Author: Peter BlyPublisher: Foyles
ISBN:
Category : History
Languages : en
Pages : 114
Book Description
Pérez Galdós, La de Bringas
Author: Peter BlyPublisher: Foyles
ISBN:
Category : History
Languages : en
Pages : 114
Book Description
That Bringas Woman
Author: Benito Pérez GaldósPublisher: Everymans Library
ISBN: 9780460876360
Category : Spain
Languages : en
Pages : 218
Book Description
Written by Benito Perez Galdos, one of Spain's best kept literary secrets and arguably the greatest Spanish author since Cervantes, THAT BRINGAS WOMAN(1884)is part of Galdos's panoramic series of novels about Madrid social life and is alsoindirectly, a novel about the revolotion in Spain.Focusing upon the Bringas household in a manner reminiscent of, and probably influenced by, Zola, it offers a shrewd and none too flattering analysis of feminine psychology and an intimateportrait of marriage.However, unlike Flaubert, Tolstoy and Alas, the other great novelists of adultery of his day, Galdos's view of the subject and its, consequences is both hard headed and humorous rather th
Galdos
Author: Jo LabanyiPublisher: Routledge
ISBN: 1317896505
Category : Literary Criticism
Languages : en
Pages : 272
Book Description
Benito Perez Galdos has been described as 'the greatest Spanish novelist since Cervantes.' His work constitutes a major contribution to the nineteenth-century novel, rivalling that of Dickens of Balzac and making him an essential candidate for any course on the fiction of the period. Jo Labanyi's study is supported by a wide-rangting introduction, a section of contemporary comment, headnotes to each piece and helpful appendix material.
The Spendthrifts
Author: Benito Pérez GaldósPublisher: Pickle Partners Publishing
ISBN: 1789120039
Category : History
Languages : en
Pages : 360
Book Description
Although Spain is a country which has always had a great attraction for English-speaking people, Spanish novelists are very little known to them. Yet Pérez Galdós is not only the most popular of writers in Spain, whose books are a household word among his countrymen, but he is a major European novelist who ranks with Balzac Dostoevsky and Dickens. In THE SPENDTHRIFTS (LA DE BRINGAS) the scene is laid in the Royal Palace at Madrid, where Bringas and his wife hold minor posts at the court of Queen Isabella. Rosalía Bringas is a woman whose passion for dress leads her steadily deeper into debt and who is obliged to resort to more and more ludicrous and precarious devices to conceal her extravagance from a model bureaucrat of a husband. Her friend the Marquesa de Tellería is in a similar plight, while Doña Cándida, a superb parasite and bore, has already reached the end of the same downward path. The rottenness of the whole regime becomes apparent and when, at the close of a sweltering summer, the Army, the Navy and the entire country rise with one accord and the Queen flees to France, the curtain falls on this phantasmagoric society, so brilliant when viewed from the outside but built on poverty and debt and emptiness. Thus THE SPENDTHRIFTS is both an allegory of the ending classes of Spain and a sermon on the classic Spanish theme, made familiar to us in DON QUIXOTE, of illusions and reality.
The Routledge Companion to Iberian Studies
Author: Javier Muñoz-BasolsPublisher: Taylor & Francis
ISBN: 1317487311
Category : Foreign Language Study
Languages : en
Pages : 744
Book Description
This book provides a comprehensive, state-of-the-art account of the field, reaffirming Iberian Studies as a dynamic and evolving discipline offering promising areas of future research. It is an essential tool for research in Iberian Studies.
The Forbidden
Author: Benito Pérez GaldósPublisher: Cambridge Scholars Publishing
ISBN: 144380777X
Category : Fiction
Languages : en
Pages : 403
Book Description
Benito Pérez Galdós, considered Spain’s most important novelist after Cervantes, wrote 77 novels, several works of theater and a number of other tomes during his lifetime (1843–1920). His works have been translated into all major languages of the world, and many of his most highly regarded novels, those of the contemporary period, have been translated into English two, three and even four times over. Of the few “contemporary novels” of Galdós that until now have not come to light in English, The Forbidden is certainly among the most noteworthy. The story line concerns a wealthy philanderer, José María Bueno de Guzmán, who attempts to buy the favors of his three beautiful married cousins. He is successful with the first, Eloísa, a grasping materialist who falls deeply in love with him. Then he rejects her in order to attempt to seduce the youngest, Camila. Meanwhile, the third, the pseudo-intellectual María Juana, jealous, seduces José María. But it is Camila, healthy, impetuous and wild, who resists his temptations and holds our attention. The novelist and critic Leopoldo Alas, Galdós’s contemporary, calls her “the most feminine, graceful, lively female character that any modern novelist has painted.” As a naturalistic study, in the manner of Balzac in particular, principal characters of Galdós’s other novels (El doctor Centeno, La de Bringas, La familia de León Roch) become fleetingly visible in The Forbidden. In addition, the entire Bueno de Guzmán family gives evidence of the naturalistic emphasis on heredity: they all display certain physical or mental disorders. Eloísa has a morbid fear of feathers, María Juana often feels that she has a tiny piece of cloth caught in her teeth, José María suffers bouts of depression, an uncle is a kleptomaniac, one of the relatives writes letters to himself, etc. At the same time, this novel shows the foibles of Spanish society where status is determined by one’s associates, by the wearing of finery, and by living on borrowed money. In their history of Spanish literature, Chandler and Schwartz call Galdós “the greatest novelist of the nineteenth century and the only one who deserves to be mentioned in the same breath with great novelists like Balzac, Dickens and Dostoievsky.” The Forbidden, written at the height of the author’s creative powers, is a major work and its publication for an English-speaking audience is long overdue.
The Spendthrifts
Author: Benito Pérez GaldósPublisher:
ISBN:
Category : Compulsive shopping
Languages : en
Pages : 296
Book Description
This novel is set in 1860s Spain. This is the story of a snobbish, mean-spirited, petite, bourgeois woman, married to an incredible cheapskate fifteen years her senior. Dona Rosalia Bringas has expensive tastes and buys extravagant dresses on credit. Her indebtedness is furthered by unscrupulous friends who use her shamelessly for their own purposes. The novel is an allegory on the corruption of the Spanish ruling classes.
La de Bringas
Author: Benito Pérez GaldósA Comparative History of Literatures in the Iberian Peninsula
Author: Fernando Cabo AseguinolazaPublisher: John Benjamins Publishing
ISBN: 9027288399
Category : Literary Criticism
Languages : en
Pages : 766
Book Description
A Comparative History of Literatures in the Iberian Peninsula is the second comparative history of a new subseries with a regional focus, published by the Coordinating Committee of the International Comparative Literature Association. As its predecessor for East-Central Europe, this two-volume history distances itself from traditional histories built around periods and movements, and explores, from a comparative viewpoint, a space considered to be a powerful symbol of inter-literary relations. Both the geographical pertinence and its symbolic condition are obviously discussed, when not even contested. Written by an international team of researchers who are specialists in the field, this history is the first attempt at applying a comparative approach to the plurilingual and multicultural literatures in the Iberian Peninsula. The aim of comprehensiveness is abandoned in favor of a diverse and extensive array of key issues for a comparative agenda. A Comparative History of Literatures in the Iberian Peninsula undermines the primacy claimed for national and linguistic boundaries, and provides a geo-cultural account of literary inter-systems which cannot otherwise be explained.
Urbanism and Urbanity
Author: Leigh MercerPublisher: Rowman & Littlefield
ISBN: 1611483883
Category : Literary Criticism
Languages : en
Pages : 215
Book Description
Through the study of more than twenty novels produced in Spain from the 1840s to the 1920s, this book explores the literary means by which the social options available to modern Spanish bourgeois citizens were discursively constructed, occasionally before and often concomitantly to their production in reality. As a result, this study is concerned with the interplay of realism and reality in modern Spain. From the earliest folletines of the 1840s to the Modernist novels of the 1920s, the majority of novels written in this eighty-year period are what one might term novelas de costumbres contempor neas, or novels of contemporary customs, and therefore primarily concerned with faithfully copying and moreover influencing real social norms in the public sphere. In these pages, I argue that the spatial and behavioral discourses in the novels of contemporary customs offer a telling history of the evolving formulation of the Spanish bourgeoisie. The linking of novels and urbanism is hardly arbitrary in the context of nineteenth-century Spain. Urbanism, particularly in the nineteenth century, was as much a verbal construction as the novel, as proven by the lengthy treatises of such prominent Spanish bureaucrats, engineers, architects, and urban planners as Ram n de Mesonero Romanos, Ildefons Cerd and Carlos Mar a de Castro. For Spanish intellectuals of this era, city planning and the novel functioned as parallel, enmeshed discourses in which to work out what it meant to be middle class and the roles this class ought to play in contemporary society. In this way, they can be considered associated fields of discourse, in the sense described by Michel Foucault in The Archaeology of Knowledge. Foucault's treatise was a call for scholars to reexamine historical fields and question the historical grouping of knowledge(s) into certain discursive unities, and consider whether these might be broken up and new ones conceived. In this vein, this book undertakes a broader and more integrative view of the Spanish nineteenth century, calling into question the boundaries of fields such as etiquette and urban planning, or literature and touristic discourse.