say that 'the first step to freedom is to make a choice. When you have only one option then you have no choice, when you have two options then you have a dilemma, when you have three or more options then you start having a choice.' This new book by Peter Croton is a wonderful tool for guitarists to become freer in negotiating Early Music's vast territory." João Carlos Victor writes:"The popularity of baroque music among guitarists today raises the question: how can we convey the deep meaning of this music to 21st century audiences? Peter Croton's book is an extremely helpful guide. He not only discusses historical sources, but also draws upon his experience as performer, researcher and teacher. I had the privilege of studying with him for two years, thus personally experiencing his incredible knowledge and true commitment to this music."
Author: Mary Cyr Publisher: Routledge ISBN: 1351554654 Category : Music Languages : en Pages : 255
Book Description
Listeners, performers, students and teachers will find here the analytical tools they need to understand and interpret musical evidence from the baroque era. Scores for eleven works, many reproduced in facsimile to illustrate the conventions of 17th and 18th century notation, are included for close study. Readers will find new material on continuo playing, as well as extensive treatment of singing and French music. The book is also a concise guide to reference materials in the field of baroque performance practice with extensive annotated bibliographies of modern and baroque sources that guide the reader toward further study. First published by Ashgate (at that time known as Scolar Press) in 1992 and having been out of print for some years, this title is now available as a print on demand title.
Author: Victor Rangel-Ribeiro Publisher: Courier Dover Publications ISBN: 0486805069 Category : Music Languages : en Pages : 339
Book Description
This clear, accessible approach to the standard repertoire offers professional and amateur musicians practical advice for performing the music of Bach, Handel, Vivaldi, Telemann, and other composers of the Baroque era.
Author: Rob MacKillop Publisher: Mel Bay Publications ISBN: 1619116731 Category : Music Languages : en Pages : 101
Book Description
This book is aimed at beginner lute and guitar players interested in playing Renaissance lute music on either instrument. Lute and guitar tablature are included, along with notes on technique, biographies of lute composers from the 16th century, and general advice on buying, stringing and tuning a lute. The book starts with single-line melodies, before progressing to two-part and full repertoire pieces. Selections include works by great Renaissance composers such as John Dowland, Francesco da Milano, Alonso Mudarra, Francesco Spinacino and others, with music from England, Scotland, Italy, France and Germany. A useful chord chart is also included. Every piece in the book has been recorded for download by Rob MacKillop--in itself, an album worth owning. Includes access to online audio.
Author: Thomas Mace Publisher: Mel Bay Publications ISBN: 1609743733 Category : Music Languages : en Pages : 73
Book Description
The first complete anthology of lute music contained within Thomas Mace's historic treatise Musick's Monument (1676), transcribed and edited for classical guitar by Andrew Shepard-Smith. an exquisite and intriguing collection of early English Baroque lute music containing twelve preludes, eight complete lute suites, transcription notes, and a detailed table of ornaments (as outlined in Musick's Monument). Originally written as a pedagogical text for lute and theorbo, Mace's lute music contains wonderful insights into the performance practice of the time. A very valuable addition both the performance repertoire and to the guitar reference literature. Staff notation; moderate to advanced.
Author: Peter Croton
Author: Peter Croton
Author: Nigel North
Author: Mary Cyr
Author: Peter Croton
Author: Victor Coelho
Author: Mary Cyr
Author: Victor Rangel-Ribeiro
Author: Rob MacKillop
Author: Thomas Mace
Author: Judy Tarling