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Author: Debbie McGowan Publisher: Beaten Track Publishing ISBN: 1786455293 Category : Fiction Languages : en Pages : 107
Book Description
When his music fills your heart, note by note, beat by beat, and your harmonies entwine, effortless, complete. That’s how you’ll know you’ve found the perfect tenor. A cosy festive romance set in the world of Hiding Behind The Couch.
Author: Debbie McGowan Publisher: Beaten Track Publishing ISBN: 1786455293 Category : Fiction Languages : en Pages : 107
Book Description
When his music fills your heart, note by note, beat by beat, and your harmonies entwine, effortless, complete. That’s how you’ll know you’ve found the perfect tenor. A cosy festive romance set in the world of Hiding Behind The Couch.
Author: Annabeth Albert Publisher: Lyrical Press ISBN: 1601835043 Category : Fiction Languages : en Pages : 268
Book Description
There’s no way he’ll shake this off... Trevor Daniels is feeling aimless. A recent college grad, he’s not sure what to do with his useless degree, and his family all but abandoned him after he revealed the truth about himself. But a friend’s suggestion that he take his chances on a reality show aimed at finding the next big boy band strikes a chord with him—until the show’s producers convince him to act like he’s in a relationship with a guy who’s not at all his type. It isn’t exactly love at first sight for Jalen Smith either—but lust just might push them in an unexpected direction. If only their secrets weren’t even more twisted than their sheets, threatening to cost them the win—and each other... Praise for the Portland Heat series “Tremendously charming and sexy.”—RT Book Reviews on Served Hot “A really enjoyable story.”—Joyfully Jay on Baked Fresh “Sometimes an author just gets everything right...Absolutely perfect.”—Guilty Pleasures Book Reviews on Delivered Fast
Author: Ed Sheeran Publisher: Hal Leonard Corporation ISBN: 1540072843 Category : Music Languages : en Pages : 17
Book Description
(Piano Vocal). This sheet music features an arrangement for piano and voice with guitar chord frames, with the melody presented in the right hand of the piano part as well as in the vocal line.
Author: Anna Maria Busse Berger Publisher: University of California Press ISBN: 0520314271 Category : Music Languages : en Pages : 304
Book Description
Winner of the ASCAP Deems Taylor Award and Society of Music Theory's Wallace Berry Award This bold challenge to conventional notions about medieval music disputes the assumption of pure literacy and replaces it with a more complex picture of a world in which literacy and orality interacted. Asking such fundamental questions as how singers managed to memorize such an enormous amount of music and how music composed in the mind rather than in writing affected musical style, Anna Maria Busse Berger explores the impact of the art of memory on the composition and transmission of medieval music. Her fresh, innovative study shows that although writing allowed composers to work out pieces in the mind, it did not make memorization redundant but allowed for new ways to commit material to memory. Since some of the polyphonic music from the twelfth century and later was written down, scholars have long assumed that it was all composed and transmitted in written form. Our understanding of medieval music has been profoundly shaped by German philologists from the beginning of the last century who approached medieval music as if it were no different from music of the nineteenth century. But Medieval Music and the Art of Memory deftly demonstrates that the fact that a piece was written down does not necessarily mean that it was conceived and transmitted in writing. Busse Berger's new model, one that emphasizes the interplay of literate and oral composition and transmission, deepens and enriches current understandings of medieval music and opens the field for fresh interpretations.
Author: Emily Zazulia Publisher: Oxford University Press ISBN: 0197551939 Category : Music Languages : en Pages : 345
Book Description
The main function of western musical notation is incidental: it prescribes and records sound. But during the fourteenth and fifteenth centuries, notation began to take on an aesthetic life all its own. In the early fifteenth century, a musician might be asked to sing a line slower, faster, or starting on a different pitch than what is written. By the end of the century composers had begun tasking singers with solving elaborate puzzles to produce sounds whose relationship to the written notes is anything but obvious. These instructions, which appear by turns unnecessary and confounding, challenge traditional conceptions of music writing that understand notation as an incidental consequence of the desire to record sound. This book explores innovations in late-medieval music writing as well as how modern scholarship on notation has informedsometimes erroneouslyideas about the premodern era. Drawing on both musical and music-theoretical evidence, this book reframes our understanding of late-medieval musical notation as a system that was innovative, cutting-edge, and dynamicone that could be used to generate music, not just preserve it.
Author: Debbie McGowan
Author: Debbie McGowan
Author: Annabeth Albert
Author: John Potter
Author: Sears, Roebuck and Company
Author: 
Author: Ed Sheeran
Author: Briton Hadden
Author: Anna Maria Busse Berger
Author: Emily Zazulia
Author: Percy Goetschius, Mus Doc.