Performance Appropriation, Art Intervention PDF Download

Author:
Publisher:
ISBN:
Category :
Languages : en
Pages : 263

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Author: Bruce Barber
Publisher: Yyz Books
ISBN: 9780920397497
Category : Performance art
Languages : en
Pages : 166

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Book Description
Performance Performance] Performers consists of two voluumes: Volume 2 contains nine essays on performance art written over a thirty year period, from 1976 to 2006, while Volume 1 contains fourteen interviews with leading performance artists in Canada and the U.S. conducted over the same period, and is generously illustrated with photographs of many now landmark art performances.

Author:
Publisher: BRILL
ISBN: 9004333800
Category : History
Languages : en
Pages : 305

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Introduction. Hybridity: The Never-ending Metamorphosis?, Encounters of a Heterogeneous Kind: Hybridity in Cultural Theory, National Reconciliation and Colonial Resistance: The Notion of Hybridity in José Martí, Mestizaje: "I understand the reality, I just do not like the word:" Perspectives on an Option, On Border Artists and Transculturation: The Politics of Postmodern Performances and Latin America.

Author: Kembrew McLeod
Publisher: Duke University Press
ISBN: 0822348225
Category : Art
Languages : en
Pages : 379

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Book Description
The contributors to this book focus on collage and appropriation art, exploring the legal ramifications of such practices in an age when private companies can own culture using copyright and trademark law.

Author: Dena L. Hawes
Publisher:
ISBN: 9781109939057
Category :
Languages : en
Pages : 280

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There is insufficient information and empirical evidence about how performance art interventions can support existing forms of conflict resolution practice. This is a U.S.-based study that explores and explains how performance art interventions can complement traditional and transformative interventions in the field of conflict resolution through the creation of an "alternative reality" among audience members, and through the utilization of multiple narratives and different perceptions of those narratives. Quantitative and qualitative research collected and analyzed for this study indicates and suggests how performance art, as a dialogically based intervention, can influence an individual's attitude, perception, or position about issues that are relevant to the field of conflict resolution. Suggestions are made about complementary interventions and the stage of conflict in which this unique type of intervention could be most useful.

Author: Diana Taylor
Publisher: Duke University Press
ISBN: 9780822315155
Category : Literary Criticism
Languages : en
Pages : 372

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Book Description
In Negotiating Performance, major scholars and practitioners of the theatrical arts consider the diversity of Latin American and U. S. Latino performance: indigenous theater, performance art, living installations, carnival, public demonstrations, and gender acts such as transvestism. By redefining performance to include such events as Mayan and AIDS theater, the Mothers of the Plaza de Mayo, and Argentinean drag culture, this energetic volume discusses the dynamics of Latino/a identity politics and the sometimes discordant intersection of gender, sexuality, and nationalisms. The Latin/o America examined here stretches from Patagonia to New York City, bridging the political and geographical divides between U.S. Latinos and Latin Americans. Moving from Nuyorican casitas in the South Bronx, to subversive street performances in Buenos Aires, to border art from San Diego/Tijuana, this volume negotiates the borders that bring Americans together and keep them apart, while at the same time debating the use of the contested term "Latino/a." In the emerging dialogue, contributors reenvision an inclusive "América," a Latin/o America that does not pit nationality against ethnicity--in other words, a shared space, and a home to all Latin/o Americans. Negotiating Performance opens up the field of Latin/o American theater and performance criticism by looking at performance work by Mayans, women, gays, lesbians, and other marginalized groups. In so doing, this volume will interest a wide audience of students and scholars in feminist and gender studies, theater and performance studies, and Latin American and Latino cultural studies. Contributors. Judith Bettelheim, Sue-Ellen Case, Juan Flores, Jean Franco, Donald H. Frischmann, Guillermo Gómez-Peña, Jorge Huerta, Tiffany Ana López, Jacqueline Lazú, María Teresa Marrero, Cherríe Moraga, Kirsten F. Nigro, Patrick O'Connor, Jorge Salessi, Alberto Sandoval, Cynthia Steele, Diana Taylor, Juan Villegas, Marguerite Waller

Author: Jason James Hedrick
Publisher:
ISBN:
Category :
Languages : en
Pages : 74

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Author: Marcela A. Fuentes
Publisher: University of Michigan Press
ISBN: 0472125834
Category : Political Science
Languages : en
Pages : 179

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Book Description
Performance Constellations maps transnational protest movements and the dynamics of networked expressive behavior in the streets and online, as people struggle to be heard and effect long-term social justice. Its case studies explore collective political action in Latin America, including the Zapatistas in the mid-’90s, protests during the 2001 Argentine economic crisis, the 2011 Chilean student movement, the 2014–2015 mobilizations for the disappeared Ayotzinapa students, and the 2018 transnational reproductive rights movement. The book analyzes uses of space, time, media communication, and corporeality in protests such as virtual sit-ins, flash mobs, scarfazos, and hashtag campaigns, arguing that these protests not only challenge hegemonic power but are also socially transformative. While other studies have focused either on digital activism or on street protests, Performance Constellations shows that they are in fact integrally entwined. Zooming in on protest movements and art-activism in Mexico, Argentina, and Chile, and putting contemporary insurgent actions in dialogue with their historical precedents, the book demonstrates how, even in moments of extreme duress, social actors in Latin America have taken up public and virtual space to intervene politically and to contest dominant powers.

Author: Eva Kernbauer
Publisher: Routledge
ISBN: 1000467708
Category : Art
Languages : en
Pages : 352

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Book Description
This book examines contemporary artistic practices since 1990 that engage with, depict, and conceptualize history. Examining artworks by Kader Attia, Yael Bartana, Zarina Bhimji, Michael Blum, Matthew Buckingham, Tacita Dean, Harun Farocki and Andrei Ujica, Omer Fast, Andrea Geyer, Liam Gillick and Philippe Parreno, Hiwa K, Amar Kanwar, Bouchra Khalili, Deimantas Narkevičius, Wendelien van Oldenborgh, Walid Raad, Dierk Schmidt, Erika Tan, and Apichatpong Weerasethakul, Art, History, and Anachronic Interventions since 1990 undertakes a thorough methodological reexamination of the contribution of art to history writing and to its theoretical foundations. The analytical instrument of anachrony comes to the fore as an experimental method, as will (para)fiction, counterfactual history, testimonies, ghosts and spectres of the past, utopia, and the "juridification" of history. Eva Kernbauer argues that contemporary art—developing its own conceptual approaches to temporality and to historical research—offers fruitful strategies for creating historical consciousness and perspectives for political agency. The book will be of interest to scholars working in art history, historiography, and contemporary art. The Open Access version of this book, available at http://www.taylorfrancis.com, has been made available under a Creative Commons Attribution-Non Commercial 4.0 license.

Author: Christine Ross
Publisher: U of Minnesota Press
ISBN: 9780816645398
Category : Psychology
Languages : en
Pages : 286

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Book Description
Reveals the artistic subjectivity of the scientific notion of depression.