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Author: Marcela del Río Publisher: Fondo de Cultura Economica USA ISBN: Category : Fiction Languages : es Pages : 560
Book Description
Marcela del R o Reyes seleccion Para este libro textos escritos por dramaturgos nacidos en el siglo XIX que alcanzaron a vivir el proceso revolucionario y por autores que nacieron antes de 1915; presenta una breve descripci n hist rica de M xico durante las cuatro d cadas que abarcan los a os de lucha armada, as como los periodos previo y posterior a la Revoluci n.
Author: Marcela del Río Publisher: Fondo de Cultura Economica USA ISBN: Category : Fiction Languages : es Pages : 560
Book Description
Marcela del R o Reyes seleccion Para este libro textos escritos por dramaturgos nacidos en el siglo XIX que alcanzaron a vivir el proceso revolucionario y por autores que nacieron antes de 1915; presenta una breve descripci n hist rica de M xico durante las cuatro d cadas que abarcan los a os de lucha armada, as como los periodos previo y posterior a la Revoluci n.
Author: Marcela del Río Publisher: Peter Lang Incorporated, International Academic Publishers ISBN: Category : Drama Languages : en Pages : 304
Book Description
Este estudio llena el vacío que existía en relación con el teatro de la Revolución Mexicana. Analiza la representación del movimiento revolucionario en el discurso teatral y la ideología que ofrece cada texto. Toma en consideración no sólo a los autores reconocidos, sino también a los marginados por el discurso crítico. Abarca los años de la lucha armada, así como un período pre-revolucionario y otro post-revolucionario. Toma en consideración los discursos teatrales marginales y no sólo los de las clases privilegiadas. El análisis de los emisores va integrado con el del destinatario potencial de los textos y el del discurso crítico. Muestra la diferencia específica entre el texto mexicano en relación con el modelo estilístico cuando el autor lo toma de España, Francia u otros países. Siempre de acuerdo con la ideología, clase social, raza, o grupo que representan los autores, en las diferentes etapas del cambio social.
Author: S.E. Wilmer Publisher: University of Iowa Press ISBN: 1587295210 Category : Performing Arts Languages : en Pages : 295
Book Description
Historians of theatre face the same temptations and challenges as other historians: they negotiate assumptions (their own and those of others) about national identity and national character; they decide what events and actors to highlight--or omit--and what framework and perspective to use for telling the story. Personal biases, trends in scholarship, and sociopolitical contexts influence all histories; and theatre histories, too, are often revised to reflect changing times and interests. This significant collection examines the problems and challenges of formulating national theatre histories.The essayists included here--leading theatre scholars from all over the world, many of whom wrote essays specifically for this volume--provide an international context for national theatre histories as well as studies of individual nations. They cover a wide geographical area: Asia, the Middle East, Africa, Europe, and North America. The essays contrast large countries (India, Indonesia) with small (Ireland), newly independent (Slovenia) with established (U.S.A.), developed (Canada) with developing (Mexico, South Africa), capitalist (U.S.A.) with formerly communist (Russia), monolingual (Sweden) with multilingual (Belgium, Canada), and countries with stable historical boundaries (Sweden) with those whose borders have shifted (Germany).The essays also explore such sociopolitical issues as the polarization of language groups, the importance of religion, the invisibility of ethnic minorities, the redrawing of geographical borders, changes in ideology, and the dismantling of colonial legacies. Finally, they examine such common problems of history writing as types of evidence, periodization, canonization, styles of narrative, and definitions of key terms.Writing and Rewriting National Theatre Histories will be of special interest to students and scholars of theatre, cultural studies, and historiography.
Author: Mary Kay Vaughan Publisher: Duke University Press ISBN: 0822387522 Category : History Languages : en Pages : 396
Book Description
When the fighting of the Mexican Revolution died down in 1920, the national government faced the daunting task of building a cohesive nation. It had to establish control over a disparate and needy population and prepare the country for global economic competition. As part of this effort, the government enlisted the energy of artists and intellectuals in cultivating a distinctly Mexican identity. It devised a project for the incorporation of indigenous peoples and oversaw a vast, innovative program in the arts. The Eagle and the Virgin examines the massive nation-building project Mexico undertook between 1920 and 1940. Contributors explore the nation-building efforts of the government, artists, entrepreneurs, and social movements; their contradictory, often conflicting intersection; and their inevitably transnational nature. Scholars of political and social history, communications, and art history describe the creation of national symbols, myths, histories, and heroes to inspire patriotism and transform workers and peasants into efficient, productive, gendered subjects. They analyze the aesthetics of nation building made visible in murals, music, and architecture; investigate state projects to promote health, anticlericalism, and education; and consider the role of mass communications, such as cinema and radio, and the impact of road building. They discuss how national identity was forged among social groups, specifically political Catholics, industrial workers, middle-class women, and indigenous communities. Most important, the volume weighs in on debates about the tension between the eagle (the modernizing secular state) and the Virgin of Guadalupe (the Catholic defense of faith and morality). It argues that despite bitter, violent conflict, the symbolic repertoire created to promote national identity and memory making eventually proved capacious enough to allow the eagle and the virgin to coexist peacefully. Contributors. Adrian Bantjes, Katherine Bliss, María Teresa Fernández, Joy Elizabeth Hayes, Joanne Hershfield, Stephen E. Lewis, Claudio Lomnitz, Rick A. López, Sarah M. Lowe, Jean Meyer, James Oles, Patrice Olsen, Desmond Rochfort, Michael Snodgrass, Mary Kay Vaughan, Marco Velázquez, Wendy Waters, Adriana Zavala
Author: B. Christine Arce Publisher: State University of New York Press ISBN: 1438463596 Category : History Languages : en Pages : 352
Book Description
Honorable Mention, 2018 Elli Kongas-Maranda Professional Award presented by the Women's Studies Section of the American Folklore Society Winner of the 2018 Katherine Singer Kovacs Prize presented by the Modern Language Association Winner of the 2016 Victoria Urbano Critical Monograph Book Prize presented by the International Association of Hispanic Feminine Literature and Culture México's Nobodies examines two key figures in Mexican history that have remained anonymous despite their proliferation in the arts: the soldadera and the figure of the mulata. B. Christine Arce unravels the stunning paradox evident in the simultaneous erasure (in official circles) and ongoing fascination (in the popular imagination) with the nameless people who both define and fall outside of traditional norms of national identity. The book traces the legacy of these extraordinary figures in popular histories and legends, the Inquisition, ballads such as "La Adelita" and "La Cucaracha," iconic performers like Toña la Negra, and musical genres such as the son jarocho and danzón. This study is the first of its kind to draw attention to art's crucial role in bearing witness to the rich heritage of blacks and women in contemporary México.
Author: Juan Pablo Dabove Publisher: University of Pittsburgh Pre ISBN: 0822973197 Category : Literary Criticism Languages : en Pages : 392
Book Description
Nightmares of the Lettered City presents an original study of the popular theme of banditry in works of literature, essays, poetry, and drama, and banditry's pivotal role during the conceptualization and formation of the Latin American nation-state. Juan Pablo Dabove examines writings over a broad time period, from the early nineteenth century to the 1920s, and while Nightmares of the Lettered City focuses on four crucial countries (Argentina, Mexico, Brazil, and Venezuela), it is the first book to address the depiction of banditry in Latin America as a whole. The work offers close reading of Facundo, Do–a Barbara, Os Sert›es, and Martin Fierro, among other works, illuminating the ever-changing and often contradictory political agendas of the literary elite in their portrayals of the forms of peasant insurgency labeled "banditry."Banditry has haunted the Latin American literary imagination. As a cultural trope, banditry has always been an uneasy compromise between desire and anxiety (a "nightmare"), and Dabove isolates three main representational strategies. He analyzes the bandit as radical other, a figure through which the elites depicted the threats posed to them by various sectors outside the lettered city. Further, he considers the bandit as a trope used in elite internecine struggles. In this case, rural insurgency was a means to legitimize or refute an opposing sector or faction within the lettered city. Finally, Dabove shows how, in certain cases, the bandit was used as an image of the nonstate violence that the nation state has to suppress as a historical force and simultaneously exalt as a memory in order to achieve cultural coherence and actual sovereignty. As Dabove convincingly demonstrates, the elite's construction of the bandit is essential to our understanding of the development of the Latin American nation in the nineteenth and early twentieth centuries.
Author: Marcela del Río
Author: Marcela del Río
Author: Marcela del Río
Author: Wilberto L. Cantón
Author: 
Author: S.E. Wilmer
Author: Mary Kay Vaughan
Author: Armando de María y Campos
Author: B. Christine Arce
Author: Juan Pablo Dabove
Author: Fernando Carlos Vevia Romero